The fifth lo-fi mixtape from the FFR archives. 
Deeper and deeper... 

Featured artists:
Död, Thet Liturgiske Owäsendet, Jurko Haltuu, Lunatik Sound System, Johan G Winther, Joy Boks, Frihet, Djorvin Clain

FUNERAL FOG ESSENTIALS VOL.5

LYL Radio: Tanzen und Denken 9, by Isis O'Regan & Rupert Clervaux

The UK Police, Crime, Sentencing and Courts Bill is an authoritarian bill threatening our fundamental right to protest, giving a police force drunk on authority a free pass to enact violence against peaceful protestors.

Protestors could be jailed for more than a decade - the same goes for those who are caught defacing statues of slave traders which is double the amount of time a convicted rapist would receive. This bill is a puff piece on women's safety but the mask slips as it fails to mention women once in the 296 page report. As it attempts to stamp out movements like BLM and Xtinction Rebellion, it also threatens the Gypsy, Roma and traveller communities, furthering the efforts of those who seek to live in a society of homogeneity and conformity. This is the Tories tightening their vice like grip around our necks as they try to erase our civil liberties. We're angry and we know you feel the same, don't let it dissipate - see you at the protest.

LYL Radio: Tanzen und Denken 9

Jean-Guitare from the Soucoupe crew improvise with Saumure a chaotic selection of American funky jams, obscure blues and sport news.

more infos and tracklist at www.lyl.live

Fosse Nouvelle With Saumure & Jean Guitare

Systemet plays nekroambient using self constructed synthezisers and soundsystems,
scattered around Europe, their components seek inspiration in misanthropy, noise and gueuze. 
Systemet deploys itself on mountaintops, churches and, sometimes, music venues.
"a lily" is their first attempt to put a beat to their discomfort, in order to share it with others, insieme!

Music: Systemet
Master: Andrea Campisi
Artwork: Carlo Crivelli - Annunciazione Con Sant'Emidio(1486)

a lily

Collateral Intelligence's Butterflies In Funerals is widescreen, sometimes dark, often hopeful electronica with one eye on the stars, but grounded in the sheer cathartic necessity of its creation.

The new moniker from Maltese wunderkind Neil "Acidulant" Hales, the album was formed during a turbulent period in the artist's life, when his father was seriously ill in hospital. Butterflies in Funerals is his way of expressing the complexity of emotion he was going through at the time.

"To me it all looked like a very dark movie," he says. "That's why the tracks are are at times cold or have a sad, emotional, or hopeful feeling."

Drawing on his impressive background in acid house and electro – with releases on Balkan Vinyl and Jack Trax – the album takes in mutant breakbeat, battle-scarred ambient, and tripped out 303 grooves, but pushes his sound further and deeper than ever before.

The album cover features specially designed artwork by rising star Fei Meng, who will be exhibiting at the Royal Society of British Artists later this year.

So in 2021 join Collateral Intelligence on a journey into the recesses of the soul, and emerge, purified, and ready for the rest of the trip.

Revisit (Clip)

End o f Nunch

2022-05_industrial-impacts_127BPM_01m12s_CC.WIP

TheOutbreak

Insane

a quick test of the nlc dp filter (headphones recommended):

a bunch of chopped up noodles from a doepfer system stuck inside a squid salmple, the mix of which is randomly addressed, reduced, and crushed, then sent to the dpf, and plays alongside a main sine noodle from an a-143-9. the diode half of the dpf has a high-ish q setting (which is kinda tame compared to other filters) and a low cut off, and later is modulated by a low rate of digital noise from the a-117 and a sine lfo from a second a-143-9. the transistor side (which has no input and is internally fed by the diode side via photo-couplers) has a maxed out q  and an even lower cut off, and its cv2 is randomly assigned the 2 oscillators section from the a-117 808 source via a switch, which gives it that wild feedback sound. the output of the dpf is monitored from the sum output, and a tiny bit of reverb is added in ableton.

this filter is very  touchy, and depending on how its built, can have a very narrow range on control (as mine does,) and the transistor ladder only really gets fired up if the diode ladder is hot enough (mine uses MCT9001 photo-couplers,) so you can get all these really interesting 'edge of breakup' sounds, to use the dirt-pedal/guitar amp parlance of the day...and its quite nice if you can dial it in, but it does takes some patience.

it also gets *real* bonkers when you start swapping the q path and monitoring different outputs...but i haven't really figured out how to bend any of that to my will yet...

Untitled XV

black space

Sagome is a London based experimental music collective and label promoting DIY gigs and sound projects across the borders.

a lily

sagome

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