Vault Sessions x Bassiani opening set at RADION, Amsterdam.

I-RO @ Vault Sessions X Bassiani | 03.12.2022

Freddy K, BASEMENT’s latest resident, takes over for BASEMENT 009. The KEY Vinyl label boss has been responsible for more than a few outstanding nights at the club, including our first-ever all-night-long set. If you know his name, you know his reputation: Freddy K is a bonafide underground hero, with a devotion to true-school techno that can legitimately  be called “uncompromising.” In this mix, he opens up a portal into another world, taking us deep into the heart of the spacious, psychedelic sound that is his calling card.  
— @freddy_k_berlin

BASEMENT 009 - Freddy K

This year, the spanish techno legend Oscar Mulero will return to the stage at rural, and we are happy to share the recording of his closing set at “rural at New Acao” in 2022.

This three-hour raging techno set guided the audience to the most intense and deeper world in the otherworldly main floor of “New Acao”, a gorgeous Showa-era building overlooking the sea.

今年、再びruralの舞台に戻ることになったスパニッシュテクノの生きる伝説 Oscar Mulero による2022年の“rural at New Acao”でのクロージングセットを公開します。

来場者の記憶に深く刻まれることになった、海を一望できる豪華絢爛な昭和建築“ニューアカオ”の異世界的なメインフロアの中でも、最も激しく、より深い世界を案内することになった3時間に及ぶ怒涛のテクノセットをお楽しみください。

rural Podcast 014 Oscar Mulero

FOWRU 001 | Eerste Communie invites TENO

I-RO is an Amsterdam based artist originally from Istanbul, whose musical journey began with drumming and a deep curiosity for exploring diverse genres.

Her sound is defined by a blend of powerful elements, creating an entrancing flow that draws listeners in. Influenced by a wide spectrum of electronic sub-genres. 

With a natural gift for storytelling and a focus on keeping the dance floor alive, I-RO’s performances go beyond sound—they are full sensory experiences that invite the audience to lose themselves in the rhythm and forge a deeper connection with the music.

Soundcloud: @i-roo
Instagram: https://www.instagram.com/i_ro____/?igshid=YmMyMTA2M2Y%3D
Resident Advisor: https://ra.co/dj/i-ro

RP. 081 I-RO

NDYŪKÅ PODCAST #18

KWINTI WITAGRON

Kwinti is the smallest of the six recognized maroons of Surinam. They formed their communities in the rainforest and have their own marron language Kwinti.
Witagron is one of the main settlements and home to the Kwinti. Until this day the strength of the six tribes are very present where even still the smallest communities have the biggest impact.

At my sweetspot this one hour mix is recorded at 144 bpm. I've emphasized sexyness and groove but at the same time find deeper moments without letting go tension. Dansi yere!

KWINTI WITAGRON

Waves of pulsing, layered techno from the revered Mala Junta resident.

If the electronic music industry is caught in the crosshairs of a battle over what makes for true techno, then D.Dan is one of the underground's great modern emissaries.

A figurehead from the new guard of DJs to arise in the '20s, the Berlin-based artist and Mala Junta resident is an ambassador for a sound that is strongly anchored in the classic roots of techno. His productions, like his mixes, are revved-up takes on the hypnotic wormholes that defined dance floors last decade, but with a fresh (and high BPM) millennial twist. 

Originally from Seattle, D.Dan became enamoured with the spectral stylings of psych rock and shoegaze in adolescence. It's not difficult to see how the cosmic tapestry of bands like Cocteau Twins became a blueprint for the entrancing music he's gone on to make as an adult. His releases on Mutant Future and summerpup are latticeworks of loops and layered percussion, custom-tooled for lost hours on the dance floor and drawn-out mixes behind the decks. 

This approach directly extends into his DJ practice, where he pairs song selections from contemporaries that mirror his own reduced, controlled approach to techno. RA.994 is a Grade A display of contemporary four-to-the-floor from flagbearers like Roll Dann and Marcal.

And like D.Dan's standalone records, his RA Podcast finds room for sweetness—the intermittent peal of an open clap, the steady ripening of a chord—while ultimately emphasising the beauty of function and form over flair.

@ddan-sounds

Find the full interview and tracklist at ra.co/podcast/994

RA.994 D.Dan

The Lady Machine is back for another round of Podcast fun for Bassiani Podcast 266. Born in Rio, based in Berlin, Camila Milieme developed an ear for techno at a young age, attending Brazil’s Galaktika parties and picking up tracks from radio show Novas Tendencias before landing her first gig at the fresh age of 21, and at the famed Bunker 94 in São Paulo no less. Following studies in music production in the UK, she eventually landed in Berlin and channeled everything into a dual career as DJ/producer. Her vinyl sets were, are, contagious and brimming with rapid-fire basslines, relying heavily on the type of techno à la Detroit that has been so foundational to the genre without aging a day. These ones she’s published on Mote Evolver, half of Unterwegs with musicmate Decka and resident at free-spirited Berlin party series Pornceptual. A successful crowd-DJ alliance is no easy task, but twenty years of experience have sharpened her instinct for sound and the people she’s playing it to. Driving techno that lurches along on a razor edge, slamming rhythms that vibrate through the body, the magical and unquantifiable substance that allows the very best raves to coalesce. Whatever it is she has it in spades and this latest instalment proves it. This recent number’s a cut from her live set at Bassiani in mid April; rampant grooves and low-end layers picked, welded together and distorted by this singular Brazilian talent, and mastered by @neptunemastering. The Lady Machine’s chopped-up beats are a techno purist’s dream, this newest arrival makes it reality.

@theladymachine

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