A solo Improvisation for electronics and electric guitar.

Metaphysical Improvisation I

A short, quirky experimental electronic work.

The Electric Visitor

A short collaborative improvisation. Vocals and Vocoder - Engraver Arnold, Processing - Sasha Chung.

Broken Again

An experimental electronic work in digital-rendering, the first of three movements. This is a proof of concept in altering psycho-emotional states via sound.

Depart from Fear - Pass Through, Movement I

Inspired by lucid journeys of the dreaming mind.

Viridian Vision

Painting, E.C. Epperson. Electric Violin, Kiril Polyanskiy

Recorded at PONCHO Concert Hall in Seattle, WA. 

Inspired by Epperson's painting Fukushima // 福島, Chung's Fukushima no Oto // 福島の音, delves deep into an aural exploration of the visual symbol. Both works comprehend and contextualize the ecological disaster that occurred at the Fukushima Daiichi Nuclear Power Plant in Ōkuma, Fukushima Prefecture. Immediately following the Tōhoku earthquake, and subsequent tsunami strike, the magnitude 9 earthquake knocked out the power grid in Northern mainland Japan, and the tsunami landed a direct hit on the plant, which brought water levels up more than 7 feet high. The plant was designed to withstand water levels at or below 6.5 feet. The earthquake and subsequent tsunami lead to the failure of multiple safety features built into the plant. However, these failures may have been foreseeable, and the plant operator, the Tokyo Electric Power Company possibly "failed to take stronger measures to prevent disasters for fear of inviting lawsuits or protests against its nuclear plants."  (Frackler [INSERT ARTICLE, YEAR). Fukushima no Oto // 福島の音 is a work grounded in symbolic hyper-realism. In it, Chung explores the consequences within symbol and reality; perception versus truth. It brings about a stark realization to the dreamer of their purpose in life.