Lightning (Seens From Space Ve

the happy ending-02

"OUSIA IN THE RAIN" - BOBBY OBLIVION

Features

With his stage name coming from his love of late 60s Jamaican deejay U-Roy and his light skin, U-Brown began his deejaying career as the 1970s dawned. In the mid-70s he began working with major producer Bunny Lee, and soon got a chance to deejay on King Tubby's Hi-Fi. U-Brown's hyped-up version of U-Roy jive-saturated talkover style sounded great over the heavy dubs mixed by Tubby, and he ended up deejaying many of the top sounds in Jamaica from 1970 to 1985. He's continued to deejay and produce ever since.

In-between a few gigs with French sound system Soul Stereo, he came to the Paris DJs studio in december 2014 to cut a few new tracks with producer Grant Phabao, starting with this neo-classic 'Mr. DJ Let The Music Play', recorded on one of Phabao's biggest riddims, the 'Honey' one he had build over the Erykah Badu's hit of the same name.

U-Brown's unmistakeable deejay flow with a stylistic debt to the deejay godfather is a delectation to hear voiced and mixed with Grant Phabao at the controls. Somehow echoing U-Brown's first production in 1977, the 'Please Mr Deejay' hit by Carlton Livingston, 'Mr. DJ Let The Music Play', with its dynamic skanking and shoutouts rocks the dance hall instantly with bubbles of joy exploding from the turntables!

Buy on Bandcamp http://bit.ly/1URYpv3
Info on Paris DJs http://bit.ly/1KQgPYl

Buy on Bandcamp

Grant Phabao & U-Brown - Mr. DJ Let The Music Play

Problems (Dat Little Thing Dub) (Son.Sine Mix)

Third track of the album "Celestial Colors"
Third chakra, Solar Plexus chakra... Color : Yellow

(Mandolin & Portuguese Guitar written and played by Germain Gourlay)

Link for Free download or Donate what you want for support me & the label, with HighQuality : 
https://altar.bandcamp.com/album/celestial-colors-24bits

‘Celestial Colors’ presents seven tracks from the genre of Dub to psychill all mixed in a very distinctive style as they are connected musically to the tones of the 7 energetic centers of our body called the 7 Chakras. 

Celestial Colors

Donate

03- Yellow Mood _ Out Now on Altar Records (FREE)

Ahhhh Love Love Love!! .... aint nuttin but a business goin on ... we recorded a cover of Junior Parker cynical '70s soul classic on our 'Una Murthera Riddim' with the wonderful singer Tamina. Happy Valentines Day Lovers! :D

Nuttin But A Business feat Tamina - JingBong Ting

A collection of remixes from Dub Size (AKA Sid3 Fx)
Out now at iTunes,Beatport,Amazon,Spotify,Deezer,Bandcamp etc.
https://www.beatport.com/release/ombres-chinoisis/2404566
https://sid3fx.bandcamp.com/album/ombres-chinoises

Dub Size - Chinese Roads (Sid3 Fx Drum And Bass Remix)

Björk - Hidden Place (Dub.Rebels RmX)

Sep 2020

Youtube Link:
https://www.youtube.com/watch?v=mEWjqjsPNyg

Björk - Hidden Place (Dub.Rebels RmX)

Bless up to Finn K for the basslines on this dub tune

Cicada

https://www.youtube.com/channel/UCSGSMzRDJQO70KQz3ZDZOPA
http://salmonelladub.com/store/
Check: http://salmonelladub.com/ 
https://www.facebook.com/SalmonellaDub/

Salmonella Dub began in 1992 crafting their name from the “bad-taste” dub cover versions of songs they used to break the ice amongst their original tracks in their early sets. In ’90s New Zealand, dub/roots/reggae freak-outs weren’t entirely in vogue — grunge and dance music held sway — so Salmonella Dub would use lighthearted covers of Nancy Sinatra, The Orb’s Little fluffy Clouds, plus Public Enemy and Fred Dagg’s “Larry Loves Barry” to win over skeptical audiences.

In the early ’90s, New Zealand’s liquor licensing laws changed, allowing pubs and clubs to stay open late and revitalizing the country’s live music scene. Members of the band then called Golf Course Alligators seized this opportunity and, in late 1992, Andrew Penman (guitar), Mark Tyler (bass), and Dave Deakins (drums) became Salmonella Dub. In the early days they lacked money for a sampler and used DIY solutions by hooking up an on/off foot pedal to the motor of a cassette player in order to drop samples by foot in real time from tape on stage. These samples would come from whatever was on the TV at the time, whether it was the news or a Cheech & Chong movie. Lacking the funds for cassettes, they raided the bins of a record store and found discarded copies of Teenage Mutant Ninja Turtles albums that served as their early tape stock.

To prepare for their first, self-titled album in 1994, Peter Wood (trumpet, keyboard) and Conan Wilcox (saxophone, percussion) were invited to join the band. Salmonella Dub was released through the independent label Curious Records. Following quickly from this album the band released Dub Tomfoolery a 7 track EP with mixing contributions from Mike Hodgson of Pitchblack.

Soon afterwards, Wood left the band, moving to Auckland and getting a job to pay his student overdraft. Around this time Penman made contact with David Harrow (ONU sound) through Grant Fell of the Headless Chickens. Harrow was employed to work on their next EP THC Winter the band’s first foray into Jungle and DnB in 1995.

More here: http://salmonelladub.com/history/

Problems (Dat Little Thing Dub) (Son.Sine Mix)

Salmonella Dub

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