Name: Defanged by SFX
Duration: 4 min 41 s
Description: https://sfx-space.bandcamp.com/album/blistering

MODERN COLLAPSE - USUAL CASE SCENARIO
(DAWN014)
100 limited copies
CD
@modern-collapse
Produced by Gabriel De Sercey & Hugo Fabry
Mastered by @lastrackqlf
Photos by Melchior Tersen
Design by Hajj
Dawn 2022

Modern Collapse - Stolen Whispers In The Club

‘Inflatable Gravestone’ is the debut album by Mun Sing (aka Harry Wright) released on https://soundcloud.com/planetmurecords on 2nd June 2023

https://munsing.bandcamp.com/album/inflatable-gravestone

The motivating force of the album is the sudden loss of Harry’s father in 2020. Their father struggled with substance addiction and the album explores ideas of 'spirituality' and the ‘higher self’ in relation to addiction and its parallels with the coping mechanisms of grief. It also aims to highlight the importance of humour and distraction when coping with loss.

Serving as a narrative for their own experiences, the album is largely built around club-centred tracks (such as ‘Spider’ and ’Squabble’) broken up by moments of yearning and reflection in tracks like ’The Poison Garden’ and ‘Helhest (Azrael Smirks)’ and moments of dark anguish like 'Inheritor' with its heavy slab-like chords and pensive piano. Flirting with awkward and suggestive rhythms, Wright deliberately suspends moments of resolution and groove in favour of drama and jerky, unexpected cartoonish humour, taking as much influence from the likes of the Art Of Noise as Kyary Pamyu Pamyu. 

Wright rewards the listener with moments of clarity and introspection like flags on the journey, recruiting vocalist MX World to deliver lyrics and melodic ideas created by them and their father. Their father’s journals in rehab helped inform most of the lyrics. Some take whole sentences as a way to physically ‘give life’ to his words for the first time. The lyrics describe feelings, revelations and  apocalyptic hallucinations. MX World's clear, direct tone suggests folk music and the timelessness of the human condition.

The album concludes with the title track ‘Inflatable Gravestone’ which features a chorus of giddy manipulated laughter from Wright’s friends and family to a truly maddening effect. This is then resolved by bright and clear piano chords and the sound of Wright’s father breathing in his sleep. A deeply affecting and personal record with corkscrew twists and turns and a healthy dose of absurdism. 
credits
releases June 2, 2023

All tracks written and produced by Harry Wright. Lyrics by Harry Wright, except track 10 lyrics by Harry Wright and William Wright. Lead vocals by MX World. Additional vocals by Nashne, Akiko Haruna and Mouse.

Mastered by Beau Thomas at Ten Eight Seven Mastering.

Published by Domino Publishing.

Waiting In The Car

https://sfx-space.bandcamp.com/album/blistering

GoGoGo

Defanged

https://lilatirandoavioleta.bandcamp.com/album/accelarated   

"All Day I Hear The Noise of Waters" a signature high tempo hot-blooded, percussion-heavy but slick touch, switching between rhythms and upping the energy on each switch.

@verraco - @sinmaldita - @lilatirandoavioleta

Hyperdub Records 2024

ACCELARATED

All Day I Hear The Noise Of Waters - Lila & SIn Maldita (Verraco Remix)

Digit0nica & Tufi - Nox-flamma [OMB0011]

Digitonica and Tufi embarked on a collaborative journey a year ago, exchanging sounds throughout the web. Their partnership resulted in a mesmerizing EP, weaving threads of connection through the storm. This vibrant collaboration traverses unseen dimensions, defying classification.

DIGITONICA - audiovisual artist, sound designer, singer, and electronic composer, based somewhere on the internet. Having worked in the past with a variety of genres, at the moment is engaged in post-electronics, post-internet, post-club, meta-punk, deconstructed music with an interweaving of academic and pop tradition and a lot of voice manipulation like alien processing. The music has a psychedelic and surrealistic tone, like a living voice coming from the digital environment. Hosts her own show "Lunar Prism '' on Ola radio. Published on such labels as Postworld, Hyperboloid, Mutants1000000, Internetghetto, Infinito Audio, Hyperlink, Exiles and more.

Argentinian DJ/producer and sound engineer based in Berlin.
His artistic output acknowledges the diversity of different musical genres and converges them through wild and experimental productions and DJ sets. While exploring the eclectic, deviant and niche subgenres of electronic music, Tufi likes to relentlessly hop between styles to enchant listeners with hard-hitting breakbeats on one hand and blissful sonic sensations on the other.

release date: July 19, 2024
All tracks produced by Digitonic & Tufi
Mixing & Mastering by Digitonic & Tufi
Cover artwork: Digitonica & Asdrúbal Gómez

NÜ PREMIERE : Digit0nica & Tufi - Swarm (OVER MY BODY)

After a quiet period, ZEAN returns with his fourth solo EP, "No Roots" on Gully Riddim. These tracks were produced during the pandemic and are distinctly different from his earlier work. He uses a sombre atmosphere and fragmented, unpredictable rhythms, combined with various distorted and overloaded sound samples of both humans and animals, attempting to diversify his sound and break free from his own stereotypical and fixed creative approach. This is also a form of self-criticism against this culturally barren land. The EP includes five of ZEAN's tracks, along with two remixes, one by Argentinian producer Jaiiu and another by South African producer Jumping Back Slash. Both remixes reduce the experimental sounds of the originals, simplifying the song's rhythm and structural changes, and making them more friendly for the dance floor.

ZEAN在一段时间的沉寂后，在Gully Riddim带来他的第四张个人EP ”No Roots“。这些制作于疫情期间的声音明显的不同于他早期的作品，他用暗沉的氛围感与破碎的不固定节拍，结合各种添加了失真和过载效果的人与动物的声音采样，试着使其更加多样化，以此打破自身刻板和固定的创作思路，也是向这片文化贫瘠的土地表达自我的批判。此EP包含5首ZEAN的个人曲目以及两首Remix，分别来自阿根廷制作人Jaiiu，南非的Jumping Back Slash。两首Remix都减少了原曲的实验性声音，简化了歌曲的律动和结构变动，使其更加适合舞池。

Artist: Zean @zeanmusic
Remixes: @jumpingbackslash @jaijiu
Title: No Roots
Label: GR Recordings
Cat No: GR012
Cover: StoRmAB
Mastering: Zean
Release Date: 28th, July 2024
Format: Digital

Released by:
GR Recordings

3. Unknown Outcome Is Always Better

Plasma Sources marks its 5th release with Cortical’s debut EP, Wretched Patterns and Terrible Mistakes. Pulling from both the extreme fringes of experimental music and the minimalistic tendencies of the UK bass continuum, the duo’s much-awaited first release acts as the locus point between dance floor sensibility and sonic exploration in its most immersive, visceral sense. 

Cortical are world builders first and foremost. With backgrounds rooted as much in the visual arts as audio, the duo’s live AV show has already garnered critical acclaim after standout performances at Sonár and Lunchmeat. Coupling this with their list of past collaborators - which includes the likes of Holly Herndon, Arca and Skrillex - and it becomes easy to see why there’s so much hype around Cortical right now. Indeed, this EP is the culmination of months of building excitement amongst those in the know, as fragments of raw footage captured from Cortical’s shows begin to amass on social media. 

Wretched Patterns and Terrible Mistakes itself feels like the auditory equivalent of a fragmentary existence forming, fragmenting and reforming again. Noise and distortion act as integral threads throughout the EP, but on Telúrica, they takes centre stage. Brittle percussive calls give way to a thick wall of bass-laden, cinematic viscerality which hits the listener almost as hard as the ensuing rhythmic carnage which erupts halfway through. 
Mortar, immediately fires away into more rhythmic madness, as elements of dubstep, metal and grime coalesce into blasted kick patterns which sound like the contractions of an eldritch machine’s digestive tract. Noise-tainted bass tones take over, tearing in and out of reality as Mortar progresses into deeper territory.

Up next, Shiny Surgery provides a respite, with electro-tinged drippings of lasers and wet gloops lifting the listener into a more sanitised and lighter space than its predecessors. Cortical’s extreme musical influences are still at play here with their signature eroded bass weight and splintered percussion on display, but in a more restrained sense. As the halfway point comes in, so too does the most introspective section of Wretched Patterns and Terrible Mistakes, as cinematic floating pads de-sterilise the space. 

Finishing things up is the namesake of the EP and arguably the most anthemetic listen of the release. Demented vocal chants call out across a disintegrating claustrophobic space, before grime kicks and fragmented breakbeat loops explode into existence, demanding full dance floor attention.

Cortical - Mortar

My Remixed Version 2025

➡️Free Download⬅️
https://music.dj-niteflyone.de/gravedgrnegitivseeyouinmydreamsdjniteflynermx

➡️Free Download⬅️

GRAVEDGR & Negitiv - See You In My Dreams  (DJ NITEFLYØNE Rmx)

~F*CK YOU, YOU'RE MY B*TCH - AND YOU PICK THAT SH*T UP~

Single from @yungadultxx's debut self-titled EP, forthcoming 18/12/20 on @hi_nrg.

Mastering: @morair
Artwork: Ryan Huff

Pre-order: https://hi-nrg.bandcamp.com/album/hard-fantasy-ep

Hard Fantasy EP

PREMIERE: Hard Fantasy - Hard Relate [Hi-NRG]

interdisciplinary conspiracy run by @zoemcpherson

https://s-f-x.space/

Defanged

SFX

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