STK012 out now https://kud.li/stk012

“Como El Viento, Vuelve” is Manolis Sueuga’s experimental take on the elusive nature of ancestry; one that gestures towards Sueuga’s partial understanding of their Tohono O’Odham roots, while acknowledging the unknowability of the past.

Through haunting rhythms and atmospheric interludes, Sueuga conjures an ominous journey that invites us to contemplate the unresolved and incomplete areas of our histories that we may never understand.

The project will be followed by a “Remixed” EP including productions by Only Now, TAYHANA, EL PLVYBXY, and Lila Tirando A Violeta.

Out December 3, 2021

Mastered by Imaabs (Modos Estudios)
Artwork by Salvador Loza

Como El Viento, Vuelve

Claridad Extática

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Sueuga - Claridad Extática

Digital Hundebiss is back, even though it's not Bandcamp Friday—because not even Bandcamp wants us rich. To be completely fair, it's not even Friday. 

This month, we have a special delivery from our friend Assyouti. 

https://assyouti.bandcamp.com/album/tough-choices-mister-blister

"Tough Choices" is a 167 BPM drumfunk-influenced percussive exercise, layered with Assyouti's signature distorted vocal samples and a roaring bassline. This high-impact combination of texture and rhythm is sure to feed hungry sound systems. 

Meanwhile, "Mister Blister" rolls in at a brisk 100 BPM, delivering a double-time momentum that drives the track forward with relentless force, exuding a sense of urgency and energy.

Assyouti - Mister Blister (DH009)

Entrañas - Caverna
Label: Infinite Machine
CAT#: IM114
Format: Digital
Release Date: September 27th, 2024
Artwork by Benfika

Tracklist:
1. Indignado
2. Ajicito
3. Diclofenaco
4. Cruces
5. Cascada
6. Coscacho
7. Tigrillo (ft. Buena Tarde)
8. Nauseas
9. Toque De Queda (ft. Ene Ese)
10. Chivo
11. Muerto a Puntapiés (ft. Carlos Pabón)
12. Caverna

Ecuadorian producer Daniel Gachet “Entrañas” presents his debut full album Caverna on Infinite Machine. The project explores an amalgam of polyrhythms found in traditional Ecuadorian music such as bomba and albazo, blending them with jagged atmospheres of uk bass and grime. Through deliberate sound design, Entrañas seeks to place the listener within the unpredictable ecosystem of the city of Quito and its surroundings.

In this record Entrañas searches for a sound that conveys both the infrastructural chaos he experiences currently in his home city, while also reflecting the hauntingly beautiful and seemingly perpetual terrain just outside of Quito. Not far from the frequent and unpredictable power outages and city wide lockdowns which are now commonplace due to the ongoing narco wars, there is an Andean stratovolcano visible from many parts of Quito, including Entrañas own bedroom window. Ruco Pichincha stands nearly 5000m in height, attracting awe and curiosity of many who happen upon it, perhaps by way of its beauty as well as its innate potential for mass destruction. A particular location of interest for the artist, the mountain emits a kind of objectivity that is distinct from the urbanscape of human activity; it asserts itself, unobservant of the adjacent violence, trials and tribulations. Its very name–“Ruco” translated in English to "old" from the indigenous Quechua language–seems to reflect both its acquired reverence from native inhabitants of the region, as well as the relative incomprehensibility of such natural monuments.

On Caverna, references to Quito and its encompassing geography are apparent in ways that are direct at times, nuanced at others. “Toque de Queda” (trans. “lockdown”) was produced in real time during a city wide lockdown in which Entrañas and his collaborator Ene Ese were unable to leave an apartment for hours on end. The sheer apprehension of such a situation can perhaps be gleaned from the seething claps and non-melodic droning atmospheres that build, producing a tone of frustration and unease. Tracks like “Coscacho”, “Muerto A Puntapiés” and “Cruces” seem to take on a similarly minimal approach, focused on brooding heavy bass lines and relentless polyrhythms that become increasingly menacing as the tracks build. A listener might imagine these compositions to conjure the rumbling subterranean activity of Ruco Pichincha. As their names might imply, “Caverna” and “Cascada” take a different approach, building up shimmering soundscapes reminiscent of 90s new age. These ephemeral sequences seem to summon meditation on natural landscapes in a way that feels lighter and more optimistic, unveiling a softer vision.

In light of his prolific catalog, Entraña’s twelve-track work reaches into territory that feels both more personal and experimental–though these compositions are undoubtedly dance-floor ready. Caverna brings together anthems of leftfield club music with chambers of ambient reflection–both of which read as significant and distinct to the artist’s background and day-to-day experience in Quito. As the majestic and humbling mountainous surface of Ruco Pichincha might resemble, Caverna’s title track ends the record with a reminder; a gentle nod to the significance of such sacred wonders as places of refuge in our human experience; whether we can grasp them, or see them from our bedroom window.

Caverna

Entrañas - Coscacho (IM114)

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█ SWINE PREMIERE █ 逆流 - "KAGEBOUSHI" via new @volquete compilation!

Japanese producer @tajimahal09 from MEFF SOUNDS collective (Kumamoto's most dumb rotten idiot party collective) is back with his hard style of ■ GORGE ■ music. 

⊳ "Yapa Rayada vol.2" is the second V/A compilation by Buenos Aires-based collective @volquete / It gathers producers from all over the world in an album that tackles percussive tools to destroy the dancefloor. You'll find there ambient, as well as murga burst or Japanese GORGE and music for the future tribes of 2090. All with the sacred quota of experimentation and resonance 100% Volquete.

⊳ VOLQUETE is a platform based in Buenos Aires that promotes the exploration of resonant and percussive music. Its quest is to be a lens to amplify those sounds that deform and resignify rhythms from the south of the world in an experimental and club key.

Bandcamp

[Swine Premiere] 逆流 - KAGEBOUSHI (Volquete)

//> Chase, el nuevo EP de Rumina,una fusión de techno, industrial y folklore, explorando espiritualidad y lo sobrenatural con percusiones, sintetizadores oscuros y ritmos que evocan la persecución y conexión ancestral. <3

Track: Quarry
Artist : Rumina (@ruminaa)
Album: Chase EP
Label: Precious Metals (@preciousmetalsx)
Release Date: 13 Jan 2025
Artwork Artist: Batıkan Kılıçaslan
https://www.instagram.com/b4ttre
Master: Imaabs (@imaabs)

Rumina - Quarry  //>>

Osheyack - Back In Kind
Artwork by Abraham Adams
Mastered by Raphael Valensi

Angel Vector

Rumina returns with Chase: Remix, a bold reimagining of
her latest release, featuring innovative reinterpretations by
Deb Foam, Abidir, Wulffluwxciv, and Noise Diva. The
Swedish-Turkish producer and DJ, , invites these boundary-
pushing artists to deconstruct, reassemble, and amplify
the dark, club-driven energy of the original Chase.

Quarry (WULFFLUW XCIV Remix)

Premier petit son

F minor
185 Bpm
Hardtek acidulé 

Mixage Mastering by me

LoDeLa – DanDan [HardTek]

This track is an edit from 2 very good track of @paul-marmota and @ziurziurziur 
:)
http://www.mediafire.com/file/s17btcoubjbpsfw/Keep_her_in_the_cage.wav/file

Keep her in the cage

An exploration in tribal drums in an attempt to conjure my guides from the great beyond.

ZUT ZUT X  TSVI

STK012 out now
salviatek.club@gmail.com

Salviatek is a South American independent electronic music label operating from Montevideo, Uruguay. With nine digital releases, tours in North, South America and Europe, as well as a steady presence on the Internet, Salviatek stands as a cultural representative of the southern part of the Americas. Salviatek music has been supported and played by artists, collectives and festivals such as Björk, NAAFI, Hiedrah Club de Baile, and Unsound Festival; media coverage has been made by Resident Advisor, Pitchfork, FACT, Vice and more.

Sueuga - Claridad Extática

Salviatek

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