Excellent musicianship and vocal harmonies.

Wow, your music is a fantastic combination of ideas, skills and playfulness... Thank you for sharing this beauty🙏🎶🌈♥️

warm and glowing, like voices meeting in sunlight, gentle and true ☀️🌿Beautiful!

No real need to declare your influences as you wear them so lightly and have a unique originality, even in the way your voices come together.

Leonardo Botticelli

Travel

***See version 2 of this song, w/sax & Hammond, here***
https://soundcloud.com/bruceavery/the-blue-room-version-2?si=3976cab678424394950e6c2b27429883&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

The Blue Room – smoke and whisky and tears….

The original idea was a smoky, jazzy, late night club-for-lonely-hearts kind of thing.  But since my “jazz” piano always ends up honky-tonk, and I can’t seem to lose the backwoods in my voice, the final product – though still smoky & late night – is more lonely hearts beer joint than jazz club.  Jazzabilly maybe.  Redneck Blues. 
								
But there is a plan to give the song a little jazz credibility.  I play an organ solo mid-song that I actually wrote for saxophone.  I’m sending the song to my little brother, longtime Atlanta musician Herb Avery, who says he knows a sax player who’ll take it on.  So if Herbert can make that happen, I’ll upload the new version later.  If he can’t, I’ll be looking for a sax player out there. 

My daughter Julia helped out vocally on the choral refrain.

So here we go.  Come set for a spell in The Blue Room…..when nobody loves you.

The Blue Room (original version)

Our first attempt at a folk-rock epic. This was a lot of fun to write and record - it represents the warm front where our musical influences and what we individually bring to songwriting meet straight down the middle.
Influences for this one include: Lynyrd Skynyrd, Low, Fleetwood Mac, American Analog Set and others. Hope you enjoy! 🎸🎻🤘🏽

Eclipse

Chrysalide

François Hollande's reign as president was marked by a secret love affair, deadly terror attacks and an economic policy U-turn. There was something endearing about the man, however, captured in this infamous speech in English. Hope I don't get deported for this, enjoy! https://www.youtube.com/watch?v=vGHMrWKUf1g

Be You - soyez vous            
Be proud of you - soyez fier de vous
Because you can be- parce que vous pouvez être
Do - faire
What we want to do - ce que nous voulons faire

Il a peut-être raison - ge is probably right
Ce vieux président - this old president
C’est un peux déroutant - it’s a bit confusing
Mais aussi très profond - but also deep

Be You !

Here's a song and video that's a bit of a change of pace, a crazy gangster story song from my album "Unhinged" that I recorded back in 2019. A totally made up this rock song and it has a nice riff. This is NOT one of my love songs!😂 It follows these insane bank robbers with serious mental problems! I wanted to make like a little action movie for this song. I'm always trying to make my songs into little films!😁. 

VIDEO - https://youtu.be/o7xeuezg1oQ

    The video is new and took several days to finish since I had so many clips to edit together! I really tried to follow the song as close as I could and I even added a clip from an old Yosemite Sam cartoon of the 40's for comic relief!😂 I had a blast creating the video and I hope everyone enjoys it. It's a bit violent but most action films are! Take a peak if you dare! Thanks for listening and hopefully watching and take care!🙏😎✌🏼

“SWEATIN' BULLETS"

I'M DISTURBED, SLIGHTLY TOUCHED, 
MAYBE I THINK A BIT TOO MUCH,
ALWAYS RUN WHEN I SHOULD CRAWL,  
WHEN I'M PUSHED, I CHOKE AND STALL,       
I'M CRACKED, SOMEWHAT ASKEW,
ALL MY LINES A BIT OFF CUE, 
ALWAYS SMILE WHEN I SHOULD CRY, 
WANNA QUIT WHEN I SHOULD TRY,

I’M SWEATIN' BULLETS, SWEATIN' BULLETS,
DON’T SHOOT ME PLEASE, I’M ON MY KNEES,
BEGGING FOR SYMPATHY,  
I'M SWEATIN' BULLETS, SWEATIN' BULLETS,
IT AIN’T NO FUN, CRYIN’ INTO YOUR GUN,
NOW I’M SWEATIN' BULLETS AT YOUR FEET,
                  
I'M UNCLEAR, THOUGHTS OBSCURE,
WILL THEY EVER FIND ME A CURE, 
I STOP DEAD WHEN I SHOULD GO, GO, GO,
CAN'T SEEM TO OVERCOME THE FLOW,
DISTURBED, WHO'S TO SAY?
DOCTORS ALWAYS IN THE WAY,       
MEDICATION IN MY BRAIN, 
WHEN THE SUN COMES OUT, I WANNA RAIN!           
           
I’M SWEATIN' BULLETS, SWEATIN' BULLETS,
DON’T SHOOT ME PLEASE, I’M ON MY KNEES,
BEGGING FOR SYMPATHY,  
I'M SWEATIN' BULLETS, SWEATIN' BULLETS,
IT AIN’T NO FUN, CRYIN’ INTO YOUR GUN,
NOW I’M SWEATIN' BULLETS AT YOUR FEET,
                                          
BY JIM VALDES © 2019

"SWEATIN' BULLETS" (Video - https://youtu.be/o7xeuezg1oQ)

Cast of Characters:

Cgmaness – https://on.soundcloud.com/4a2IWOT8tUQL3pbqdc – Chris – acoustic guitar, composition, production, and mix
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken– drums
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 – Warwick four string fretless bass 
J.J. Terrell-- @j-j-terrell—JJ-- piano and lead synth
Mistermark-- @user-432503709 -- Mark – VST cello, strings, clarinet, flute, and synth pad
Nyla K-- @user-162163879 -- vocals and lyrics
TexMex Shaman– @texmex-shaman –Stephen–  Gibson Earle Scruggs banjo

This song started as many of our best do, with Chris coming up with it on his acoustic guitar. He shared it with the rest of us shortly after, and we were all very excited to tuck into it. 
  Ken was fist at the trough for this one, adding his jazzy, expressive drums. Josh came in as soon as he had a beat to work with, adding his signature fretless bass to the mix. Not long after that, JJ broke out the hauntingly melodic piano and Shine On You Crazy Diamond timbred synth you hear throughout. 
  Once it had a good structure to it, Mark came in and added the dynamic cello swells that open the song, some subtle strings, the melodic clarinet and flute, and a bit of synth pad near the end to spice up the soup a bit. He also had the great idea to ask Nyla to add some vocals, which she did in her typically dynamic and expressive way. Last, but definitely not least, we convinced Stephen to add some of his perfectly mood-setting banjo. 
  Once it was all in the can, it actually sat for several months before being revived by Chris, who also did the production and mix, expertly, as always.
   This song is an example of Eclectic Collective coming together to bring another one of Chris' brilliant songs to life. You should check out his new albums on Spotify: https://open.spotify.com/artist/0RmKLMyiXe4eVeXa032MDV?
  Also, this is our first time collaborating with Nyla K. We wanted to find a way to include her talents on this one, and her vocals here are magical. You can hear a lot more of them on her page if you follow the link next to here name in the credits, too. We hope you enjoy listening to this song as much as we enjoyed creating it.

Original lyrics by Nyla K: 

I once overheard 
a hushed up conversation 
'tween the fishes coming home 
and thank god for a holiday
yea
making the bull frogs sing for joy
as they awake
yea
...and this... is what they had to say

Spanish moss and bullfrogs
cattail cotton in the wind
yea...
and won't U take me to the river
yea...
take me on down to the river
and U better not say....

Better Not Say (Eclectic Collective with Nyla K)

Surfers like Us ….. composition, all guitar parts, arrangement and mix
Cover picture ….. lonely road (Pixabay collection)

Hi Everyone!
Hope you enjoy my road music! 
Have a good trip! 

Thanks a lot for listening and support! 😎🎸
Artur

Lonely Road

Way overdue for something new but I've been living in exile without the usual, albeit modest, setup I'm used to. So this might be pretty rough. And it's full of the usual horror at political realities and way full of schmaltzy velveeta. 

Guitarist note:  I don't have amps at present and was struggling to find a decent direct sound. There is a *free* VST plugin by Neural Amp DSP and online libraries of tone prints, also free, that came to the rescue. Highly recommended.

it's alright for you as long as it's alright
you don't mind what they do in the broad daylight

it never could be you

but you don't see the way you're blinded
they'll never drag you down to the places meant for those

do you feel the color of your soul
when you live with love suspended hiding in a hole
the moment is yours but you don't believe 
you won't believe what lies there ripening 
growing in your mind without you knowing

now it could be you

and as you feel the weight of the binding
you know they're dragging you down to the places meant for those

to liberate the light of every heart and mind
you can say it never paying any price

there's a little part of everyone that knows 
we're only playing separate lives 
till true faith arrives

if there's every gonna be a change 
let it start right here

you know it could be you

It Could Be You

A few months back, anyone landing on this page was extended an invitation to….“come set for a spell in The Blue Room…..when nobody loves you.”  Well, took a while, but I reckon the word’s getting out amongst the broken hearted - this smoky little back-alley jazzabilly joint been seeing some semi-decent crowds lately.  Might have to add a couple more tables over there in that side area where we been storing the old feltless pool table.   

I dunno, maybe there really are a lot of lonely hearts out there, looking for companionship.  But my bet is that the real draw here is the new act on stage, as the house band is now joined by two long-time Atlanta musicians - Herb Avery and his Hammond organ, and Randy Hunter with his saxophone.   

For this version of the house theme song (aka The Blue Room), not only is my fumbly-finger organ solo replaced with Randy’s stellar saxophone, but I’ve put together a new intro, much more fitting for the new instrumentation.   And btw, brother Herbert not only plays his Hammond on the song, but that’s him you’ll hear playing the background lounge piano as the track opens.

So yeah, come set for a spell (whether you're loved or not), and let Randy & Herb show you their stuff.   

(Original version is here:) https://soundcloud.com/bruceavery/the-blue-room?si=36546f88f147427aba1593bf85a7ec1f&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

The Blue Room - version 2 w/sax & B3

The Lovely Blue Waves

Where are U?

Got wild with this for a few days till i could barely straighten my body out haha! I guess that's the zone we all crave:)

Above Snakes

Tomorrow, Tamara!

To Have and To Hold is not a biography, a lecture, or a historical reconstruction. It is an imagined world — one you step into to feel your way around an idea rather than to learn it.

The album takes place loosely in early-20th-century Cambridge, at the moment when Western thought was beginning to strain under its own certainty. Science had proved astonishingly powerful at breaking reality into parts, explaining mechanisms, and producing results — yet at the same time it was encountering problems it could no longer fully contain. Probability was replacing certainty. Events mattered as much as objects. Meaning no longer sat still.

Out of this tension emerged process philosophy: the idea that reality is not made of finished things, but of ongoing happenings — that love, time, marriage, and even truth itself are not states you reach, but activities you keep participating in.

The album imagines this moment through a human lens. A mathematician trying to complete a system of logic. A thinker insisting that nothing important is ever truly finished. Proofs accumulating. Years passing. A marriage understood first as a statement, then slowly revealed as a practice. Love appearing not as romance in the foreground, but as something quietly unfolding elsewhere — happening whether it is attended to or not.

Rather than explaining these ideas directly, the songs allow you to inhabit them. You hear bells ring. You feel evenings close in. You sense the weight of unfinished work and the relief of letting something continue without control. The philosophy is not taught; it is lived.

This is a soft documentary in sound — an audio quantum leap into a world. Its purpose is not accuracy, quotation, or instruction, but immersion. By the time the album ends, you may not be able to define process philosophy in a sentence — but you may feel why it arose, what problem it was answering, and why it still matters.

To Have and To Hold is an exploration of commitment not as possession, but as attention.
Of marriage not as a conclusion, but as renewal.
Of understanding not as something you arrive at — but something that keeps happening.

If you listen closely, nothing here ever quite resolves.
But something continues.

What Continues

⚡ Synthwave energy unleashed! ⚡ Shock the Algorithm returns with a brand NEW album — Ultraviolet Cosmos.
https://shockthealgorithm.bandcamp.com/album/ultraviolet-cosmos

🌌 Available NOW on Bandcamp — grab your digital copy today and step into the neon! 🌌

British alternative folk-rock duo.

What happens when a classically-trained violinist and lo-fi folk guitarist with different tastes, playing styles and approaches to writing music try and create songs together in an attic?

Website: 
https://play.reelcrafter.com/woDvmVglTPOZSGMWLSe0uw

Instagram: 
https://www.instagram.com/saltfiremusic?igsh=b3JpY2tjdTc3bWY%3D&utm_source=qr

Eclipse

Salt Fire

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