Rétrospective sur l'année musicale 2018 en version "calme" : ambient, modern classical, soft pop, dark electronica, soundscape, drone, bref, uniquement des réjouissances mélodiques.

Best of 2018, version calme

Flesh Vs Spirit (Deluxe Edition)

Anxiety

Prelude To S.A.G.E. (Super Atmospheric God-fearing Energy)

End Times

La Bella Vita

S.A.G.E.: Super Atmospheric God-fearing Energy

End Times (Intro)

Release Date: 19th June 2017

Memories in music and everlasting impressions, two ideas at heart of the debut studio LP ‘Scars’ by ilan Bluestone. A leading figure in the trance and electronic music scene for the last 5 years, the British producer has performed at the likes of Madison Square Gardens, Red Rocks and Wembley Arena, is a regular in the sets of Above & Beyond, Armin van Buuren and Kaskade, and has notched up 10 #1 singles in the Beatport Trance charts along the way.

The follow up to 2016’s ‘Bigger Than Love’ and recent favourite ‘Frozen Ground’, new single ’Scars’ reunites ilan with singer / songwriter Giuseppe De Luca. A dubstep-trance hybrid, ‘Scars’ takes his sound out of the traditional 4/4 world for the first time, yet retains ilan’s flair for heartfelt melodic productions.

“Giuseppe and I started with a blank canvas for this one. I laid down some chords in the studio and Giuseppe spent some time writing lyrics with me in California. The style change happened fairly organically, there’s a lot of power in the words he wrote and I wanted the drama of the music to reflect that”, explained ilan. “I’ve always tried to make music that leaves an impression on my fans and that was the inspiration for the record and ultimately the album”.

Buy on Beatport

ilan Bluestone Feat. Giuseppe De Luca - Scars (Radio Edit)

DOWNLOAD
Bandcamp: http://bit.ly/2nrRo7g
iTunes: https://apple.co/2En47jt

STREAM
Spotify: http://spoti.fi/2FpEH3S
AppleMusic: https://apple.co/2BCAiZ6

WATCH VIDEOCLIP
Vimeo: http://bit.ly/2BCqu1p

'Tambour - Silhouettes'
Co-produced by Pietro Amato and mixed by Mark Lawson (Arcade Fire’s collaborators) - the eight minute piece in two movements juxtaposes an intimate, slow moving opening that is overtaken by a series of gripping, ambitious orchestral swells in the second half. Pairing delicate, melodic piano with lush string and horn sections, the track displays Tambour (Simon P. Castonguay) at his best: patient, carefully constructed arrangements that are at once full of life and vivid imagery…

No One Sees You Crying

Sage

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