2015

Download Saint Raymond's debut album - out now:
iTunes: http://smarturl.it/youngblood.itunes
Amazon: http://smarturl.it/youngblood.amazon

More from Saint Raymond:
Website: http://saintraymond.co.uk
Facebook: facebook.com/SaintRaymondMusic
Twitter: twitter.com/Callum_SR
Spotify: bit.ly/YOUNGBLOODSPOTIFY 
Soundcloud: soundcloud.com/saintraymond/
Instagram: instagram.com/callum_sr

Young Blood EP

Young Blood

Ghosts EP

Everything She Wants

Brighter Days

I Want You

Watch on YouTube

Limited Edition Crimson Vinyl: http://b3scirecords.bigcartel.com/product/b3sr-022-powers-beat-of-my-drum-loved-by-you

Legendary

Beat Of My Drum

Our new album "JR JR" is out now!
iTunes: http://smarturl.it/jrjritunes
Spotify: http://smarturl.it/jrjrspotify

Watch the official video on YouTube: https://youtu.be/nq0mpgHNapc

Gone

Download

LIVE ON:
Amazon Music
Spotify
Deezer
Apple Music
Tidal
and the Others.

SOCCER'S DREAM (Punk-Rock-Pop)

Welcome to Your Life

Don't You Worry, Honey

&Run

New York Narcotic Tour On-sale Now!

Tickets: theknocks.com/tour

DATES:
1/24/19 Vancouver
1/25/19 Seattle
1/26/19 Portland
1/29/19 Chico
1/31/19 Sacramento
2/1/19 San Luis Obispo
2/2/19 Los Angeles
2/5/19 Santa Fe
2/6/19 Denver
2/8/19 Dallas
2/9/19 Austin
2/10/19 Houston
2/12/19 St.Louis
2/14/19 Chicago
2/15/19 Columbus
2/16/19 Pittsburgh
2/17/19 Washington
2/20 Philadelphia
2/21/19 Cambridge
2/23/19 Brooklyn
3/01/19 Phoenix

Ride or Die (feat. Foster the People)

Miike Snow, the Downtown Records trio hailing from Sweden and New York are releasing their self-titled debut album today May 12th exclusively on iTunes.  Miike Snow was chosen as one of 40 titles to be featured on Next Big Thing, iTunes’ selection of new artists that they think will have the most impact on music in the years to come.  Their forthcoming release promises to win over fans of pop, electronic, and many genres in between with masterful songwriting and innovative production.  Miike Snow will be available for a mere $6.99 exclusively on iTunes from May 12th through June 8th, with other digital retailers and the physical CD release to follow June 9th

“Animal” is one of those songs that will invade every waking thought.” – WIRED.COM

Animal

Mike Snow - Animal

The Mother We Share out now: http://po.st/TWMSiT

The Bones Of What You Believe out now. Standard: http://po.st/TBOWYB | Special: http://po.st/TBOWYBSpecial

http://chvrch.es/
https://facebook.com/CHVRCHES
https://twitter.com/chvrches
http://chvrches.tumblr.com/

The Bones Of What You Believe

The Mother We Share

Our debut album "When It Was Now," is now available on iTunes- smarturl.it/atlas

Subscribe for more new music on YouTube- bit.ly/W8yTQS
iTunes - www.smarturl.it/atlas
Facebook- facebook.com/atlasgenius
Twitter- twitter.com/atlasgenius
Tour Dates- atlasgenius.com/tour

About Atlas Genius-
The members of Adelaide, Australia’s Atlas Genius do things a little differently….They set about building a studio where they could write and record music for their newly formed band 3 years before they even played their first live show as Atlas Genius. For two years, they devoted their days to constructing their dream studio and spent their nights performing songs by The Police, The Beatles and The Rolling Stones at local pubs to pay the bills. “We really got down and dirty with dry walling and literally laying the floorboards, and at the same time we were taking a couple of days a week to focus on writing songs,” recalls Keith Jeffery, Atlas Genius’s vocalist/guitarist. "We had a lot of song ideas and it was important to us to have our own studio where we could experiment and hone in on our sound," adds brother and drummer, Michael Jeffery. The studio was designed and outfitted by the brothers with the help of their father (who comes from a music and engineering background). Once the studio was complete, the first song that Atlas Genius finished was a song called “Trojans,” which they wrote, recorded and produced in collaboration with their friend, keyboardist Darren Sell. After many weeks tweaking the song, Michael insisted that the song was ready to be heard outside of the studio walls. Within an hour, “Trojans” was on the Triple J Unearthed Website, SoundCloud, and for sale via TuneCore on iTunes, Amazon and Spotify worldwide.

“We had begun to think that music was a pipedream and we had all gone back to university to pursue more realistic careers,” says Keith. “We’d had such a long slog of playing late nights and working all day, and it felt like we didn’t really have anything to show for it.” But then, in the midst of cramming for their Fall 2011 semester final exams, Neon Gold discovered “Trojans” on the Triple J Unearthed Website and wrote a post praising “Trojans” as a song sure to “invade your head, all dressed up in a clever disguise of earnest vocals riding a hooky riff.” Checking the band’s email account for the first time in over a month, the band found that dozens of record labels, publishers, lawyers, booking agents and management companies from all over the world had contacted them.

“We were trying to focus on school, but it was just impossible,” recalls Keith. “So we said, ‘There’s something going on here. Let’s get back to the music.’” The band added manager, Jonny Kaps from +1, to their extended family to navigate all of the interest as the band focused on writing and recording more songs.

Quickly named an iTunes Single of the Week in Australia and New Zealand, “Trojans” reached #4 on Hype Machine by the end of May. In August, SiriusXM Satellite Radio’s Alt-Nation discovered the song on a blog and decided to give it some spins. There was an immediate reaction from listeners, and in September, “Trojans” was placed into heavy rotation, where it maintained a top-five position on the listener-generated Alt-18 countdown and peaked at number one for 4 consecutive weeks in January 2012. “Trojans” began selling over a thousand tracks per week on U.S. iTunes and soon climbed to 45,000 sales - all with zero promotional efforts from the still-unsigned Atlas Genius.

“Knowing we had this audience that was waiting on new songs, we had a much greater sense of purpose than we had before,” says Keith. “It was really exciting to know that there were people who wanted to hear more of our music.” Although labels were clamoring for the band to come to the U.S. and play a series of showcase gigs, Atlas Genius turned down those offers in favor of staying in Adelaide to keep writing and recording new songs. In February 2012, after months of communicating with numerous labels via Skype, the band chose to travel to the US in order to make their label decision.

“We’d never been to America before,” says Keith. “We flew in at night and saw this sea of lights, and it really became apparent to us how massive the U.S. is. It was pretty intimidating - like ‘How do we fit into all this?’” In April 2012, the band returned to the states having made their decision to sign with Warner Bros. Records. “We felt a connection with them,” notes Keith. “Everyone there feels very creative and dedicated to the music.”

The band’s first release from their new label home, the EP Through The Glass (produced, engineered and mixed by the band), came out in June of 2012. With Through The Glass completed, Atlas Genius then holed up in its studio and worked on writing and recording its first full-length album, while at the same time rehearsing for their first ever tour. The tour started in August 2012 and led to three more tours back to back taking them thru to the end of the year. Thus, their full-length debut was finished up between tour dates and got completed just before Christmas 2012. When It Was Now is set for a US release on February 19th, 2013, with an international release to follow soon after.

The debut captures Atlas Genius’s singular combination of sophisticated musicality and warm, wistful spirit. Infused with a classic sensibility, each of the songs would fit seamlessly if somehow slipped into a long-treasured mixtape. On the shimmering “Symptoms,” for instance, taut keyboard riffs mesh with urgent acoustic strumming before the band bursts into a gently frenetic, guitar-drenched chorus. Meanwhile, “Back Seat” blends its pulsing bass throb with a sweetly infectious beat and tender vocals that alternately soar and sigh. And on “Trojans,” Atlas Genius begins with a restrained guitar melody and vocal (“Take it off, take it in/Take off all the thoughts of what we’ve been”) before giving way to the handclap-accented, harmony-soaked refrain and lush yet kinetic bridge.

“It’s still surreal,” says Keith of all that’s happened over the past 18 months. “I think when we were very young, we had hopes that something like this might happen one day,” he continues. (Thanks largely to encouragement from their Beatles fanatic parents, who encouraged the brothers to begin playing music by age 14.) “But then you grow up a bit and it seems less and less likely. So when we put ‘Trojans’ out, we figured it would be a success if maybe a hundred people heard it. We don’t want to force our music onto anyone. Our goal is to write songs that we love and we hope they connect with other people too.”

Brighter Days

Saint Raymond

Recent comments

spy_kitten3

spy_kitten3

musiclover777

LifeDon'tMatterTbh¿🥱

Related tracks