Demo of the Supercritical Neutron Flux Phaser in 4 stage.

Together with Demon Core and expander. Paraphonic.

Neutron Flux Phaser 4

there is no enssemble until the last few seconds (there I switch in the Z-DSP Ensemble. Also pretty great.

Neutron Flux Phaser

All tracks Modwave. Only external Device: Quantec QRS

Korg Modwave as a VA-Synth

Demo Song 1 using only the Mayer Sound MD900. This was a very early revision. After that Horst changed a lot. But it already did sound good. At that point no reverb existed in the code, so waas using the Quantec QRS and a spring reverb and a bit Limiting. I also did not use internal drums, Drums are not MD900.
I was producing that for fun while checking the MD900 for mistakes or missing must-haves. Important stuff changed afterwards, for instance latency and speed of the envelopes.

MD900-Betatesting multitrack

Demo Song 1 using only the Mayer Sound MD900. This was a very early revision. After that Horst changed a lot. But it already did sound good. At that point no reverb existed in the code, so waas using the Quantec QRS and no spring reverb this time and a bit Limiting. I also did not use internal drums, Drums are not MD900.
I was producing that for fun while checking the MD900 for mistakes or missing must-haves. Important stuff changed afterwards, for instance latency and speed of the envelopes.

Md900 soft DEMO

All Pads andn sweeps: Marion MSR-2 (Oberheim)
Sequence: Doepfer A-100, some Wiard 300
Drums (Reaktor or Generator 1.0)

Smoo - I Love You

master from my desk, arrangement not finished

Smoogreen

Demo of the Cascadia and the TZFM. I try to show all diffrent aspects including modulation of the Index and some sync between.
In the second part I stop FM and just turning knobs showing the overdrives and the filter. It can go dirty. The Sequence is coming from the Wiard 300 Sequantizer. 8 steps and its quantizer.

Cascadia TZFM

Send Return from cascadia, Ibanez Echo, FX Mix to VCA B Input, LPF B Output to Main 2. Phase Switch flipped somewhere in the middle. Reverb (sorry) BigSky mx, Hall classic voice

cascadiasendreturn

Several Atmos. Created as improvisations on my Eurorack, several modules from Mutable Instruments, Intellijel and Audio Damage. Reverbs: Audio Damage EOS and some Clouds. The clicks and pops are not intended :-) (EOS), Can't take them away now, but I will make more athmos soon. Still like it that way. No more than 2 tracks at once. I added  one short track with the Audio Damage Spectre and one short with a speech sample into Clouds. In total around 5 Recordings only. I love the EOS, as its the main reverb here, but not the pops. I switched off my Lexicon 200 and QRS, just to use EOS for this recording.

Smoo - Athmosnovember 2

Test of S.N.D ACME. Not too fast to check that perfect timing. First Loop: Tempest (almost a original loop from the unit), second loop: MFB522 (the808ish loop), then both together, at the end the MFB503 is coming in, a bit slightly shifted. The ACME is synced to the DAW and exctracs a absolute perfect midiclock from ableton live, so it is not synced (slave) with midi or usb. It is synced to audio. Example of perfect timing. Summing with a GSR24R, Fatso and a Quantec QRS, not one plug-in used (except ACME). I played two pads, one dark pad (prophet08) and one pad from the V-Synth (with internal phaser). Thats all. Sorry: Too much bass. It was not mixed or mastered, just listened to on a AKG K701.

Acme tempest mfb

4 Parts: 
1. Omnifilter, selfoscillation (you hear no VCO), the omni is modulated by a 300 VCO, sine. slowly turning up the Lin-Knob on the Omni
2. The same, but another ratio
3. Omnifilter as a filter, not selfoscillation, filtering a Saw. Linear FM with a 300 VCO, and modulated with a Noisring to get some interesting formants.
4. The same, but exponential Filter-FM (almost the same). 

Omnifilterlinearfm

Aurlalesque Semimodular Synth. MOTM440 Filter, Vector-Travel 360 degree, several Waveforms and waveshapers (Wave Multipliers, CGS).

Auralesque Vector MOTM440 bass

This is the sound of the Flame Mäander. Rough Mix on the Force, with some live adjustements and clicks.
All chords Mäander - sequenced Fixed Filterbank.
Pad: Quantum
Drums Elektron Samples and Acidlab Miami
Additional FX: Wiard Modular/Blacet Modular, sampled with Blackbox
Noise is from my Venice F16R

Mäander - Mix

Demo for the funkstill filter threek.
every sound has been made by rossum trident and funkstill filter threek. exception pads (hydrasynth and waldorf quantum) and the drums. some drum hits have been made with the filter threek combination too. some fx uses the erebus echo and one uses the audio damage dub jr mk2. reverb is the quantec qrs and the sssr in my z-dsp.
no mastering, no plug ins used. mixed on a allen heath gsr24r. only limiting to record the master.

unfinished arrage, but ok as a demo for the filterthreek.

Filterthreek And Trident

Lowpass -no reso, Lowpass reso, Highpass, Bandpass, then the same without FX at all.

Demo AM8060 (JP 6 - Filter)

Just a Demo of one of my favorite presets. There are some other effect sound, just one track, only little FX-Blobs. Melody is on one track only.

Hydrapad

All tracks through the Supercritical Neutron Flux Filter as the only filter used on that track, except the pads (which are pretty silent from waldorf quantum) and the drums.

Delay is the mimeophon, all VCOs are Instruo CS-L, Reverb QRS, Desk Allen Heath GSR24. No plug-ins used at all.

Sägezahn-smoo

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