Muy linda musica, me trsmite una paz y una tranquilidad indescriptible, sigue adelante MAESTRO

fantastic track I like it, thanks for the musical journey ...!   )

Amazing composition, magnificent piano execution, who else can I say about perfection.

Symphonic

A Wisconsin anthem...sort of....
Are you addicted to cheese curds? Crave whitefish livers and a cold Leinie's? Spend hours sitting on a bucket, ice fishing at twenty below zero, but release all the fish cause you'd rather have a burger?
Another single from the upcoming Penelope's Thrill album, "Twilight on Tunnel Road," due out on April 26, 2021. 
Main guitars on this are a Vintage Modified Strat playing the fast-picking melodic riff and my '66 Guild Starfire XII filling things out and playing the lead. They are joined by my Gretsch 5622T and '78 Guild S-60.

“Clockwork Clouds”
Words & Music by Timothy Walsh

Nothing I say gives you a clue.
You just want me singing the blues.
But I don’t know how to choose—
too many things jostling my mind like leaves in the wind.

And this corn looks so fine, but I’m losing my mind,
living out here in the countryside
with these cows and this corn—
never forlorn—some say it’s paradise
and I guess that’s maybe true but….

CHORUS: Take me through the skies
above the world we know,
looking at these clockwork clouds from so far below.
Take me past the stars, somewhere far away.
Looking at these clockwork clouds for so many days.

Tell me again, why am I here?
Looking at clouds in the stratosphere.
I don’t feel so alone cause I’ve got this here phone,
the Packers on the tele, a sixpack on ice.

When I’m walking the fields calculating the yields,
the clouds are floating by like cottony shields.
There’s manure and milk, soybeans and corn silk,
Bears fans down in Janesville but I don’t mix with that ilk, so….

CHORUS

Wisconsin’s my home so I’m never alone.
There’s cows and curds and cheese and birds
and whitetails in the woods.
And there’s wolves and black bears,
our meatpackers shares,
the green of spring and gold of fall really tell it all.

We harvest ginseng roots, trim Christmas tree shoots,
grow fine leaf tobacco for your big cheroots.
Red tail on the wing, it just makes you sing.
Turkey vultures circling like angels in the sky.

And there’s cows and there’s corn, whitefish livers and porn,
Northwoods hair salons where no one lives but the trees.
And there’s trout streams and hills, Lake Superior’s thrills—
ice fishing in winter, sitting on a bucket in the wind.

Words & music by Timothy Walsh
Timothy Walsh: Vocals, guitars, bass
Recorded and mixed by Timothy Walsh at Yew Tree Studios
(that is, a tiny upstairs room in my house nestled amid century-old yew trees)
©2021 by Timothy Walsh. This recording ©2021 Timothy Walsh
All rights reserved.

Twilight on Tunnel Road

Clockwork Clouds

Download

Christian sent me his cool dub track to work on - this is the result :))))
Magic Carpet vocal is 'On The Flying Carpet' by DJShemZee off Looperman - many thanks!!
I added my Fender DuoSonic with lashings of DanElectro Spring King Reverb for some squelch

Flying Carpet - with CHRISTIAN MOLL

Frontecielo:
Piero Caniparo: electric guitar, guitar synth
Donatella Basilico: vox, piano/keyboards, drums
We had the great pleasure to have the special featuring of Bruno Torre on bass guitar               
MEMORIES FROM A MISSED FUTURE

MAMA WHERE ARE YOU

DON'T YOU KNOW I'M STILL AFRAID OF THE DARK

THE FAILURES 'ND MISTAKES THAT I'VE MADE 

ARE DEVOURING ME LIKE SHARKS

MAMA WHERE ARE YOU

SURE YOU KNOW THE WAY THEY MAKE ME FEEL

THE PALE AND PATHETIC MASK

OF THE ONE I REALLY WANTED TO BE

AND I CANNOT HEAR THOSE DISTANT ECHOES ANYMORE

OF OUR FADING EXPECTATION SHOUT ON A DESERT SHORE



MAMA WHERE ARE YOU 

NOW I FEEL MY LIFE IS STALKING ME

LIKE A BEAST WHO WATCHES HIS PREY

AFTER MARKING IT WITH HIS TEETH

AND I CANNOT HEAR THOSE MOCKING ECHOES ANYMORE

OF OUR FADING EXPECTATION SHOUT ON THAT DESERT SHORE



I'M READY TO GO OUT

WEARING MY USUAL ARMOR

WITH DESPAIR IN MY HEART

I'M GOING TO DO IT ONCE AGAIN

LEAVING ALL MY HOPES

JUST AN EMPTY WAIT REMAINS

MAMA WHERE ARE YOU , DON'T YOU KNOW I'M STILL AFRAID OF THE DARK?

Memories From A Missed Future ( feat. Bruno Torre on bass)

Data Generator

episodios

El Mentor

DISTANT STORM
For three guitars

Having released my new album “Short Tales” last week packed with music for three acoustic guitars, this new piece could easily fit in that collection. 

Like the title suggests, this piece a brooding, mysterious sounding piece with some moments of release from tension. 

The lead guitar regularly escapes with improvised parts. In the accompaniment I use some typical flamenco percussive playing and tapped sounds to accent both rhythm and transitions. As usual my music uses different influences, however the influence of the guitar trio (DiMeola, De Lucia, McLaughlin) is apparent.

As always I really enjoy your likes, comments and shares!

-Dan

Data:
All music, arranging, composition & guitars by Daniël van den Berg, May, 2021
Guitar: Joan Cashimira, modelo 145, spruce top w/ cocobolo sides and back, Gata de Gorgos (Alicante), 2015
Recorded using an Apogee MiC.
Mixed in Auria, masterered in Auria and Final Touch.
Photo edit by Dan van den Berg, 2021

Distant Storm

Distant Storm | for three guitars | Dan van den Berg

Production: RiZLiX https://soundcloud.com/rizlix
Lyrics/Vocals: Mizero
2021
It was my pleasure to work with RiZLiX! 
Video: https://youtu.be/gdejsd9yJtg?si=MEyoKbnIHpdtVBUh  
Lyrics:
i used to be a whore
for the sound
it would spin me round
and round
the bass is what i'd die for
and then the beat
i listen so much,
can't eat or sleep
now i am a queen
for the stereo machine
and the speaker
speaks to me
much deeper

all i do is hear and feel anymore
i'm way down to the core
to miss it makes me sore
im down to the core

and the speaker
speaks to me
much deeper
and the speaker
speaks to me
much deeper..
i'm down to the core...

RiZLiX Ft. Mizero - Down To The Core

RiZLiX Ft. Mizero - Down To The Core (VIDEO in description)

Chained And Bound

From the updated version of The Score (Part One). The Score features over an hour of soundtrack themes from the gentle opening through to full and epic hollywood.
 
Download at Bandcamp: http://dexterbritain.bandcamp.com/

www.dexterbritain.co.uk
www.facebook.com/thedexterbritain
www.twitter.com/dexterbritain

To license this music for your project please contact The Music Bed, or see dexterbritain.co.uk for information.

Ascendancy

Official demo for Sonokinetics Capriccio.

by Valentin Boomes (c) 2015

Kaleidoscope

Orchestral movie soundtrack demo

Composition/Mixage : François Gelin

Flûtes/Piccolo : Philippe Neureuter
Hautbois :  Rémi Grouiller
Clarinette : Marie Fallion
Basson : Louise Lapierre
Violons 1&2 : Judith Taupin
Alto : Maxence Grimbert-Barré
Violoncelle : Guillaume Bongiraud
Cors : François Bonhomme & Adrien Desveaux
Trompettes : Yohann Préel & Natacha Abensur
Trombonne : Etienne Serves
Tuba : Benoit Fourreau


Fast Motion Journey

Epic Clouds

Epic clouds

Concerto for Cello and String Orchestra / February, 25 - March 2, 2018

Concerto for Cello and String Orchestra

THE GLACIER PATH (SALVADOR NAVARRA).WAV

Lovers in the Dark

BUY IT HERE

Lovers In The Dark

The Wilderness by Critical Error.
Album: Critical Error.

THE WILDERNESS
We used to be so close
We had no need to touch each other
We used to use our eyes and never say a word
We used to give each other
Everything that we needed
We used to use our eyes and never say a word
Thought love would last forever
I thought we'd be together
I never thought I'd have to say

I'd rather die in the wilderness than to have you back again
I'd rather die in an empty room than to see your face again
I used to laugh at your sweet caress now it only brings me pain
I'd rather die in the wilderness
I'd rather die in the burning rain, the burning rain
In the wilderness, the burning rain

We used to be so strong, we fought the world together
We stood there side by side against an angry world
We used to give each other everything that we needed
We used to use our eyes and never say a word
Thought love would last forever
I thought we'd be together
I never thought I'd have to say

I'd rather die in the wilderness than to have you back again
I'd rather die in an empty room than to see your face again
I used to laugh at your sweet caress now it only brings me pain
I'd rather die in the wilderness
I'd rather die in the burning rain, the burning rain
In the wilderness, the burning rain

Words and music by Steve Mavin.
This arrangement by Critical Error.

Performers:
Steve Mavin - lead vocals, acoustic guitar
Rosie Mullin - backing vocals, percussion
Allan Veal - bass
Paul Bateman - drum programming, backing vocals
Stuart "The Amazing Blind Screaming Blue Stu" Cannon - harmonica
Baz Bishop - lead guitar
Jim Peters - backing vocals

Recorded, engineered and produced by Paul Bateman at 32 Howell Road, Exeter.
Mixed by Paul Bateman and Critical Error. 

Cassette salvage by Paul Bateman.
Logistics and co-ordination by Rosie Mullin.
Audio cleaned and mastered at Wud Records Studio One, October 2020.

Cover illustration by Paul Bateman.

Copyright ℗ 1987 Parsnip Music.
Copyright © 2020 Wud Records.

See also:
https://www.wudrecords.co.uk/archives/critical-error/
https://substanceandshadow.co.uk/
https://twitter.com/WudRecords

Critical Error

The Wilderness

Critical Error: The Wilderness

Hola, soy Salvador Navarra pianista compositor, vivo en Barcelona (España). Espero que os gusten mis composiciones  cinemáticas, en las cuales siempre estoy disfrutando con mi piano y mis arreglos orquestales. Si te apasiona la música,  como a mi, aquí tienes horas y horas de música propia

( REPOSTS  are  routed to Synthgrinder [REPOSTS] )
( https://soundcloud.com/user-813544615 )


++++. PROFILE NOTES ++++

Once a wannabe, not yet a has been.

It had been over a decade since I put together a song,
and for that matter basically walked away from music altogether.
Losing hope that I would ever have the time to put into music again,
I finally gave away my 3rd music studio.
I ran across SoundCloud around 2013,
and thought I might take what few songs I had recorded, 
and lay them to rest there.
And there they languished.

HOWEVER, around 2017 I went back to SoundCloud
and began listening a little more and a little more,
and actively taking a part in visiting the sites
of so many wonderful musicians and beautiful songs.
Also, more and more often I would discover that these artists
were blossoming everywhere around the world,
and most definitely worthy of high praise and compliments.

Then suddenly, these old dead soundtracks right here
began to have a bit of life breathed back into them.
From the kind words that began to come trickling in,
I thought, maybe, someday I might give this music thing a try again.

The thing that finally pushed me into action
was a particular SoundCloud artist…Sander Heerings,
AKA https://soundcloud.com/wane-of-summer
 

Not only was he encouraging,
but he began faithfully responding to a few questions,
then a barrage of them.

The final result seemed to be that after a couple of months,
the Old Grinder now has a 4th studio and, finally, a new song.
I hope there may be many more to come.

Thank you Sander, and to the multitude that have dropped in
to listen to these old songs, 
and most of all, for perking up my spirits.

THE GLACIER PATH (SALVADOR NAVARRA).WAV

SALVADOR NAVARRA / COMPOSER

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