DRUMCODE

Raudive- resistor EP. Pylon

Timmo’s debut Drumcode release ‘We Beat On’ carries a flow through out that gives Timmo his own unique sound that has captured the ears of many highly revered techno DJ’s around the world. Timmo uses hypnotic sounds and phrases whilst he always maintains a thumping techno beat that underlies all the tracks within this EP to maximum effect. Furthermore, there is a ghostly feel amongst Timmo’s tracks that really provide him with his acquired sound, the pads in ‘Canvas’ are a beautiful reminder of this. Timmo also uses strong synth stabs to full effect that juxtapose against the drums to help create the tension and aggression that is present within techno.

Timmo - Metropolis- Drumcode - DC125

Buy/stream: https://drumcode.ffm.to/dc293

Marie Vaunt - Dark Room - Drumcode - DC293

Buy/stream: https://drumcode.ffm.to/dc321

Mha Iri - Moving Machines - Drumcode - DC321

Adam Beyer - The Distance Between Us - Drumcode - DC326

Adam Beyer - The Distance Between Us - Drumcode - DC329

Artista: @ik86
Sello: @not-like-others

Estreno directo y sin maquillaje. IK86 captura ese minuto entre el ruido y la calma en “Life As It Is”: bombo seco, bajo saturado, pads polvorientos y un hook que no pide permiso—entra y se queda. Club tool con pulso humano, hecha para mezclas largas y luces bajas. Disponible el 7 de noviembre en Not Like Others Records.

Quién es: productor esloveno con pasado en WD2N y alias como Ifan Kovny, Yellow Page y Zumbador. Tras una pausa, vuelve bajo su propio nombre con foco total: pistas honestas, memorables, listas para cabina.

PREMIERE: IK86 – Life As It Is – Not Like Others Records

Mumboi
Sc: @mumboi
IG: www.instagram.com/mumboi.official/


Innuendo
Sc: @innuendo-405381599
IG: www.instagram.com/innuendo________/

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Release date: Fri 14 November 25

Buy Here

PREMIERE: Mumboi - Visual Things (derderwandert Remix) [Innuendo]

Premiere Booka Shade Eli & Fur - To The Sea

Hypnotic

Hypnotic (feat. Shannon Saunders & Youngman)

Prisma

Back to Zero

Julian Jeweil returns with a generous five-track EP continuing his stellar 2017. 

Following on from his ‘Rolling’ EP that dropped in January and featured the outstanding ‘Blue’, an early contender for one of the strongest tracks of the year, Julian Jeweil drops the crisp intergalactic techno trip ‘Space’

The EP begins in stunning fashion with title track ‘Space’, driven by stirring vocal effects that build up tremendously, later giving way to a punchy acid-laced climax. ‘South’ follows, a low-end tour de force. ‘Answer’ is already familiar to fans after it featured on DCR368 Live from Loveland and the track is a rousing peak-time weapon propelled by subterranean stabs. ‘Encke’ is deliciously mind-bending, led by heavy bass and distorted effects, before ‘Module’ follows providing a groovier, but no less powerful contrast.

Julian Jeweil - Answer - Drumcode - DC179

DCCD02 - 2 - Alan Fitzpatrick - Mouthwash - Drumcode clip

My new track is out now on Drumcode. :)
Get your copy here, https://www.beatport.com/track/razor-original-mix/12516234

Jay Lumen - Razor (Original Mix) Low Quality Preview

Stream FULL album: fanlink.to/LitAoM
Picking up where 2018's debut album left off, Pleasurekraft continue their foray into the Cosmic Techno sub-genre they ushered into the dance music lexicon, with their new LP "Love in the Age of Machines."
Arriving exclusively on Spotify initially on April 10, with other streaming platforms to follow a week later, Pleasurekraft had one of the biggest tracks last year on Drumcode with their remix for Adam Beyer's 'Space Date,' always bring forward thinking grooves embellished with astral melodies and spaced out synths that make for emotional as well as physical experiences.
"Love in the Age of Machines" is in no short supply of the sonic signatures the production duo have become known for, and there is a clear maturation at work here. The album's non-techno tracks showcase an artistry rarely seen in conventional dance music and techno in particular. From the gritty dystopian future that establishes the album's themes at the onset in "Last Sapien", to the dark, rainy, urban-lit textures that form the spine of "Nostalgic for the Future", there is a sense of impending self-wrought catastrophe, tempered with a sense of wonder of all that is, and all that could be if humanity somehow overcomes its hubris.
Things get more intense and turbulent on "Panopticon (The Patron Saint of Global Surveillance)" [ft. Thomas Gandey] before the voyage to the edges of our galaxy continues on "I Sing the Body Electric" & "Main Sequence" which keep up the enthralling techno atmospheres with increasing pressure, before the tension is released with the cinematic grandeur of "Novacene." Two more hard hitting bangers in "At the Mountains of Madness" and "Primordial" then rebuild the all consuming techno mood before you're left adrift in the cosmos with the album's swan song "Requiem For the American Dream."
As Kaveh Soroush of Pleasurekraft puts it, "Without sounding too reductionist, humans are simply a bundle of biochemical algorithms with a few holes at either end, who mistake their sensory experiences as objective, and their sense of self as something concrete, when in fact science reveals to us with each new finding that our basic intuitions about reality and the world around us have not evolved much from our first ancestors, who just wanted to make sure not to get eaten for long enough to feed and procreate on the African savannah. While there are certainly wonders about the Cosmos we have discovered given our enlarged frontal lobes, and technologies that we've invented dating back to when the first tool was built thanks to an opposable thumb, we haven't been the best custodians of the only planet that can sustain us, and history makes it abundantly clear that our wisdom lags far behind the technological advancements we develop with each new day."

Despite the overtly pessimistic tone, ultimately there is a sense of potential change on the horizon. That perhaps a species which has come up with abstract ideas of love, justice, liberty, and created works of immense artistic and scientific beauty, might just find a way to correct course before it's too late. This sense of wonder is on full display on "The Occupant" and the potential seed for our enlightenment is planted in "Corpse Reviver Number 3", a track brimming with homages to the love of philosophy and its place in navigating a more examined life.
Ultimately "Love in the Age of Machines" feels like a dystopian sci-fi soundtrack written for optimists who want to change humanity's looming fate. While still firmly rooted in the techno genre, the album evokes themes and ideas that are universal to the human experience and our place in the Cosmos, and it is this aspect of the album that makes "Love in the Age of Machines" such a rewarding musical experience. It's techno that is at once accessible and intelligent, a combination rarely heard in today's endless sea of dance music.

07 - Corpse Reviver Number 3

Self Control

Eros

The Gypsy

A relentless seeker of techno’s rawest and most immersive forms, diving deep into its dark, tribal, and underground layers.

Not many artists are lucky enough to release a track that defies genre classification and reaches into mainstream culture, with people enthusiastically embracing its melody and adopting it as if it were a football anthem.
His track “Rave” has become an instant classic, a timeless piece of music gaining more than 100 million streams (becoming the most clicked Techno track ever).
Since 1996, a landmark year for him thanks to the worldwide success of his track “Zoe” produced as Paganini Traxx, Sam Paganini’s stylistic experimentations have gone from strength to strength, leading him to collaborate and release his music on several record labels like Plus8, Cocoon Recordings and Drumcode, reaching the highest spots on Beatport’s Techno Chart several times. His unique musical journey has achieved great success both on the underground circuit as well as on the mainstream channels.
In 2016 Sam founded his own record label JAM as a new platform to play out his vision of techno music. At first an outlet for his own productions releasing 3 albums and nowadays also a platform to discover new talented Artists.
Beside his studio work and production time, Sam’s DJ appearances are among the most requested by promoters worldwide: his sets are characterized by powerful grooves and have been described as “Sexy Groovy Dark Techno”, which speaks volumes, literally, on what to expect from his performances.
He has taken the stage at legendary clubs such as Berghain (Berlin), Output and Cielo (New York), Rex (Paris), Fabric (London), Crobar (Buenos Aires), Exchange (Los Angeles), Fuse (Bruxelles), Stereo (Montreal), Pacha (Barcelona), Fabrik (Madrid), Amnesia (Ibiza), Privilege (Ibiza) and Cocoricò (Riccione) just to name a few, and at Festivals like Awakenings (Netherlands), Nature One (Germany), Mayday (Germany), Tomorrowland (Belgium), Sziget (Hungary), Sonus (Pag Island), Time Warp (Germany), Ultra (USA). KAPPA Future Festival (Italy), Dour Festival (Belgium) and Monegros (Spain).

Self Control

Sam Paganini

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