This Track will be released on March 30th. It's on the new Innervisions Secret Weapons Part 7.
Source: http://www.residentadvisor.net/news.aspx?id=28718

Luca  Ballerini - Amore & Psyche (Unreleased Innervisions)

LEMONADESHOT'S debut EP, 'SKYROCKET' is available on SoundCloud NOW 🌌🌠

ASTROPHYSICS

[Exclusive] Crossfrontier Audio producer Foreign Guest gifts a beautiful free download in the form of 'Taris'.

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Free Download: Foreign Guest - Taris

While some of us may dream of those we are attracted to, the foods we long to eat or about whatever may be happening in our daily lives, some people must inevitably dream of fire. We're not suggesting that these people are arsonists, strictly for legal reasons, but it does seem like it would be strange to be confronted by flames every time you closed your eyes. Surely this would lead to some kind of mental unrest and you definitely couldn't be blamed if you tried to then set fire to your sister's hamster, right?

Read more here; http://www.theransomnote.co.uk/music/premieres-exclusive-streams/premiere-lydmor-bon-homme-dream-of-fire-johannes-brecht-remix/

PREMIERE: Lydmor & Bon Homme - Dream Of Fire (Johannes Brecht Remix)

Beatport: http://btprt.dj/2heaTN5
iTunes: http://apple.co/2h8rEZf

WhoMadeWho’s sensational track ‚Hi & Low‘ has already had a couple rounds of remixes, but it’s so good we thought we’d give it another go. This time we called on the fans via WAVO for their thoughts, as well as passing it over to our friends T.M.A. and Maook. First up is the boys of T.M.A., Patrick, Steven and Max, who spin their trademark sunshine-house sound into gold. Warm tones, a solid percussion and beautiful pads make this remix a treat to listen to. Next is Maook who turns up the heat a bit and delivers an electronic hustle worthy of the late night dancefloor. Synths abound, rhythmic and dirty give the track a gritty feel. Next is the remix winner Macropsia, who’s almost disco-y remix puts a smile on our faces with its feel-good vibe and undeniable dance-ability. Lastly we’ve got the original on board for you as well, so be sure to pick up the bundle for the full experience.

WhoMadeWho - Hi & Low (T.M.A Remix) (Snippet)

Monsieur Kadebostan is – we now know – a highly versatile young man. As it was before with his great colleagues Matthew Herbert or Jamie Lidell he is an electro-engineer of sorts with his nose the bell of a tuba, or in select oriental folk songs or even in the backwoods of White Russia. From this truly comprehensive music-love there stands suported by "Laolu" this release from Freude Am Tanzen,

Monsieur "Kadebostan" ist - man weiß es inzwischen - ein höchst vielseitiger Mensch. Wie schon vordem die großen Kollegen Matthew Herbert oder Jamie Lidell steckt er als gestandener Elektroniker seine Nase gern auch in zerbeulte Tubas, in zerlesene orientalische Volksliedhefte oder auch Musikkeller im hintersten Weißrussland. Aus dieser wahrlich allumfassenden Musikliebe entstand unterstützt von "Laolu" diese Veröffentlichung für Freude am Tanzen.

Come Back to Me

No Sun

Kadebostan & Laolu - No Sun

'Freddie Frampton makes his debut on Hot Since 82’s acclaimed Knee Deep In Sound imprint with a mighty 3-tracker that follows on from the label boss’ key support for Frampton’s huge ‘Black Betty’. The London producer has a history that stretches back to working alongside legends like Carl Cox at seminal nightclubs in the capital in the early ‘90s, and his resurgent production career is seriously delivering the goods.

Infectious from the word go, ‘When You’re Alone’ kicks off with a loose, shuffling percussive groove punctuated by deft little techy synth notes. Rolling drums create more urgency as a filtered vocal loop slowly eases up. A snippet of a euphoric piano chord refrain gives a taste of what’s to come as the languidly grooving bassline drops in. The first break sees a powerful chord progression play out on the beautifully honed pianos before an unmistakable vocal sample drops in to add more drama. Monotone synth stabs arrive to build the groove further while heavily reverbered hits add atmospheric depths. It’s a big room sound but without being overblown. The pianos and vocals are allowed to take centre stage in the main break before we thrust headfirst back into the stripped-back groove.

'Miss Mouse' kicks off with shaker-style hi-hats and muffled flute notes. A galloping tribal rhythm soon kicks into life, with distorted toms thumping away under heavily swung wooden percussion. Trippy vocal samples arrive to build the atmospherics while throbbing bass note joins the fray. A mini breakdown sees Frampton get busy on his guitar, playing sorrowful chords with an almost flamenco flavour to them. “I’ve had a long love / hate relationship with the guitar throughout my life, and always wanted to fuse the guitar with house. I’ve built a nice little library of seriously old rare vocals which, so after some painstaking audio editing, I took a break, switched to the guitar and the main riff jumped right out at me.” The bluesy vocal reveals itself in ghostly fashion, filtering in and out of focus as the arrangement chops and changes. The haunting feel continues throughout the track as the vocal and guitars combine succinctly, with plenty of space between to let the rhythms flow. “This is the track I’m most proud of” he says. “I think it comes closest to summing up what I’m all about. Where does it fit in today's music scene? I have no idea, and I guess that's another reason why I'm so proud of it.”

Sharp hi-hats and infectious woodblock rhythms start to build the groove on melodic techno track ‘Shine’ before muted, atmospheric sounds and a commanding lead synth cut through the mix. A lead synth unfolds into a slow-burning melodic progression that’s tinged with darkness as tribal percussion builds a meatier groove. Slowly but surely the bass pressure increases as the brooding synth switches to a different pattern and heavenly female wailing takes the track higher. Delicate chord stabs lace the underbelly of the track as we’re plunged into the swirling breakdown, a masterclass in tension and release cuts sharply against the drop.

Hot Since 82 has been pushing Frampton’s sound for a while now, with huge reactions for some of his unreleased material that he dropped in recent sets such as at Cercle’s party in one of the ‘Game Of Thrones’ filming locations. This looks set to be a very fruitful relationship.'

Follow: @freddieframpton // @kneedeepinsound

Premiere: Freddie Frampton - Miss Mouse [Knee Deep In Sound]

Last release, I used some vocals from a famous movie of my country Asfour Sta7 
Enjoy !

Noone - Asfour Sta7

Don’t Get Mad at Me (feat. Malek)

Instagram : dr__joss

Free to download, hope you enjoy !

Velter - Before The End

Avatism feat Forest - Different Places

Monguish, tunisian house music artist based in Paris, known for his intricate rhythms and deep atmospheric grooves, is returning to the stage after a long break. Monguish has dedicated his career to unraveling the depths of the genre's complexity. With a discography spanning decades, he continues to push the boundaries of house music, captivating audiences with his unique sound and unwavering dedication to musical exploration.


Instagram: @Monguish_

Noone - Asfour Sta7

Monguish

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