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I honestly can’t believe that summer is already over. Well, I know that technically, it ends sometime around September 22nd in the Northern Hemisphere (sorry, Australian friends), but still, today is the end of August, and somehow it feels like the last page in a chapter before we move to the next. This one felt shorter and winter is coming. Night gathers, and now my watch begins. Er… sorry, I got carried away there for a second. It’s not nearly as dark here as in the world of ice and fire, and if need a bit of daylight I can turn to Simeon Walker and his upcoming four-track EP, from which I am happy to share a track with you today, appropriately titled “Gleam”. Elegantly executed on his upright piano (recorded in his living room), this charming transitory piece says all there is to say in its brief lifespan. The EP tastefully moves on into a slightly sentimental space, where Walker intimately shares the sound of his ache perceived in silence. And in the span of all of ten minutes of its time the music’s gone, the way the summer’s gone, and all the sunshine with it. The good news here is that I can hit “repeat”. The release has been mastered by Martyn Heyne and the beautiful album artwork drawn by Gregory Euclide. This collection of pieces is the first instalment in the new series of EPs under the name Imprints, with its initial self-released volume out on October 29th, 2021.

"Imprints offered me the opportunity to return to my first love – the felted, solo piano that means so much to me […] The pieces are shorter than I have often released – quick, fleeting moments in time, yet still, I hope, intimate enough for listeners to imagine listening to me playing them in the context of my front room, where I make most of my music and where I feel most at home." — Simeon Walker

Imprints

Gleam

TRACK PREMIERE : Simeon Walker - Gleam

Oscuro - Self Acceptance | Chillstep

►Stream: https://fanlink.to/oscuro-self-acceptance

Hello my friends! Here is my new track 'Self Acceptance'. This track was inspired by my own journey towards acceptance. I hope you are all well and I hope you will enjoy this track. Take care

❤️🙏

2020 rewind playlists:
►Spotify: http://spoti.fi/38k3hTW​​​
►Soundcloud: http://bit.ly/37vjcj9​​​
►YouTube: https://bit.ly/3gXoh73​​​

Support:

►Bandcamp: https://oscurochill.bandcamp.com
►Spotify: https://spoti.fi/2SRwu3I
►Apple music: https://apple.co/2XgoNCZ
►Everything else: http://linktr.ee/oscuro

Follow:

►Spotify: https://spoti.fi/2SRwu3I​​​
►Soundcloud: https://soundcloud.com/oscurochill
►Audius: https://bit.ly/3bNAo8E
►YouTube: https://youtube.com/c/oscurochill
►Instagram: https://instagram.com/oscurochill
►Facebook: https://facebook.com/oscurochill
►Twitter: https://twitter.com/oscurochill

Donations: https://paypal.me/oscuromusic

Original photo:
►https://unsplash.com/@knipszimmer
►https://unsplash.com/photos/32QDAGrzo0s

#oscuro​​​ #oscurochill​​​ #chill

Download

Self Acceptance

Select your favorite platform:  https://ampl.ink/nRx88 
It's the 4th volume of the Piano Textures Series started in 2007.
Orders on CD and 12" Vinyl: https://bit.ly/PT4-order 
"The newest installment of timelessly acclaimed picturesque storytelling, Piano Textures 4, invites the listener into magnificently intense piano minimalism. These nine compositions are evocative sonic sculptures, meticulously carved, yet they indeed present different textures".
Analog mastered by Ian Hawgood
Cover by Slovenian photographer Anja Matko 
www.bruno-sanfilippo.com

Piano Textures 4

Piano Textures 4  IX

Select your platform

از کرخه تا راین // مجید انتظامی

"The Fish Fall In Love"

لطفا در صفحه فیسبوک (موسیقی خوب بشنویم) همراه ما باشید
Please Fallow Us on Facebook
www.facebook.com/GoodMusicToHear

Ali Samadpoor_The Original Past Memories II

@conoralbert

'College Music Presents: Back on Track' is a twenty nine track compilation featuring original music from artists and producers the world over. 'Back on Track' aims to act as a beacon of hope after a tricky few years across the world. College Music Records have carefully selected a wide range of artists to feature on the project, spanning from UK, America, Europe and beyond. The end result is a wide array of uplifting vibes, from instrumental beats and jazzy joints to euphoric vocal breakbeats and lo-fi house, featuring the likes of Tennyson, Cookin Soul, Athletic Progression, L'indécis, edbl and a lot more.

Listen to the compilation on all platforms:
→ cmrecords.co.uk/back-on-track

The artwork itself, done by the incredible Doug John Miller (http://instagram.com/dougjohnmiller) reflects the journey from the darker, lockdown days to present day and beyond, where things are looking far brighter. We aimed to represent this positive shift in the music selected within the project, hoping to offer a glimmer of light to people in their dark days.

The project title ' Back on Track' reflects how things have come off the rails in the past few years, but that better times are on the way, and as a collective, we are gradually getting 'Back on Track'.

Thank you for listening!

Golden Hour

Conor Albert - Golden Hour

The world has become bombastic. Ironically, even among the most minimalist and ambient communities. The labels trying to out-shout one another: “listen to meeee!” they proclaim, sometimes in ALL CAPITAL LETTERS, with descriptions in press releases spanning multiple pages of concepts and tales. And I don’t really blame them for that – it’s impossible to stand out these days, to “capture” your attention (the most important currency we “pay”), and to turn that focus into plays [what comes after, is a whole other story]. And then there are artists (and labels) that seem to continue their modest and humble quest for the essence that we may extract from this wonder we call ‘music’. They come unexpecting to share the love. One of such imprints remains the Québec-based Moderna, which searches the globe for the next hidden gem. It has introduced me to many new and up-and-coming composers, which have remained on my playlists and Best of the Year lists. Their latest small gift comes in a form of a four-track EP from a Dutch musician Jeroen Dirrix (he’s put out some singles and appeared on Moderna’s compilations before). It’s a 20-minute glimpse into a place behind the space that occupies the concrete jungle of the cities where we dwell. In this particular case, it is his city of Rotterdam (which I find to be architecturally beautiful, by the way), that quietly yearns for the nature which has since receded in urban defeat.

"Jeroen Dirrix dreams up an imaginary escape from his urban studio centred around the acoustic piano, with the soothing sounds of analog synthesizers and field recordings weaving their way meditatively through the soundscape."

A Hidden Place

TRACK PREMIERE : Jeroen Dirrix - Call the Flood

After several pieces for solo piano, I needed to compose something with a little more instrumentation, in this case just piano and strings.
"We'll dance again" That's what this song suggested to me. A romantic theme.

I hope you can enjoy it.
Regards!

We Will Dance Again

İmamyar Hasanov & Nermine Memmedova --- Ay Işığında

Retour à la maison - Wojciech Kilar

The Knights performing part IV of the Jacobsen/Aghaei collaborative composition. Recorded live at the "Dumbarton Oaks" estate on October 8, 2013.

Colin Jacobsen/Siamak Aghaei -  Concerto For Santur, Violin, And Orchestra - Part IV

"Reality" theme for the mini documentary "A Neighborhood At The Limit", commissioned by Parallaxi, realised by DesTV, directed by Giorgos Skandalaris. Screened at Olympion / Thessaloniki / 10 June 2015.

A Neighborhood At The Limit - Reality Theme

Arnalds has shared this on his tweeter!

------------------------------
dedicated to Olafur Arnalds and one of his best works

کيهان کلهر و سيد جواد ذبيحي و عليرضا قرباني و همایون شجريان و الافر آرنالدز و سينه زنها و من دور هم جمع شده بوديم، که اين اومد بيرون

music used in this cocktail:
Olafur Arnalds - Near Light
Kayhan Kalhor improvasation on Nava
Seyed javad zabihi - monajat
Alireza Ghorbani - bigharar
Homayoun Shajarian early days live in Tv with father
Muslims mournings chest beating
my guitars

Eastern Arnalds (Near Iran)

Pyotr Ilyich Tchaikovsky - The Nutcracker Suite, Op. 71a. III. Waltz of the Flowers

وحدة - فرانز شوبرت

Don't Let Me Leave

Margarette II 

composed, performed, produced by: Manos Milonakis

A pianistic venture based on "Margarette" (a track for Piano Day 2018, part of "Intervals" compilation by Moderna Records: download/buy: modernarecords.bandcamp.com/album/intervals)

www.manosmilonakismusic.com
www.pianoday.org

Margarette II

Margarette II (Piano Day 2019)

05 - Bruno Sanfilippo - Primavera

Thessaloniki-based composer, producer and multi-instrumentalist Manos Milonakis debuts on piano and coffee records with "The Seagull", a synopsis of his original score for Russian dramatist Anton Chekhov’s play of the same name, directed by Yiannis Paraskevopoulos for theatres of Greece and Romania.

The first musical lines of this project were drawn while in Romania, where together with the director, Milonakis travelled to prepare a show for Craiova’s National Theatre. The post-communist atmosphere, the humid streets, the sense of modern balkan darkness contrasting with incredibly vivid painted walls, strong flavors, smells, and amazingly passionate and friendly people would be decoded into music for the classic Russian play. The thirteen tracks in "The Seagull" blend melancholic piano melodies, soaring strings, gentle electronics, atmospheric haze, and evocative soundscapes. Sometimes discreet and others at the forefront of a strong narrative, each piece pours itself into the other like communicating vessels, coexisting with romantic encounters, philosophical arguments, family quarrels and a series of unanticipated arrivals and departures. Piece by piece, Milonakis masterfully introduces us into a world of frustrated lives and unrequited love.

Even though "The Seagull" was composed in 2015, a year before his previous release, "Festen", it took Milonakis significantly more time to decide it was the right moment to release it. “During these years and working in-between other projects”, he says, “I sometimes looked back in my hardrives and these recordings always resonated inside my heart. Having performed the music extensively in concerts was also revealing an urge to me: that I should probably share this stuff with the world”. This brought him to Denmark, where he had the pleasure to have some piano re-recorded and the full album freshly re-mixed by Ed Carlsen at his studio in Kongens Lyngby.

"The Seagull" releases on 13 March 2020 via piano and coffee records worldwide, and is available on limited edition CD and digital formats, with artwork by London-based illustrator Jordan Amy Lee.

Credits:

Recorded and mixed by Manos Milonakis and Ed Carlsen between Thessaloniki and Kongens Lyngby.

Mastered by Manos Milonakis at -1 Studio.

All instruments performed by Manos Milonakis except:
Violin: Christina Georgeli, David Bogorad
Cello: Thodoris Papadimitriou

Artwork by Jordan Amy Lee
Layout by Rita Silva

Big thanks to Yiannis Paraskevopoulos, T.N.M.S Craiova-Romania, all actors and contributors, Sergio, Ed, Eirini, Mihalis, Etten, The Salonico String Quartet, my friends and family.

Manos Milonakis - Treplev's Song

About Us - Opening Theme


آنجا ک زبان از سخن باز می ماند موسیقی آغاز می شود ...
https://t.me/Deepmusicpro

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Sadi