Name: Sadat & Alaa Fifty Cent - Enjex by Sadat&Fifty in Random 12 (2016)
Duration: 3 min 21 s
Description: The first official release by Sadat and Alaa Fifty Cent.

esm3o dih https://soundcloud.com/tamer-w-michael/tamer-w-michael-3aloush-hip

This nigga this nigga this nigga this nigga

Na l wad l 3antiil w badi ay t2iill w kalami bal daliil w ta3ala as2al 3ani l 5oot areeb l kbeer :D

Random 12 (2016)

The first official release by Sadat and Alaa Fifty Cent. 

Sadat & Alaa Fifty Cent - Enjex

مهرجان قلبي حبيب قلبي بدمنو ( اساطير الارض ) حمو الطيخا و مودي امين - انتاج المصري برودكشن

مهرجان  وهقولها تاني مره  يازميلي بتخونك  بحريه المتألق توزيع احمد نانا _ مهرجانات 2022 (192 kbps).m

سادات ☼ فيفتي ☼ ازعيم ♫ (اسنيجا) 2014

‎⁨مهرجان يازميكس البت بتعتك دي الاكس (feat. Omar ID)⁩

مهرجان بل شفايفك انا مش شايفك  حوده ناصر - حمو بيكا - ميسرة _ توزيع فيجو الدخلاوي

 مَــغَــاوِيْــــــرْ

أَوَّلاََ سَـنَـة حُلْـوَة يَا جَمِيـلْ     ثَانِياً الِلّيـلْ حَيْكُـون طَوِيـل 

ْقْـوْلْ لَإِمَّـكْــ مَـاَ تْخَـافْـ     الْمَلْهَــي عَلَي بُعْـدِ رْصَــاص

ْثَالِثـاً إِلْبُـسْ الأَسْـوَدْ وِانْـزَلْ     عَـالِمـاً بَـسْ تِثْلُــجْ فُـوقِ التْـلاَل

ْبِيصِيُــرُوا الصِّبْيَـانْ رْجَــالْ      مَـغَـاوِيْـرْ بْعَـاصْـمِـةِ الِلِّيْــل

ْعَــلَّمُوْنَـا عَــلَي المَـلْعَبـــ     نلْعَـبْـــ عصَــاْبَـات

ْشُـوبـْــ شُـوبـْــ قَـوَّصُـوكـْـ     شُـوبـْــ شُـوبـْــ قَـوَّصُـوك

ْكِنَّـا سَـــوَا عَـمْ نِتْسَـلَّـي      وَيْنَــكِ اخْتَـفَيْـــت

ْشُـوبـْــ شُـوبـْــ قَـوَّصُـوكـْـ     شُـوبـْــ شُـوبـْــ قَـوَّصُـوك

ْرَابِعـاً مَا تِحْكِـي مَعْ نِسْـوَانْ     عَلَشَـانْـ مَـا نِسْهَــرْ عَلَـي الجِثمَـان

ْهُــوْنْ الـسِّتْـــ بَـسْ مِقْيَـاسْ      لكْـرَاَمْتُـه قِّـدَّاَمِ النَــاس

غَـالِبـاً فِـيْ طَبَنْـجَـة بِجْيَـابُـه     عَلَـشَـانْ الصَبــيِّ إِبِـنْ بَـيُّــه

ْوْهُـونْ مَـا حَــدَا بْيِـنْطَـالْ     أدُونِـيـسْ ضَحِـيِّـة الأَدْغَـــال

MAGHAWIR

Number one, happy birthday beautiful.
Number two, you’re in for a long night;
Tell your mother to chill:
The club’s a bullet’s throw away.
Number three, wear your black suit and come down,
Bearing that when snow caps the hills
All the boys become men:
Soldiers in the capital of the night.

And on the playground, 
They always taught us
To gang-play-pretend.
Shoop shoop shot you down.
Shoop shoop shot you down.
We were just all together,
Painting the town.
Where’d you disappear?
Shoop shoop shot you down.
Shoop shoop shot you down.

Number four, quit chatting up the misses, 
Before the night turns into a wake.
Here women are but emblems of men’s influence.
Yes, that is a gun in his pocket,
Because the boy’s his fathers son.
Where the arm of the law can’t reach, adonis falls victim.

And on the playground, 
They always taught us
To gang-play-pretend.
Shoop shoop shot you down.
Shoop shoop shot you down.
We were just all together,
Painting the town.
Where’d you disappear?
Shoop shoop shot you down.
Shoop shoop shot you down.


Mashrou' Leila - Maghawir El Leil ( IBN EL LEIL ) | مشروع ليلي - مغاوير الليل

أصنــام

كانت الدفاتر بيضاء وحياتنا ما بتتغنى،
والراديو يذيع مللنا يا أما خمسة أو خمسين مرة.
لمرّة سمعنا فارس قال لنا نردم معابدنا.
رحنا وعمّرنا له معبد ثاني بمحلّها.

سلّطنا الضوء على وجهه لما طلع حتى يمكسج.
ما شفنا غير خياله إختفى وجهه تحت الوهج،
ويطلع يعزف ليتخيّل حاله بالأفلام،
وإحنا نصدّق حكيُه حتى نبرّر الأصنام.

ْحَـرَفُـوْهْ و رَدَدُوهْ ، قَدَسُـوُهْ ورَتَّـلـُوه

طربنا بحفلاته لما بلش يلعبلنا
الأسرار اللي خربشناها على الحيط بحمّاماتنا.
فسّر الأغنية فصلبناه بخشب المسرح.
كان يكتب من الجوع وما في أكل على المذبح. 

ْحَـرَفُـوْه و رَدَدُوه ، قَدَسُـوُه ورَتَّـلـُوه

ASNAM (IDOLS)

Our notebooks lay bare when being didn’t merit a song,
And the radio blared ennui five or fifty times a day.
Till once we heard a DJ who said ‘go destroy your temples’
But in their place we built anew, temples in his name.

All we saw were shadows, when he’d mount the stage to play
We shone a light too bright, and blurred his face away
And he’d play dubious tunes, telling lies from film.
But we believed every word to justify the idols we built for him.

They distorted him, to echo him. 
They sanctified him, to chant him.

He thrilled us at his shows when he started to perform
The secrets that we’d scribbled upon the bathroom walls
We nailed him to a stage-wood cross when he explained his lyrics
He too wrote out of hunger, but the altar was always fruitless.

They distorted him, to echo him. 
They sanctified him, to chant him.





Mashrou' Leila - ASNAM/IDOLS ( IBN EL LEIL ) | ( مشروع ليلي - أصنام ( ابن الليل

طــيف

غنيت
مع كورس أشباح تحت رصاص مدينتي
والدّبكات
رقصتها تحِت ضوء إشارة السير 
لانتَشيت 
عالكهربا من نخاع العامود 
وصبّيت 
دموع النيون ع سواد العيون
والطرابيش خذونا، عالحبوس عشان يخصونا، ويعملوا أوسام
خيّطنا لهم أعلامنا من أكفان جثث الأصحاب، اللّي كانوا عالإعدام
خبز الغراب بدأ ينمى منورث الأرض غدًا يامّا
خبز الغراب بدأ ينمى منورث الأرض غدًا يامّا
وقضّيت
عمري مع حقّي مرْهون لأّحاسيسك (آه يا نوسك)
وانمحيت
من كِتب التاريخ كأنها تاريخك (وهويتك)
بأوراكنا ترجمنالهم أبيات سافو وأبو نوّاس بلْسان الآهات
على شراشف طرّزناها بالآهات الّي نشدناها بالمظاهرات
خبز الغراب بدأ ينمى منورث الأرض غدًا يامّا
خبز الغراب بدأ ينمى منورث الأرض غدًا يامّا
علّيلِي كعبك بالغنا
بعدها الأغاني ممكنة

TAYF (GHOST)

Showered with this city’s bullets, I chorused with ghosts
Bathed by traffic lights, I danced our dabkeh
Till i was high on the the marrow of the electric pole,
And i poured tears - neon - on swollen pupils.
Till the fezzes came to take us, to prisons, to castrate us, to make medallions.
But we sewed flags from funeral shrouds (from friends on death row).

The mushrooms have started to grow
Tomorrow we inherit the earth
The mushrooms have started to grow
Tomorrow we inherit the earth

My life spent; with rights mortgaged off to your sentiments 
My history erased from our books like they were yours to claim 
Our hips translated Sappho and Abu Nuwas in the tongue of oohs and aahs
On bed sheets embroidered with the same oohs and aahs we chanted at the picket line.

The mushrooms have started to grow
Tomorrow we inherit the earth
The mushrooms have started to grow
Tomorrow we inherit the earth

For now we still have songs;
Sing with your highest heels on

Mashrou' Leila - TAYF/Ghost ( IBN EL LEIL ) | ( مشروع ليلي - طيف ( ابن الليل

Mashrou' Leila - SAAD ALSUUD ( IBN EL LEIL ) | مشروع ليلي - سعد السعود

Music by : M.Ragab & A.Hefny.
Voice : Ghalia BenAli
Recorded @ RadioAcid studio & Ganoub studio.
Mixed @ Ganoub Studio.
2015

سيد الكونين "ج٢

مهرجان بطل افورة ياض يابن المره

وحش المجرة سادات العالمي

مهرجان اسف محطوط في حزامي الناسف -

الحرب ابتدت - السادات. عفرتو

تيم شادي و بلال

مهرجان ده انا هضرب ضرب هكمل حرب مفيش هنا help يا قلب القلب

Our group was the first to sing, record and upload wedding songs that later became known as “Mahraganat” or “Festival” songs.
Our first song was called Al Salam Festival because we live in Al Salam City ( a low income district in north Cairo). Our biggest hit was “Ana elli e’shty haram fi haram” (My life full of sins) which was the reason people started to know us. Our music is a mix between Rap and Sha’by music (street music). We write and compose our own songs. Our lyrics are inspired by the street culture with all its social problems and issues. Our friends also sometimes help us develop some of our songs. We met widespread success playing in Sha’by weddings. We also took part in many concerts inside and outside Egypt.

Sadat El Alamy: Is 27 years 
He started singing 6 years ago when he began singing the song “Koll A’am” (Every Year) he has loved music since his childhood and used to go to Sha’by weddings behind the DJ desk. Alaa and he were neighbors and started their careers in music together in Al Salam. His favorite singers are Ahmed Adawyia and Fairouz. Sadat participated in many concerts inside and outside Egypt such as: many times in France, London, Lebanon, & Amsterdam. 

Alaa Fifty Cent: Is 24 years
He was among the first to sing the Festival songs 6 years ago. His first song was “Al Salam Festival” This song became a huge success and people started to know our names and their music. Festival music is mainly Sha’aby music with a different beat and mixing and a strong rap influence. He chose his name Fifty Cent because he see his as a role model and his music was of a great influence on me. he love Fifty Cent also because he sense in his voice deep emotions and kindness to the people which is something that really matters to me. he also love Dr. Dre and Bob Marley. he never forget the great Sha’by singer Ahmed Adawyia, he is my favorite Sha’aby singer and he listen to his songs all the time. he loves for both Fifty Cent and Adawyia was the reason he decided to sing a mix between rap and Sha’aby. His most known song is “Sohobeyia gat be Nadama” (A friendship I regret).

Amr Haha: Is 24 years
He began in the music field around 7 years ago. He has always had an obsession with computer sound- mixing software and he has developed a great deal of experience over the years. In time he learnt recording and mixing, and his first song was “Ana elli e’shty haram fi haram” ( My life full of sins). Following his first hit, more songs met the same success and started to play at weddings. Later Sadat and Alaa Fifty and they decided to form our band “No Comment”.

Sadat & Alaa Fifty Cent - Enjex

Sadat&Fifty

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