Established in London, 1999.

#HouseMusicAllLifeLong

Touring internationally since 2009, Groove Project have played in Dubai, Beijing, Paris, Australia, Singapore, Doha, Ukraine and Ibiza, plus London venues Ministry of Sound, Pacha and Proud2 / Matter.  

The Groove Project production sound fuses deep house with elements of garage, techno and electro.  The music is dancefloor-focussed, with weighty percussion, sharp synthesisers, rich vocals and colourful effects.

Grant Nalder is no stranger to the London clubbing scene and has been spinning tracks in all of the capitals best clubs for over a decade his long residency with long standing brand Kinky Malinki has seen Grant play on the numerous tour dates around the country with annul trips over the that magic island of Ibiza in the summer months notching up many hours playing under the stars.

5 years ago Grant started to get his head down in the studio and produce many great tracks that have featured original works & remixes on Defected, Toolroom, Stereo production, Strictly Rhythm, Rising Music, Ubanna, 1605, Flooplay, Maquina Music to name a few!! 

Balancing an over hand for masterful beats alongside his ear for outstanding melodic developments, Grant Nalder remains a leader of his craft on the merits of creative integrity and the burning passion for spirited floor fuel that seeps through his eclectic studio output. Against the multitude of insincere movements currently condemning Electronic music to an age of tedium Grant Nalder is certainly a safe bet for those seeking the fierce heat of the sun in their daily House rituals.

The Nicest Smelling DJ In The Game ™️

Live Sound Supervisor / Sound Engineer / Live Sound Recording / Mastering for Streaming and Broadcast - Not a DJ! or a maker of music, just mainly recording and showcasing talent! DM me for recording enquiries.

MGMT: becci@frameartists.co.uk

A contemporary UK electronic music institution, Eats Everything (AKA Daniel Pearce) has a global reputation built on versatility, superlative skills and a positive outlook - core fundamentals that have made him one of the most in-demand artists around. With his roots firmly embedded in the vibrant, influential music culture of his hometown, Bristol, Eats Everything channels his broad musical palette into every aspect of his output. In 2021 the globetrotting DJ, accomplished producer, prolific remixer, label owner, radio host and mastermind behind a collection of popular party brands will celebrate 10 years of his now infamous pseudonym.

Here at Kinky Malinki HQ we genuinely pride ourselves on what we do. We have been playing House Music in an ever-changing and ever-evolving London, for over twenty-five years!

It all started for me at around 13 years old as a secondary school boy, when I became fascinated with Electronic Music. I was a big Depeche Mode, Yazzo and Tears for Fears fan, so I liked modern bands using technology. I used to go to Trax Records in Greek Street with my best pal at the time Charlie,  and we'd spend the day in Soho Record shops, and listen to the music they played. One of the first tracks I bought was the beautiful Balaeric classic, 'Song for Denise' by Piano Fantasia in 86' when I was just 13 years old. From then I was hooked and passionately in love with this new electronic sound with a beat.

I'd scraped money working in the school holidays to buy my 1210's and a vinyl addiction continued.

I got my first DJ residency in 93' at Labrynth,which was all down to my new friend at the time Vinyl Matt (a redident at the club). It was filled to capacity every Friday and Saturday at the infamous Four Aces club (orignally a Reggae venue) in Dalston Lane and ran by the enigmatic Joe Wieczorek & lovely Sue, who I idolised at the time. 

A rave club at heart, however having house music secondary rooms where I played my first sets. I used to also visit all the record stores within the M25 making sure Joe's Labrynth flyers were stocked up. and giving out the free comps he'd give me for store managers and owners, picking up obscure but brilliant music along the way.  I was in heaven during this period of my life!

After finishing at Labrynth, and missing DJ'ing to a crowd badly, I started putting on my own parties in 95'. These were small local nights, hiring restuarants and bars and filling them up with friends and their friends. some of my pas played at various London nights such as Release the Pressure and Just Can't Get Enough. I also managed to get CJ Mackintosh play for me as he was a lifetime friend of a pal of mine ar the time. 

After moving upwards with bigger venues, I took the plunge in 98' and hired a proper club with a bigger capacity, Imperial Gardens, and Kinky Malinki was born. 

I had to lie blatantly to Raymond at Imperial to even hire the club as I had no big venue history at all.  These were the days before social media existed.  It was sacks and sacks of letters getting franked at the post office and lots of weekends without much sleep giving out the 60,000 flyers we'd had printed.

Together with co-promoter Paul, we put on nights at Imperial Gardens., The Glasshouse, Aquarium, The Ministry of Sound, The Cross, Turnmills, El Divino and my favourite parties at our monthly residency at Pacha London (where we were the longest running residency). 

We were also guests around the UK at some of the most popular nights of that era, such as Ultra Vegas, Eye Candy, Hotdog and many, many others.

I stepped away from running the parties years ago for personal reasons, but the passion for house music never, ever fades. 

I'm still as in love with the music 35 years later, as I ever have been ❤️

Kinky Malinki 25th Anniversary Part 2 30.11.2024 at 93 Feet East 

Details of all Kinky Malinki events at www.kinkymalinki.com


Soul Avengerz are no newcomers to the industry, being an integral part of the London house scene for over 30 years now. 


In today’s climate most artists carve out a production profile before proving themselves as DJ’s. It is this that often leads to most artists’ productions being more dance floor orientated the more experienced they become, as they gain that all important first hand knowledge of what it takes to rock a packed dance floor. As DJ’s first and foremost, Paul and Wayne already had intimate knowledge of what worked in the main rooms up and down the country, so it was a simple case of applying this knowledge to their production work, and it is this that has led to their immediate rise to fame.

House music has come to attract all manner of less than complimentary connotations as the scene has grown up, but at its core the term still implies crowd pleasing main room music..

They soon became known for their love and devotion to all things house and 15 years on there still here, passionate as ever and still love struck with “house music”

The moral of this story is that through all the genre twisting monocles that have been administered to different types of house that have become popular. The Soul Avengerz have followed their hearts and made music for the house coinnissure. Having had to ride the wave of house coming and going in & out of fashion over the last decade..And what a decade it was for the soul avengerz:

No one does peak time floor fillers better than the Soul Avengerz. Quickly establishing a staggering production profile, the boys caught the attention of some of the UK’s major record labels, with remix work for CR2, Positiva, Ministry of Sound, Manifesto, Sony BMG, Mn2s, Gut, Hed Kandi, Milk&Sugar, Universal, Island, Emi and Strictly Rhythm promptly following... From the anthemic funk of ‘Love You Feel’ & ‘One Love’ to remixing for Marshall Jefferson, Queen, Lee Caberra, Axwell, Bootyluv, Inaya Day, Nightcrawlers, George Benson, Kaskade, Kid Massive, Beyonce, Chris Lake, Blondie, Tom Novy, Alison Limerick, Joey Negro & Michelle Weeks..

Soul Avengerz
Eat, Breathe, Live for house music

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