TECHNO

May the 7th meets Hungarian artist and producer - Thomas Janovitz to deliver his two-tracks release to IAMT! 
The track "Different" is a bit more energy, with  a massive bass drum to create a marching vibe. On the other hand, "Rush" takes us into the world of acid techno, in its original form.
Enjoy!

Rush

Thomas Janovitz - Rush (Original Mix)

The second compilation of the best tracks released on Segment Music

beat.pacific - Breathe (Original MiX)24

Release Date: 16 / 08 /2025
Beatport ➡️▶️ https://www.beatport.com/it/release/playground/5209923

🍂🍂🍂 𝐒𝐞𝐧𝐬𝐞 𝐓𝐡𝐞𝐚𝐭𝐞𝐫 Bio :🍂🍂🍂


Artist Page Link: 𝐒𝐞𝐧𝐬𝐞 𝐓𝐡𝐞𝐚𝐭𝐞𝐫
Soundcloud: https://soundcloud.com/sensetheater
Beatport: https://www.beatport.com/it/artist/sense-theater/812301
İnstagram: https://www.instagram.com/sense.theater/
Spotify : https://open.spotify.com/intl-it/artist/4DgnIp1ZNj0nzj063fFZx2

  Link 𝐉𝐞𝐚𝐧𝐞𝐢𝐟𝐟𝐞𝐥
https://soundcloud.com/jeaneiffel
https://www.instagram.com/jeaneiffelmusic
https://www.beatport.com/artist/jeaneiffel/232644
https://open.spotify.com/intl-it/artist/2UeWsBDJfp2cgfoAtGucXx?si=UksZcDh-Soe943dVi_YEzA






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Camel VIP Records is a Music Record Label specialized in the finest World, Oriental, Ethno Deep & Organic House Music.

#camelviprecords #camelviprecords #classicalmusic #chilloutmusic #electronicmusic #salvomigliorini #Camel #Lounge #Afro #Afrohouse #OrganicHouse #Ethno #EthnoWorld #BestEthnicDeepHouse #EthnoHouse #EthnicMusic #AnatoliaCafe #oriental #dancemusic #hit #radio

𝐒𝐞𝐧𝐬𝐞 𝐓𝐡𝐞𝐚𝐭𝐞𝐫 - 𝐏𝐥𝐚𝐲𝐠𝐫𝐨𝐮𝐧𝐝  (𝐉𝐞𝐚𝐧𝐞𝐢𝐟𝐟𝐞𝐥 𝐑𝐞𝐦𝐢𝐱)CamelVIP

SHDW & Obscure Shape's (@shdw-music & @utobscure0010) second EP picks up where their debut "Nachtblende" left off. Read more about the two, their party nights and label under the From Another Mind banner and future plans: bit.ly/SHDWShp

Interview

SHDW & Obscure Shape - Wenn die Masken fallen

SAM PAGANINI Cobra EP (Plus8 Rec 121)

1. Phantom (original mix)
2. Cobra (original mix)
3. Last Call (original mix)
4. Primitives (original mix)

You can buy it from Beatport
http://www.beatport.com/release/cobra-ep/688687

or M_nus 
http://m-nus.com/#data.pl?release=PLUS8121DMP3;MiddleAndRight




Sam Paganini Cobra EP (Plus8 rec) Preview

Amelie Lens – Let It Go EP [SNDST020]

Beatport: http://btprt.dj/2bnuWok

1: Amelie Lens – Wild 
2: Amelie Lens – Linger On 
3: Amelie Lens – Let It Go 
4: Amelie Lens – The Finest Hour

It is with a feverish excitement that we can finally announce the next EP in our catalog from our newest addition to the Second State family: Amelie Lens. Besides being quite a multi-talented virtuoso, the Belgian artist comes in hot and heavy for her debut release ‘Let It Go’ and with it showcases her prowess for dark, cutting-edge techno. Over the span of four tracks Lens takes us on a tour-de-force journey into the cerebral spaces of large, dark rooms and flashing strobe lights. Kicking things off is the hypnotically inducing 'Wild' with looping vocals laid over an ever increasing pressure of percussion and white noise. Much like the EP opener, 'Linger On' casts the same spell yet picks up the pace with racing snares and meteoric synth washes creating a deeply euphoric ride. The title track ’Let It Go' is up next and is by far the most 'cheeky' tune of the EP with a twisted acid line swirling around the constant begging of Lens’ voice encouraging you to "Let It Go, Let It Out". Rounding out the EP is 'The Finest Hour' and Lens wraps up her debut with the most psychedelic cut of the package. Low rumbling bass tones and spaced out pads over sparse drums leave lots of room for the imagination providing each listener to create their own journey to navigate. If this is Amelie Lens' debut with us, we expect a lot of very big things to come from the young Belgian and so should you. Welcome Amelie Lens!

@amelielens
@secondstateaudio

Let It Go

Amelie Lens – Let It Go EP [SNDST020]

Beatport: btprt.dj/2bnuWok

1: Amelie Lens – Wild 
2: Amelie Lens – Linger On 
3: Amelie Lens – Let It Go 
4: Amelie Lens – The Finest Hour

It is with a feverish excitement that we can finally announce the next EP in our catalog from our newest addition to the Second State family: Amelie Lens. Besides being quite a multi-talented virtuoso, the Belgian artist comes in hot and heavy for her debut release ‘Let It Go’ and with it showcases her prowess for dark, cutting-edge techno. Over the span of four tracks Lens takes us on a tour-de-force journey into the cerebral spaces of large, dark rooms and flashing strobe lights. Kicking things off is the hypnotically inducing 'Wild' with looping vocals laid over an ever increasing pressure of percussion and white noise. Much like the EP opener, 'Linger On' casts the same spell yet picks up the pace with racing snares and meteoric synth washes creating a deeply euphoric ride. The title track ’Let It Go' is up next and is by far the most 'cheeky' tune of the EP with a twisted acid line swirling around the constant begging of Lens’ voice encouraging you to "Let It Go, Let It Out". Rounding out the EP is 'The Finest Hour' and Lens wraps up her debut with the most psychedelic cut of the package. Low rumbling bass tones and spaced out pads over sparse drums leave lots of room for the imagination providing each listener to create their own journey to navigate. If this is Amelie Lens' debut with us, we expect a lot of very big things to come from the young Belgian and so should you. Welcome Amelie Lens!

@amelielens
@secondstateaudio

Released by:
Second State Audio
Release date:
19 August 2016

Wild

Linger On

The Finest Hour

ANNA's remix of Matador - Stanleys.

Out now on Beatport: bit.ly/RuctionsRemixes2
Out now on iTunes: bit.ly/RuctionsRemixEP2
Out now on Spotify: bit.ly/RuctionsRemix2

Follow RUKUS:
facebook.com/rukusworld
twitter.com/rukusofficial
instagram.com/rukusofficial
@rukusofficial

Follow Matador:
facebook.com/matadorofficial
twitter.com/matador320
instagram.com/matador_official
@matador_official
bit.ly/MatadorOnSpotify

Buy on Beatport

PREVIEW: Matador - Stanleys (ANNA Remix)

my new track out on Funk'n Deep Records Syndication, Vol. 28

Getting massive support from Djs -  Skober, Joseph Capriati, Paco Osuna, Spartaque, Sinisa Tamamovic, Devid Dega, Spektre, Markantonio, SAMA, Shmitty, The YellowHeads, Hollen, Raffaele Rizzi, Sasha Grey, The Reactivitz!

SYNDICATION, VOL. 28

Oxygen

Oxygen -Dale Fairbairn (Funk'N Deep Records)

What happens if you let some top producers like Shall Ocin, Regal and Balthazar & Jackrock have a go with the stems of legend Emmanuel Top's This Is Cocaine? The result is a stunning 3 track remix pack ready to destroy dance floors in three different positions. This is..... Filth on Acid.

Emmanuel Top - This Is Cocaine (Balthazar & JackRock Remix)

Support on Beatport https://www.beatport.com/label/night-light-records/9495

Humans EP - Night Light Records

Support on Beatport

Premiere | Sinisa Tamamovic - Humans (Drunken Kong Remix)

Beatport

PREMIERE: Mario Ochoa - Strobe - Noir Music

Stream FULL album: fanlink.to/LitAoM
Picking up where 2018's debut album left off, Pleasurekraft continue their foray into the Cosmic Techno sub-genre they ushered into the dance music lexicon, with their new LP "Love in the Age of Machines."
Arriving exclusively on Spotify initially on April 10, with other streaming platforms to follow a week later, Pleasurekraft had one of the biggest tracks last year on Drumcode with their remix for Adam Beyer's 'Space Date,' always bring forward thinking grooves embellished with astral melodies and spaced out synths that make for emotional as well as physical experiences.
"Love in the Age of Machines" is in no short supply of the sonic signatures the production duo have become known for, and there is a clear maturation at work here. The album's non-techno tracks showcase an artistry rarely seen in conventional dance music and techno in particular. From the gritty dystopian future that establishes the album's themes at the onset in "Last Sapien", to the dark, rainy, urban-lit textures that form the spine of "Nostalgic for the Future", there is a sense of impending self-wrought catastrophe, tempered with a sense of wonder of all that is, and all that could be if humanity somehow overcomes its hubris.
Things get more intense and turbulent on "Panopticon (The Patron Saint of Global Surveillance)" [ft. Thomas Gandey] before the voyage to the edges of our galaxy continues on "I Sing the Body Electric" & "Main Sequence" which keep up the enthralling techno atmospheres with increasing pressure, before the tension is released with the cinematic grandeur of "Novacene." Two more hard hitting bangers in "At the Mountains of Madness" and "Primordial" then rebuild the all consuming techno mood before you're left adrift in the cosmos with the album's swan song "Requiem For the American Dream."
As Kaveh Soroush of Pleasurekraft puts it, "Without sounding too reductionist, humans are simply a bundle of biochemical algorithms with a few holes at either end, who mistake their sensory experiences as objective, and their sense of self as something concrete, when in fact science reveals to us with each new finding that our basic intuitions about reality and the world around us have not evolved much from our first ancestors, who just wanted to make sure not to get eaten for long enough to feed and procreate on the African savannah. While there are certainly wonders about the Cosmos we have discovered given our enlarged frontal lobes, and technologies that we've invented dating back to when the first tool was built thanks to an opposable thumb, we haven't been the best custodians of the only planet that can sustain us, and history makes it abundantly clear that our wisdom lags far behind the technological advancements we develop with each new day."

Despite the overtly pessimistic tone, ultimately there is a sense of potential change on the horizon. That perhaps a species which has come up with abstract ideas of love, justice, liberty, and created works of immense artistic and scientific beauty, might just find a way to correct course before it's too late. This sense of wonder is on full display on "The Occupant" and the potential seed for our enlightenment is planted in "Corpse Reviver Number 3", a track brimming with homages to the love of philosophy and its place in navigating a more examined life.
Ultimately "Love in the Age of Machines" feels like a dystopian sci-fi soundtrack written for optimists who want to change humanity's looming fate. While still firmly rooted in the techno genre, the album evokes themes and ideas that are universal to the human experience and our place in the Cosmos, and it is this aspect of the album that makes "Love in the Age of Machines" such a rewarding musical experience. It's techno that is at once accessible and intelligent, a combination rarely heard in today's endless sea of dance music.

11 - Primordial

Christian Smith returns for his first solo release on Drumcode since 2016, re-contextualising a classic vocal work. 

The Sweden-born journeyman has been friends with Adam Beyer since dot one. In the rare instances he has released outside his own label Tronic, Drumcode has received the fruits of his studio labour. Besides the recent contribution to this year’s A-Sides Vol.9 compilation, we haven’t seen a stand-alone Drumcode release from Smith in four years, when his excellent ‘Force Majeure’ stood as one of the year’s label highlights.

‘Your Lovin’’ is his fifth release on DC, taking inspiration from a ‘90s D&B classic. Driven by a Minimoog bassline and hypnotic arpeggios, Smith, a renowned perfectionist, made six versions before settling on the final cuts. The original is stripped back and searing, perfect for late night moments as restrained vocal grabs add colour to the techno palette. The ‘Ombi Dub’ is a straight-up propulsive tool that hits you straight between the eyes.

Christian Smith — Your Lovin' (Dub) — Drumcode — DC233

Not many artists are lucky enough to release a track that defies genre classification and reaches into mainstream culture, with people enthusiastically embracing its melody and adopting it as if it were a football anthem.
His track “Rave” has become an instant classic, a timeless piece of music gaining more than 100 million streams (becoming the most clicked Techno track ever).
Since 1996, a landmark year for him thanks to the worldwide success of his track “Zoe” produced as Paganini Traxx, Sam Paganini’s stylistic experimentations have gone from strength to strength, leading him to collaborate and release his music on several record labels like Plus8, Cocoon Recordings and Drumcode, reaching the highest spots on Beatport’s Techno Chart several times. His unique musical journey has achieved great success both on the underground circuit as well as on the mainstream channels.
In 2016 Sam founded his own record label JAM as a new platform to play out his vision of techno music. At first an outlet for his own productions releasing 3 albums and nowadays also a platform to discover new talented Artists.
Beside his studio work and production time, Sam’s DJ appearances are among the most requested by promoters worldwide: his sets are characterized by powerful grooves and have been described as “Sexy Groovy Dark Techno”, which speaks volumes, literally, on what to expect from his performances.
He has taken the stage at legendary clubs such as Berghain (Berlin), Output and Cielo (New York), Rex (Paris), Fabric (London), Crobar (Buenos Aires), Exchange (Los Angeles), Fuse (Bruxelles), Stereo (Montreal), Pacha (Barcelona), Fabrik (Madrid), Amnesia (Ibiza), Privilege (Ibiza) and Cocoricò (Riccione) just to name a few, and at Festivals like Awakenings (Netherlands), Nature One (Germany), Mayday (Germany), Tomorrowland (Belgium), Sziget (Hungary), Sonus (Pag Island), Time Warp (Germany), Ultra (USA). KAPPA Future Festival (Italy), Dour Festival (Belgium) and Monegros (Spain).

Sam Paganini Cobra EP (Plus8 rec) Preview

Sam Paganini

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