Hands

Lyrics by Tony Harris that inspired Glen are listed below.
Vocals, Music, Mix and Video by Glen Granthem.

Video link:
https://gate.sc/?url=https%3A%2F%2Fyoutu.be%2FQhja6_eUkoo&token=83c49-1-1666741105367

TWO SELF-TAUGHT MUSICIANS
THAT LOVED AMERICAN ROCK AND ROLL
NAMED JOHN AND PAUL PERFORMED FIRST
OR THAT'S WHAT I'VE BEEN TOLD

THE ADDITION OF GEORGE AND RINGO 
MADE THE FAB FOUR BAND COMPLETE
THE BOYS WERE NOW READY TO GO
PERFORMIN' IN LIVERPOOL AND BEYOND

ATER RECORDING SOME ORIGINAL SONGS
AND PLAYIN' CLASSIC ROCK AND ROLL
ON MANY BBC RADIO PROGRAMS
THEY ROSE TO FAME IN ENGLAND 

AFTER APPEARING IN THE MOVIE
HARD DAYS NIGHT IN SIXTY FOUR
BEATLEMANIA SPREAD AROUND THE WORLD
AND PEOPLE WERE ASKIN' FOR MORE

WHEN I SAW GIRLS SCREAMIN'
WHILE THE BEATLES WERE PLAYIN'
ON THE ED SULLIVAN SHOW
I KNEW BEATLEMANIA
HAD MADE IT TO AMERICA

(GUITAR SOLO)

YEA, WHEN I SAW GIRLS SCREAMIN'
WHILE THE BEATLES WERE PLAYIN'
ON THE ED SULLIVAN SHOW
I KNEW BEATLEMANIA
HAD MADE IT TO AMERICA


2022 © Lyrics by Tony Harris

Beatlemania - Lyrics by Tony - Featuring Glenny G's "One Man Band" - with Video LInk -Original

Written, Arranged, Produced & Engineered by Mike Luv

ML- Programming & Patching in VCV Rack

Mundane Task

I Want Love.
Remove "I" that is ego. Remove "Want" that is desire.
Love, Self-love within.
Demo is dedicated to my friends and family. <3

I Want Love

On First sight

Keith had a gentle guitar phrase and  a few words that he was playing with and shuffled it over to me for a listen to see what I made of it. The result is the song below. The conflict is in the spirituality represented by the sparks on a fire ascending, and the observation that the embers twinkle, fade and fall, silent. What is it all about if the prayers, meditations and positive thoughts just fall back to earth like the sparks? The beliefs we embrace must hit the road of reality. If they measure up to good - wonderful! But if not? The supreme irony for me is watching kids being taught to hate in a religious school class.  I was going to use the coordinating conjunction BUT to set up the point of contrast (But you can't..."). Instead, Keith preferred the AND ("And you can't...") as, in addition to all that one CAN believe, you must be aware that other things follow too. Can And Cannot. So simple. Or is it?
Free D/L - Track 9 of the new album Hold On To Someone : https://www.terrywigmore.com/wigmore-allen-gibbons

Lyrics:
We seem to want to find
A spiritual connection to space and time
An affinity for infinity and the great beyond
Now, chuck your branch onto the fire
Watch it spark, and come alive
Embers drawn up into the night sky
Twinkling, fading, and in silence, fall

And you can't lead, once they've all been turned
And you can't light, what's already burned
And you can't teach compassion and hope
Once the hating's all been learned,

It's the lack of definition of in the twilight hours
That makes it so difficult to find our way
Past all the claims and assertions of things that cannot be proven
Now, chuck your branch onto the fire
Watch it spark, and come alive
Embers drawn up into the night sky
Twinkling, fading, and in silence fall

And you can't lead, once they've all been turned
And you can't light, what's already burned
And you can't teach compassion and hope
Once the hating's all been learned,

Wigmore: synths, production, lyrics, vocals
Allen: guitars, bass, music, additional vocals

Hold On (To Someone)

And You Can't

Vidéo YouTube : https://youtu.be/xpmxidMUL8g
 
Roots  (Racines : à la suite en Français )

My dear brother , my Theo 
Thank you for your letter and the bill but it's too much
Since things are going well for you and yours 
What do we have to do with what is less so?
My dear brother , my Theo
You have your share in my work, my paintings 
which in the debacle keep their calm, and that's beautiful!

I risk my life in my work
my reason has half melted away.
I've already had bouts of madness
my condition must have worsened.

My dear brother, my Theo 
I'm a burden to you, for me it's too much 
You owe it to your son, to your family 
my painting will never be a source of profit. 
 
My dear brother , my Théo  
I'm sending you "Roots", my last painting.
I'm going to finish it with my blood
then die at the Ravoux: it's high time.


I'm risking my life for my work
my reason has half melted.
I've already had bouts of madness
my condition is only getting worse.  

My dear brother Theodore
lying beside me, what a comfort
you have joined me now in Auvers
where we rest, my brother, two feet under!

My work cost me my life
my sanity melted away
I had many fits of madness
my state was desperate.


Racines 

Mon cher frère , mon Théo 
Merci de ta lettre et du billet mais c’est trop
Puisque cela va bien  pour toi et les tiens 
Qu’avons nous à faire de ce qui l’est moins ?
Mon cher frère , mon Théo
Tu as  ta part dans mon oeuvre , mes tableaux 
qui dans la débâcle gardent leur calme , et c’est beau !

Mon travail à moi j’y risque ma vie
ma raison y a fondu à moitié .
J’ai déjà eu des accès de folie
mon état a du s’aggraver .

Mon cher frère , mon Théo 
Je suis une charge pour toi , pour moi s’en est trop 
Tu te dois à ton fils , à ta famille 
ma peinture ne sera jamais une source de profit . 
 
Mon cher frère , mon Théo  
je t’envoie  « Racines «  mon dernier tableau .
Je vais le terminer avec mon sang
puis mourrir chez les Ravoux  : il est grand temps .


Mon travail à moi j’y risque ma vie
ma raison y a fondu à moitié .
J’ai déjà eu des accès de folie
mon état ne fait que s’aggraver .  

Mon cher frère Theodore
allongé près de moi , quel réconfort
tu m’as rejoint à présent à Auvers
où nous reposons , mon frère , deux pieds sous terre !

Mon travail à moi m’a couté la vie
ma raison y a fondu en entier
J’ai eu de nombreux accès de folie
mon état était désespéré .

Racines (translated in description )

"Les Barricades Mystérieuses" from François Couperin"s "Second Livre de Pièces de Clavecin", in an electro-pop remix, with a smooth gentle beat.

Les Barricades Mystérieuses

Music and production by this guy,,,,enjoy

Failing Fantasy (Instrumental)

Naviar Haiku 529

A distant mountain
Seen in the sunlight:
A desolate field

Takahama Kyoshi was a Japanese poet active during the Shōwa period of Japan. He was the editor of the haiku magazine Hototogisu (previously edited by Shiki), where he promoted a more traditional style of haiku, as opposed to other popular schools which did not follow the pattern of seventeen syllables at that time.

Kyoshi also highlighted the symbolic function of the kigo (the seasonal reference), even though the more modern trends were already tending towards seasonless haiku.

Haiku by Takahama Kyoshi

Picture by Alessio Soggetti

Mountains Away from Here

Mountains Away from Here (NaviarHaiku529)

Saturday Evening

Follow me on Spotify and I will follow back 

https://open.spotify.com/user/saldeano?si=5Ffl-Ik3Rsicg2wEzQ5-tg

Write play and produce, for fun, hope you have time for a listen and enjoy what I’ve put out there 😎
Looking forward to hearing everyone else too

On First sight

Sal

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