HYPEREMIA is a tribute to the contemporary club scene with a variety of experimentation and mixing of genres from around the world such as dancehall, reggaeton, baile funk, gabber, dnb, breakcore and various experimental beats.

Each soundtrack is a collection of signs, symbols, fantasies and ideas about the current club sound, filled with strong emotions and experiences that have accumulated over the past year in a limited space and partial loneliness.

This album is an attempt to return to the sound environment (both physically and mentally) and experience a strong shock and hard input from the fact that at last the long-awaited rough gigs have been delivered. Moreover, the entrance is so exciting that even organs or body cavities begin to fill with blood, bursting your soul and your mind, cracking your bones.
The desire to feel so strongly immersed in the sound environment has become a fetish, psychosis, a dream.

The only guest artist on this album is Elvin Brandhi. The track - Evil Gang was written by us in about one fleeting evening, in which I was lucky enough to meet her during our performances at the Nyege Nyege Festival 2019 in Kampala, Uganda.

Orange cassettes, pro-dubbed & imprinted at Go Tape (Saint Petersburg), 200g paper cards. 
Limited edition of 50 via Moscow-based label ПИР.

Music: Nikita Grunt
Photo: Dasha Torokhova
Additional Graphics: Nikita Grunt

WULFFLUW XCIV - 18

STK012 out now https://kud.li/stk012

“Como El Viento, Vuelve” is Manolis Sueuga’s experimental take on the elusive nature of ancestry; one that gestures towards Sueuga’s partial understanding of their Tohono O’Odham roots, while acknowledging the unknowability of the past.

Through haunting rhythms and atmospheric interludes, Sueuga conjures an ominous journey that invites us to contemplate the unresolved and incomplete areas of our histories that we may never understand.

The project will be followed by a “Remixed” EP including productions by Only Now, TAYHANA, EL PLVYBXY, and Lila Tirando A Violeta.

Out December 3, 2021

Mastered by Imaabs (Modos Estudios)
Artwork by Salvador Loza

Como El Viento, Vuelve

Support

Sueuga - Como El Viento, Vuelve

Entrañas - Sigilo

@lavina-yelb @syntrovert

COVER ART by DAVY JONES

syntrovert - Reggaeton Siniestro (DEL JEFE) [CINK006]

Ataraxia Ep

Radeco Domar - Miel

Lao - Sendero
https://laolaolao.bandcamp.com/album/sendero-2

Master: Imaabs 
Arte: American Artist – No State (2018) 
141 teléfonos de aluminio, silicon, vidrio. 
Cortesía del artista y de LABOR, Ciudad de México.

Lao & Dj Fucci - Alarma

Amazon Prim is an emerging DJ living in Italy, but born in Brasilia, capital of Brazil, a city characterised by cultural diversity, miscegenation and syncretism. This has greatly influenced her musical style, a heterogeneous mix of influences from around the world, vocals with cryptic messages and symbolic sound references.

"I made the mix in an attempt to create a logical thread that could unite the discontinuity of my feelings regarding my Brazilian identity, in a current historical context. Seeking a territory where different identities do not annul reciprocally, but coexist by integrating. It is an ode to Afro-Latin American culture around a cybernetic atmosphere, seeking to reflect on themes such as the imposition of Western values and hyper industrialisation."

Artwork by @aleszyta

Amazon Prim Salviatek Mix

"1973" Ep by @sueugakamau PRE-SALE Available on Bandcamp!

ESP
Hay años que arden como heridas que no cicatrizan. Años dolorosos que quedan marcados a fuego en la historia de los cuerpos y territorios. Años que son difíciles de pronunciar y obligan a tragar saliva para nombrarlos. Años que escuecen cada vez que se los recuerda. 1973 es uno de ellos. 1973 es también el nuevo Ep de @sueugakamau en colaboración con @la-favi y producido por el sello de Hiedrah Club de Baile.
En un continente que vuelve a arder de rabia, el dúo californiano decide buscar en los intersticios de su propia historia negra y latina. A través de voces prestadas, ritmos olvidados e identidades borradas tejen un relato que conecta a esa América Latina que resiste y un pueblo afroamericano enardecido. 1973 es caricia y lágrima, es un sonido familiar que persiste a los golpes, es la exploración de un territorio que resiste, conjura y se enciende. Desde Santiago de Chile hasta Dallas, desde el Conurbano bonaerense hasta Oackland, California. Un sonido lleno de sombras que agita la respiración y se introduce en los engranajes vivos del capitalismo, y desde ahí se torna una lamida en aquellos lugares intimos a los que pocas veces llegamos. Se baila con un escalofrío que recorre el cuerpo y con una lagrimita en la punta de los labios. En medio de ese rugido de tambores y maquinarias, la voz de La Favi se mueve entre los sudores de quien escucha. Es un susurro húmedo que transmuta en un reclamo de justicia sexual, mientras la palabra de Allende, que surge entre transmisiones de radio entrecortadas y bombardeos, se transforma en baile, y el baile en grito en protesta. Sueuga Kamau compone una pieza desobediente, un ritmo lleno de disturbios que resiste balas, pandemias y tiranos, una invitación revoltosa a explorar nuestros propios estallidos.

ENG
There are certain years that will always live on; wounds that refuse to heal. Painful years that stick with us like a fire burning into the history of our bodies and territories. Years that are difficult to speak. Years that re-ignite, each time they are uttered. 1973 is one of those years. 1973 is also the new EP from Sueuga Kamau in collaboration with La Favi and produced under the Hiedrah Club de Baile label. In a continent that’s once again boiling with anger, the duet from California decided to reexamine the gaps of their own Afro-Latinx Heritage. Through lent voices, forgotten rhythms and erased identities they weave a tale that bridges the unyielding Latin America and the enraged african-american people.
1973 is both loving touch and sorrow, a familiar sound that forcefully persists, the exploration of a territory that resists, conjures and keeps going. From Santiago de Chile to Dallas, from the outskirts of Buenos Aires to Oakland, California. A sound filled with darkness that stirs up your breathing and gets between the living cogs of capitalism, and from there it turns into a gentle caress in those intimate places we rarely reach. You dance to it with chills throughout your body and a tiny tear in the tip of your lips. In the midst of the roar of drums and machinery, the voice of La Favi moves through the perspiration of the listeners. It’s a damp whisper that mutates into a demand for sexual justice, while the words from Allende, that surges between broken radio transmissions and air strikes, transforms into dance, and then into an outcry. Sueuga Kamau composes a disobedient piece, a rhythm filled with riots that endures bullets, contagions and tyrants, an insurgent invitation to explore our own detonations.

Text by Pabli Balcazar

"1973" contains a sample of the final political speech of Salvador Allende before Pinochet´s military intervention (public domain).

Composed and produced by @sueugakamau
Artwork by Jusomor
Master by @imaabs (Modo Estudios)
© 2020 Hiedrah

1973

Sueuga Kamau - 1973

DESENFOQUE

Extraído del EP '1973', Sueuga Kamau presenta en exclusiva 'Disturbios' en DJ Mag España. Un track disruptivo, potente y oscuro que muestra claramente el ambiente de revolución que se respira en el hemisferio sur. 'Disturbios', mediante voces prestadas, ritmos olvidados e identidades borradas, teje un relato que conecta a esa América Latina que resiste y un pueblo afroamericano enardecido. Un auténtico rompepistas hecho para remover conciencias.

Se publica en HIEDRAH Club de Baile, sello argentino y colectivo activista por los derechos de las personas LGTBQ y minorías raciales.

Podéis seguir a HIEDRAH Club de Baile en sus redes sociales:
IG: https://www.instagram.com/hiedrah/
BC: https://hiedrah.bandcamp.com/
Spotify: https://open.spotify.com/album/13JiZy2pEcupsiqpP26qsR

Disturbios

Pre-Order

PREMIERE: Sueuga Kamau - Disturbios [HIEDRAH Club de Baile]

@jaijiu - Los Hijos De Juan Saavedra (taken from 'ARENA 02', out soon via @agvarecords)

ENG
For the past few years Argentinian collective and netlabel AGVA has been at the forefront of spreading club sounds from the Latin American underground and they are about to take it to an even higher level with the release of 'ARENA 02', an absolutely massive compilation containing over 30 previously unreleased tracks from the scene's greatest names and most exciting rising stars - including Dengue Dengue Dengue, Catnapp, Lao, Bungalovv, EL PLVYBXY, CHLO, Defensa, Orieta Chrem, JLZ and many more. Among them is Jaijiu, Buenos Aires' hidden gem who already caught our attention in the past with his work under hi, humanity moniker. Now he delivers a beautiful percussion-driven song called 'Los Hijos De Juan Saavedra' which will serve as an opening track on the forthcoming album.

ESP
En el tema 'Los Hijos de Juan Saavedra' le rindo homenaje justamente a los hijos de Juan Saavedra, Jesus y Nazareno Saavedra. Son de los mejores percusionistas que tiene Santiago del Estero. En este tema utilice sus lenguajes rítmicos para guiar el track y añadí una presentación de ellos en vivo en donde se escuchan sus bombos legüeros y su formas de tocar.

[PREMIERE] Jaijiu - Los Hijos De Juan Saavedra (AGVA)

STK012 out now
salviatek.club@gmail.com

Salviatek is a South American independent electronic music label operating from Montevideo, Uruguay. With nine digital releases, tours in North, South America and Europe, as well as a steady presence on the Internet, Salviatek stands as a cultural representative of the southern part of the Americas. Salviatek music has been supported and played by artists, collectives and festivals such as Björk, NAAFI, Hiedrah Club de Baile, and Unsound Festival; media coverage has been made by Resident Advisor, Pitchfork, FACT, Vice and more.

Amazon Prim Salviatek Mix

Salviatek

Recent comments

finn hardwick

simple menzurrr

PACHVCA

ven3mo

Related tracks