A qasida (devotional ode) that appears in the Diwan of Sidi Muhammad ibn Al-Habib (May Allah protect his secret); there is reason to believe it may have been written by Qadi Iyyad, the judge of Granada, during Muslim times. 

Vocals, guitar and arrangement by Medina Tenour Whiteman, and vocals by Ahmadou Bamba Diawara in the Alpujarras of Granada at Rene Van Veelen's studio; he features on piano, bendir and djembe. Photo by Zak Whiteman

Kam Laka Min Ft. Ahmadou Bamba

Allah Names Alkhulasah  - أسماء الله الحسنى

 -The Noble Naqshbandi Order proudly presents the ancient sufi teaching and realities of the Prophetic Kingdom . Known as the Muhammadan Reality Mawlana Shaykh Hisham Al Qabbani Representing the Sultan al Awliya of THe Naqshbandi Haqqani Order Mawlana Shaykh Muhammad Nazim al Haqqani As Sayed Nurjan MirAhmadi student of the way
The Seekers of The Heart, The Lovers of the Prophetic Reality As ancient as time itself , seek to be a servant of the light and lovers. Naqshbandi, Qadiri, Chistiyya, Shadiliya, Rifai, Inyat Khan, Alawi and many more All are the Muhammadan Representatives to Creation http://nurmuhammad.com/pbuh/ is pleased to present the Muhammadan TV. Network
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Shaykh sayed nurjan mirahmadi

04 - Ya Muqatal

This album has been a long time coming. It showcases a very specific form of Islamic devotional singing from South Asia / The Indian Subcontinent, commonly referred to as “Na’at”, literally “description” in the Arabic origin of the word, and specifically in praise of The Prophet (ﷺ). Most of the more commonly spoken languages in this region have a na’at tradition – Punjabi, Urdu, Bengali, Malayalam, Tamil, and others. For this album, I’ve selected a few from my most favourite Urdu ones that I’ve heard and sung growing up. (There’s more than a few that I’ve deferred for future releases.)

For those who are new to the Na’at genre, it comprises of poems recited in solo acapella, without any dependence as such on any accompanying percussion or backup vocals. This is a difficult genre to excel in – there’s nothing whatsoever for the vocals to hide behind, and it takes a certain amount of fearlessness to do this live. Many talented and accomplished contemporary reciters have experimented in recent years by adding a vocal chanting percussion, but I wanted to go totally old school with this rendition.


DEDICATIONS:
I’m specifically dedicating this album to first to the elders in my family – both sets of my late grandparents, and both sets of my wife’s late grandparents. My wife’s grandmother, Nani Ammi, was the most recent to pass away from among our grandparents. Whenever we would visit her, after our meals, she would make the entire family go silent (all 536 of them!), sit me down by her knees, and announce, “Everyone will be silent now! My son will recite some na’at!” I now make it a habit to recite a na’at every time I visit her grave in Sheffield UK, and have hope in my Lord’s generosity that He allows her to hear it.

This album is also dedicated to my parents and to my parents-in-law, who have always appreciated these na’ats every time I’ve recited them in their presence.

And lastly, this album is also dedicated to our dear recently departed sister, Sr. Parween Baksh, who would often request these Urdu recitations whenever we would visit her home and would enjoy them greatly.

ACKNOWLEDGEMENTS:
Many thanks go to my wife, Dr. Bano Murtuja, who had been encouraging me for over a decade to record and release a na’at album. She was also instrumental in the actual recording process by being my soundboard and director in the studio. Like many of my professional achievements, this wouldn’t have happened without her involvement and encouragement.

Thanks are also due to my dear friend Mohamed Adel Rassoul, who snapped the picture on the cover art when we visited the Best Of Creation (ﷺ) in March of 2022, and to my producer in Toronto, Norm Sabourin, who did an amazing job with the final production, creating just the right ambience for a sound that’s entrancing, contemplative, and sacred.

All album credits, lyrics, and translations, will insha’Allah be posted on the Discography page when this album becomes publicly available on Monday, Dec 12, 2022.


Please recite the Fatiha** and send prayers on the Beloved Messenger (ﷺ) on behalf of everyone who has worked to bring this song to you.

__________________________
** The first chapter of the Holy Qur’an

Dayāré Mustafā

Na Pūchhô

Na Pūchhô (Don't Ask) - Nader Khan - Dayāré Mustafā

The Third Tradition 03

01 Track 1

Salawat based on a Navajo chant
Shaykh Abdal Hakim Murad (Hafidullah)



Chama Blessing - Shaykh Abdal Hakim Murad

Hadra With Shaykh 'Abdel Rahim, the son and successor to Shaykh Buzidi al Bujrafi at the Zawiyah in Nador

Hadra With Shaykh 'Abdel Rahim

This is a live recording from a gathering in South Africa at a masjid.  It was recorded on just a regular phone, and I've kept it raw without effects or noise reduction in order to leave the moment untouched.  Thank you Uncle Ebrahim Kazee for sharing it. :)

Nader Khan: Tu Kuja Man Kuja voice-only live in South Africa

-Honored to visit Taleef Chicago Again to recite the Inaugural Burdah with sidi Usama Canon, and sidi Ibrahim and Dr Umar Farooq Abdullah and Biabani Brothers in Dec 15 2016. Another Historic moment Alhamdulilah!

-Social Media follow links Below-

-Youtube Page-
https://www.youtube.com/user/uthmanames-Facebook Page-

-Facebook Page-
https://www.facebook.com/UthmanAmesNasheeds/

-Instagram Page-
-Instagram-https://www.instagram.com/uthman_ames_nasheeds/

-Thank you for your continued support by sharing, liking and following on social media and allowing me to share my gift and art from God. May God bless you all and continue to strengthen our light within and continue to keep spreading love and mercy to the world and please continue to keep me and my family in your prayers.

With Gratitude,

Uthman Ames

The Third Tradition 03

Saalif Saddique

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