prog tech

▶ Check the live jam version https://youtu.be/bPFh2Hnb7sk

Plasmata

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Voxnox exclusive Premieres got created to support labels, renowned/ emerging artists, and friends from the scene.

Release Date: 13.05.2021
Graphic Design: Karina Przychodny Avila
Catalogue: SOSCOL1
Format: Digital
Label: @inherencia_records

Support the NGOs defending Human Rights and self-organised Initiatives in Colombia and buy the compilation here: 

https://inherencia.bandcamp.com/album/sos-colombia-v-a-part-i-against-the-violation-of-human-rights

Since April 28, Colombia entered into a national strike catalyzed by a new tax reform in the midst of a brutal economic and social crisis exacerbated by the pandemic. The government tried to shift the burden of tax collection back to the middle and lower classes. Parallel to the peaceful protests, there are organized groups of criminals using the protests to incite violence and even attacking other neighborhoods. The police and military forces executed hundreds of violent acts in the demonstrations and peaceful protests that still continue and that leave to date (8.05.2021) according to Human Rights International, 43 assassinations, 105 disappeared, 160 attacks medical missions, 160 detainees, 1330 wounded and 6 cases of sexual violence. 

While this oppression is at its peak by the police and ESMAD, it is not new. Colombia is a country marked by inequality, corruption and systematic violence against the people through neoliberal policies, drug trafficking and elite mass media that manipulate and hide the truth. In a country where education and health are privileges, where opportunities are utopias and the future seems to be cancelled, people go out, people march, people are angry, people can't take it anymore. They want justice among the cases of police violence, the possibility to live with dignity (free education, accessible health system) and to live in a society in peace.

Aligned with this feeling, multiple collectives and agents of the Colombian and international culture and scene decided to unite and contribute with our art to help the victims of this oppressive government, to amplify and denounce the police barbarism and to raise our voice and resist through our art. SOS Colombia is a fist up, a cry that today becomes a collective action of musicians and visual artists presented in a compilation of techno and experimental music and also short documentaries that will expose to the world how an extreme right-wing government massacres and silences its people.

"Against the violations of human rights" , "In the absence and violence of the state. The people unite and self-manage" and "Dignity, Justice and Peace" will be the three parts of this compilation that will raise funds to give to several verified human rights organizations and self-managed initiatives that are working with the most affected populations of this crisis, that are holding the statistics of police violence and are supporting the invaluable work of the front lines in Cali, Bogota, Medellin.

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DISCLAIMER: Don't rip the tunes, RESPECT to the ARTISTS & LABELS.

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SUPPORT THE PROJECT

PREMIERE: Tommy Four Seven - SOS [SOSCOL1]

PRE-ORDER! WILL BE READY FOR SHIPPING January  9  2023
( DOLPHIN vinyl ! –  on this website!)
wemerecords.com

WeMe075 Binary Digit "Xrns Trax" A2 "Maybe Trigger Acid"

>< CRUDE Exclusive ><

Artist: Minum
Title: Proxima Centauri

@mi_num

CRUDE Exclusive: minum - proxima centauri

In March 2023, Tresor Records will release "Crash Recoil", a new album by Surgeon. It marks Anthony Child's first techno LP in five years, following a period in which he felt uncertainty in his role as a techno producer and found it tough to locate inspiration. This new album encounters him drawing on spontaneous techniques to arrive at unchartered topographies.

"Crash Recoil" originates from Surgeon's recent live sets, where he experimented with constraints in performing and embracing the twists, turns and paradoxes that arrive from this. Each fresh iteration on consistent MIDI sequences and hardware reconfigured tracks into different constellations, creating an inspiring vortex of unpredicted events where ideas could flourish. This new approach allowed him to capture the spontaneous energy of his live shows in a way he had never done before. "This is not a live album, since it has not been recorded in one go during a live performance. In the same way that bands tour songs before going into the studio to record an album, I was able to explore these songs and hone their effectiveness during my live performances before creating a studio version."

The result is eight tracks that emphasise a new techno sound for Surgeon, drawing in references from across the musical spectrum. "I can hear Coil, King Tubby, Detroit Techno and The Cure all wrapped up with 30 years of DJing," Surgeon says of the album. Melancholic hum-like ambiences smudge around unadorned, near-droning basslines, crunching rhythm and percolating arpeggiations. The tracks carry unique and potent locomotion, with a low-slung grind through toughened terrains, breathing with a free spirit, untethered by a studio-based perspective. We hear manifestations of the same raw material across the album, like a textural motif, carving new variants and creating a cohesive work full of recollection.

#surgeon #crashrecoil #tresorrecords

BANDCAMP

Surgeon - We laugh and clap at the circus

Artist: Humanoid Gods
Title: 'The Black Vault'
Label: Humanoid Gods
Cat. #: HGD003
Format: Digital
Release: 12th May, 2023
Pre order: https://humanoidgods.bandcamp.com

Sounds From NoWhere is pleased to premiere a new Humanoid Gods' gem remixed by Boston 168.
Humanoid Gods‘ latest EP is a collection of four tracks that showcase the artist‘s unique approach to techno music. 
The EP features a range of sounds, from clas- sic techno to breakbeat and acid, all characterized by the raw analog sound of the synthesizers. 
Each track is dark, powerful, and intense, reflecting Humanoid Gods‘ passion for exploring the boundaries of sound. 
With its mix of violent beats and brooding melodies, this EP is a must-listen for fans of underground techno.

@humanoidgods
@boston-168

Humanoid Gods 03

Premiere: Humanoid Gods - The Black Vault (Boston 168 Remix) [Humanoid Gods]

Produced, written, interpreted by Kassy
Mix by Bertrand Hardi, Kassy
Mastering by Jeremy Henry / La Villa Mastering

Cover shot by Dario Holtz

©℗2023 GO PASS

—

Follow Kassy :
@sachakassy
www.instagram.com/sachakassy/
www.facebook.com/thekassy

Losing Is Winning

Buy/Stream

Temple Of Dreams (Remixes Part 1)

Tijuana (Vintage Culture Extended Remix)

Compilation of the collaboration by Thomas P.Heckmann & WJ Henze on the influential and infamous Wavescape label. Having fun to make music to have fun with was the term and thats's what we did.

Boys And Toys 1998 - 2005 Remastered

Heckmann & Henze - Girl Of The Day

For episode 66 we have Italian based producer and live artist Rynzler join us with an hours live recording, showcasing gritty industrial styled techno and EBM.

Artist: @rynzler1

IDLESTATES066 - Rynzler [LIVE]

PREMIERE | Liza Aikin - Cellar [MEGASTRUCTURE]

Label: Megastructure
Artist(s): Liza Aikin
Catalogue Number: MS019
Release Date: February 2nd, 2024
Release Name: Werkstatt_018 
Format: Vinyl + digital
Shops links: https://megastructure.bandcamp.com

Liza Aikin
https://www.instagram.com/lizaaikin/
https://www.facebook.com/LizaAikin
https://soundcloud.com/lizaaikin

Megastructure
https://www.instagram.com/megastructure_
https://www.instagram.com/blush_response/
https://megastructure.bandcamp.com

PREMIERE | Liza Aikin - Cellar [MEGASTRUCTURE]

SHDEG-Echo Is Coming In

🌘 Eclipsed Requiem: A Funeral in Shadowed Starlight
“Eclipsed Requiem” feels like the requiem for a fallen time—an elegy cast in darkness where light is eclipsed and souls drift through cosmic silence. It’s not simply mournful—it’s transcendental lamentation, a ritual of eclipse and release.

🎵 Musical Interpretation of the Celestial Eclipse

1. Opening – The Edge of Oblivion
The track opens with sparse piano or bell-like tones, delicate and cold—like distant stars fading into eclipse. Ambient hums swirl beneath: a slow, inevitable silence creeping in. The listener stands on a precipice, suspended between night and void.

2. Gathering Dusk – Shifting Shadows
Gradually, drones deepen, and subtle pads engulf the soundscape. A low-frequency murmur emerges, vibrating with grief. This is not sorrow expressed—it is sorrow embodied, a gathering darkness swallowing shards of light.

3. The Requiem Motif – Celestial Voices
At the core, vocal textures—either ghostly chants or reverberated whispers—rise like ethereal psalms. They drift above the shadows, weaving minor-leathered melodies that feel ancient, mournful, and timeless. These voices are laments that echo across cosmic vacancy.

4. Midpoint – Sorrow’s Crescendo
The emotional gravity intensifies: strings swell or synth arpeggios tremble into existence. Music bends into minor ambient trance—each note weighted with loss. There’s beauty here, but fragile—like light fleeting across a blackened firmament.

5. Eclipse Apex – Silence as Climax
All sound resolves in quiet resignation. Layers peel away, until only a single resonant tone remains—then fades. The ‘eclipse’ happens in silence, internal and devastating. The final breath of sound is a surrender.

6. Denouement – Remnants of Memory
Hushed echoes linger—residual textures, granular atmospheres, the faint echo of voices. It’s memory grieving absence. A reminder: the eclipse passed, and the light may never return.

🕯️ Emotional & Symbolic Resonance

Transcendent Mourning: This is not a song of heartbreak, but of cosmic farewell—a requiem delivered under the obscured sky.

Elegy in Silence: Silence becomes weighty, oppressive, reverent—a vessel for the story beyond sound.

Eclipse as Transformation: The eclipse is both end and threshold, a ceasing and becoming. Within the void, possibility still flickers.

Spiritual Stillness: Rather than despair, there’s a meditative acceptance—an unspoken peace that lingers in the aftermath of mourning.

🩸 Best Used For:

Scenes of cosmic tragedy or transcendence in storytelling

Moments where temporal cycles collapse or light is consumed

Rituals of remembrance or tribute in ethereal, major‑minor tonal worlds

Background ambience for introspective, twilight reflections or cathartic endings

🔮 Symbolism & Final Reflection
“Eclipsed Requiem” is the chant of collapsing worlds—it doesn’t wail, but whispers dirges at the moment light is swallowed. In the dark, there is still meaning. Loss becomes ceremony; absence becomes presence.

It is a requiem not just for what was lost, but for what must change—and yet lives on in memories that endure beyond the eclipse.

Eclipsed Requiem

HOMOGENOUS

Taken from Stroboscopic Artefacts' first compilation, Flowers From The Ashes: Contemporary Italian Electronic Music, out April 13th, 2018 on 2x12" / CD / Digital.

Order: stroboscopicartefacts.com/shop/flowers…006-sacd009/

Flowers From The Ashes is the latest multi-artist project to bear the acclaimed Stroboscopic Artefacts imprimatur. There is a sensibility of decadence and corroded grandeur etched within its four album sides, reminding us that historically “decadent” times have nonetheless resulted in some of the boldest acts of individual and collective creativity. Like the "floral" theme that has remained a consistent feature of S.A.’s graphic presentation, the music here equally presents fragility and intensity in a way that really drives home this visual metaphor for good, while still holding out the promise that similar creations will be seeded in the near future.

Though many of the artists involved have set of residence outside of their native Italy, all contribute here to make a captivating portrait of a shared spirit and cultural memory. The album opens with 'Errori', deceptively fragile sonic ornaments crafted and suspended in space by Blackest Ever Black artist Silvia Kastel. This is followed closely by the mellifluous, warming glow of percussionist Andrea Belfi’s 'Spitting & Skytouching', and then by the resolute electric bass patterns and luminous fog of 'Lux et Sonus', from Eeri label head Marco Shuttle. Hospital Productions alumnus Ninos du Brasil open the B-side with a similarly dense, amorphous construction built from tribalistic chants and rhythmic patterns, to be followed by Mannequin label boss Alessandro Adriani’s 'You Will Not Be There For The End', showcasing his distinctive take on the "paranoiac breakdance" aesthetic of classic EBM. S.A. veteran Chevel rounds out the first record in the program by interlacing several percolating synth lines together into a richly conversational piece.

The journey continues with 'Starving The Mind', an undulating mini-epic from S.A. founder Lucy that is animated by his signature balance of seductiveness and concentration. The bright, biting acid synth tones of 'PRV-HH3-X', by Lory D, then takes a sharp right turn into an invisible metropolis ruled by reflective high fashion and hidden intrigue. The imposing architecture of 'Virgo Rebellion', designed by modular synth futurist Caterina Barbieri, acts as an excellent companion piece, and sets up the closing '4G' from Spazio Disponibile co-founder Neel - a crepuscular serenade that accurately sums up much of the foregoing activity.

All tracks (w)&(p) by Silvia Kastel, Andrea Belfi, Marco Shuttle, Ninos Du Brasil, Alessandro Adriani, Chevel, Lucy, Lory D, Caterina Barbieri & Neel.
Graphic concept by Ignazio Mortellaro [OA].
℗ & © Stroboscopic Artefacts 2018.
Cat. No SALP006 / SACD009 - all rights reserved.
www.stroboscopicartefacts.com
info@stroboscopicartefacts.com

Losing Is Winning

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