Reminds me of some of the stuff you might hear on that old "Pillows and Prayers" compilation from Cherry Red Records back in the 1980's. Nice stuff.

The Ballad Of Freer Hollow, by Chris Forsyth & The Solar Motel Band

Zachary Cale "Blue Moth"

3 songs live in Asheville, NC

Wes Tirey -- Guitar/Vocals
Shane Parrish -- Guitar/Spaceship
Thom Staton -- Percussion 

The Mothlight -- 4/11/16

From "Fable", out May 6, 2016 on Lost Honey Records
Buy on vinyl/CD/mp3- http://sammoss.bandcamp.com/

SAM MOSS- vocals, acoustic guitar
with
MICHAEL ROBERTS- electric guitar

recorded at GUILFORD SOUND by DAVE SNYDER and MATT HALL
mixed by DAVE SNYDER
mastered by CARL SAFF

drawings by WILL MOSS
text by SAM MOSS
design by DON MOSS

all songs written by SAM MOSS
© 2016 Sleep Walk Songs (ASCAP)

© & ℗ 2016 Sam Moss
All rights reserved

LH-001

Walking The Line

From Working Weather | Releases September 30, 2016 on Lost Honey Records

Songs by Michael Roberts | Engineered by Ben Rogers | Mixed by Michael Roberts and Ben Rogers | Mastered by Carl Saff | Additional engineering by Jeff Berner, Chris Regan, and Asa Brosius | Horn arrangements by Craig Barowsky | Performed by Michael Roberts, Jeffrey Murphy, Frank Roberts, Katie Trautz, Julia Wayne, Craig Barowsky, Andrew Gould, Jimmy O'Connell, Mark Barowsky, Sam Moss, Chris Regan, Seth Roberts, Asa Brosius and Sam Moss | Photographs by Shane Darwent | Design by Tom Jandernoa

Room of Love

Paydirt

Further Off

From my upcoming 2018 album release, "Jukebox."

http://www.jacksonemmer.com/

https://open.spotify.com/artist/2ssPhcH3FpxWrJC4uGidbn

https://www.youtube.com/jemmermusic

instagram.com/jacksonemmer

https://www.facebook.com/jackson.emmer/

++++

Email me, Jackson, directly: jemmer.music@gmail.com

Jukebox

Don't Leave Me Blue - Jackson Emmer

From the debut album Light.  Available June 1, 2018 from Western Vinyl.

Bandcamp https://julianadaugherty.bandcamp.com/
iTunes: https://itunes.apple.com/us/album/light/1352432904?ls=1&app=itunes
WV http://westernvinyl.com/shop/wv148

It’s hard to imagine that Juliana Daugherty’s softness and subtlety could materialize amid the tumult of current-day Charlottesville, VA, but every mode of being continues in the people of Charlottesville, as it does elsewhere, despite the impressions headlines might give. Despite the societal ills that dominate our screens, private struggles still exist, and Daugherty’s debut Light gives them palatable, manageable, and satisfying form.

“I wrote this record partly to strip mental illness of its power,” Daugherty says. She adds, “There is nothing useful or beautiful to be gleaned from the experience of depression.” Though this statement seems contrary to the romantic tone of Light, it’s refreshing to hear an artist speak of their own depression with objectivity, unwilling to be charmed by the gloom. Daugherty wields her songcraft like a sword, not a diary to be buried in a drawer.

As one listens, it becomes clear that Light was not a title chosen despite the gravity of its subject matter-- romantic struggle, abject depression, and throbbing vulnerability-- but rather in service of it. Light, so to speak, comes when we give shape to what haunts us.

Walking The Line

Sam Moss

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