да, ребят! продолжайте! и спасибо, было ощущательно

Son acido

tracklist & download — https://www.patreon.com/buttechno

NTS 14.02.2022

Manipulations of Bevissthet

Kosaya Gora b2b

http://www.instagram.com/kosaya.gora

2MR TRANSMISSION with Kosaya Gora (Kedr Livanskiy and Flaty)

What is the sound of the Russian dub? There is a storied history of attempts to adapt roots music to Russian soil, but most of them can be attributed to reggae (the so-called ‘northern’ variety) rather than dub. Gost has a history with the town of Smolensk. It’s home to Gamayun, whose great album Filterealism was released on our label last year. Now Anton, one of Gamayun’s members, presents his new duo Dubovaya Kolesnitsa (The Oaken Chariot). In his words, it has no connection to his other band at all and is an attempt to go back to the roots of a genre that doesn’t truly exist.

The Russian word for oak, ‘dub,’ looks exactly like the genre, and the chariot emerged from the name for the group’s jams – ‘telega’ – which can be translated as a cart. All the music here is the result of live improvisations: no samples, just instruments (notably Vasiliy Shilov's bass). These recordings have been slightly edited, and even the almost indecipherable texts are freestyle. There’s no place for real riddims in Russian dub: sometimes this record sounds like something akin to dub variations on underground Russian hip hop (and we mean that in the best possible way).

We should also remember that dub and reggae (and hip hop as well) all started as the voice of people. The voice of those who are always in the minority and try not to be silent. The most prominent dub producers and reggae performers were against hierarchy, imperialism, and colonialism — and their music was born out of the desire to protest against it. As Anton puts it, Oaken Chariot, the “Russian mutation of dub,” is an attempt of voicing the concern. And he links this attempt to a historic Russian tradition of Foolishness for Christ, also known as yurodstvo. The “fool” in question is not naïve at all; he’s trying to seem lunatic on purpose. For Anton, the music of Oaken Chariot is a rebellion with a cut-off tongue. Here, illegible speech, full of inarticulate sounds, is a sign of the inability of the statement. But this inability represents a statement itself that is inevitable.

Yet, the music of Oaken Chariot is genuinely fun, free, and mesmerizing (like the happenings of holy “fools”), but we could also approach it more conceptually. Theoretician Michael E. Veal describes dub as a ‘postsong’, taking the form of “linguistic, formal and symbolic indeterminacy.” The duo’s faintly eerie compositions call back to the notion of musical hauntology. There is an attempt, without any direct references, to reconstruct the feeling of something that was never there at all. A little nostalgic and very forward-thinking at the same time, the music of Oaken Chariot is best described in its own words. In the opening track, a voice can be heard saying “eto delo v lob,” which means something like “it’s a straight-on thing.” This is very direct, almost in the vein of folk music. This is a great – and, it must be said, successful – experiment in searching for the soul of Russian dub. Simple as that.

GOST018 Oaken Chariot "Biznes Time"

Side 1

A1: They are looking at us from above
A2: BIZNES TIME 08:39
A3: Free Poetry 01:51

Side 2
B1: Splendor of Wasteland
B2: Purer Than Love
B3: Volchok
B4: Random Regularities

Music and recording — Anton Dvoenko, Vasiliy Shilov
Mix — Anton Dvoenko
Mastering — @poducedbyflaty
Executive producer — Ildar Zaynetdinov
Cover – Eduard Kulemin "Field" 1988

12" LP full-color sleeve.
October 7, 2022

© «ГОСТ ЗВУК»

GOST018: Дубовая Колесница "Biznes Time"

n.1 петр мамонов • цветы на огороде
n.2 красивая пришла • я, ты, рептилия
n.3 юрий морозов • человек
n.4 k.u. street spring • bells
n.5 the bach revolution • d.e. 108
n.6 kletki • globophobic journey 
n.7 новые композиторы • любовь
n.8 вова синий и братья по разуму • инородная песня
n.9 virgo intacta • cяду на…
n.10 латр • радиоактивная пыль
n.11 бм • пьедестал 
n.12 dubtv meets dr i-bolit • звезда по имени джа
n.13 атлантис • я тащусь
n.14 кофе • принцесса
n.15 тамбурин • я не знаю 
n.16 доктор • купите мои вздохи 
n.17 телевизор • цветные сны
n.18 вагиф мустафадзе • ритм
n.19 урфин джус • чего это стоило мне
n.20 юка • камней драгоценных ладонь

начало

n.1 индустрия юткевича • плохие сны ч.1
n.2 стук бамбука в Х| часов • лоскуток
n.3 самцы дронта • сумерки
n.4 китайская революция • имя на луне
n.5 димакок • сказка
n.6 буква о • двое
n.7 хроноп • тайм-аут
n.8 штраусс • холод
n.9 кошкин дом • таинственный знак
n.10 сны • не с тобой
n.11 вавилон • после дождя
n.12 неоретро • тень
n.13 виа „эолика“ • звездопад 
n.14 свин хин-хин • я здесь 
n.15 реп бандит • с тобою 
n.16 лига-51 • выключи свет
n.17 official version • посмотри мне в глаза
n.18 дубовый гаайъ • одинокие мысли 
n.19 трансплантат • дом ночи
n.20 сейф • колыбельная

сон луна ночь звезда

n.1 зеркальный мост • день рождения
n.2 игорь чернявский • рабы
n.3 театр яда • млечная вода 
n.4 поп-механика • психоделика
n.5 conservators • on air 
n.6 kletki • freeze / heaven 808
n.7 moscow grooves institute • moogie - mackie (fly catcher) 
n.8 cool front • fly 99
n.9 esclavos del futuro • me with come
n.10 ряба мутант • pa/ba in dub
n.11 chaoz • petty belling
n.12 squid project • sweet planet (jazzy mix)
n.13 taiga • only for the young 
n.14 moscow saints • там только там (ремикс на группу "блестящие")
n.15 species of fishes • alt tab
n.16 вторая африканская охота • я люблю тебя

немота безгласность безмолвие молчание

Дабовый архив Ола и Винтажнайка, записано в НИИ 27.09.2017.

ГОСТМИКС 019: Ол и Винтажнайк

Boris Deart (real name Boris Monastiryov) was a soviet composer active in the 80s and 90s who described his own works as “romantic spacesynth”. After spending his early career years in the role of session musician, Boris switched to solo works, composing his own original music, as well as recording sounds and producing tracks for other artists and collectives. His most popular composition 'Ecology' featured at the soviet TV. After releasing several solo albums he started having financial difficulties resulting in a loss of his production studio in 1997. His family broke up when he started drinking heavily, while working as a taxi driver. In December 2005, aged 39, he was found dead in his Moscow apartment. With the help of Boris Deart’s brother and local enthusiasts we have found unreleased music of this unrecognised and underrated composer, which I am happy to share in a form of this mixtape.

dedication to Boris Deart

For our first mix of the year we invited Alexander "Savier" Khmelevsky aka Burago — Moscow based artist, musician, and founder of NII, one of Moscow’s most interesting and phenomenal venues ever existed. First released extremely rare LP “Buma” in 2013 and then appeared on Johns’ Kingdom with “Kabardian” tape, Savier then kept a 5 year silence. In 2019 he was back on the track with a great 12” on Japanese St.GIGA boutique imprint and now he just released “TAEGEUK” EP on Helpful Music.
In this mix he mostly selected ambient productions which represent the world of Burago in a very accurate and deep way.
https://www.nts.live/shows/buttechno/episodes/rassvet-records-20th-january-2020

RASSVET x NTS monthly show w/ Burago

когда идешь по дороге, можно увидеть много разбросанных камней. они разной формы, размера, цвета. одни из них блестящие, переливающиеся в лучах солнца, другие -- блеклые, матовые, зияющие. мы шли этой дорогой и собрали лучшие из камней. хранить их у себя в столе и любоваться их красотой в одиночестве -- грустно, поэтому мы сделали из них сад. сад камней.

все композиции в миксах на русском языке, выпущены на советском/постсоветском пространстве до 2000 года.

треклист в описании микса

сон луна ночь звезда

сад камней

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