Recorded live in one go and with a minimal set of equipment!

Weird One

They call incessently, call you onto the rocks - it's a dangerous temptation....

Recorded in one take.

Sirens

Things are never as they seem are they?

Recorded live, in one take.

Ongoing Mental Instability

They are coming..... run.

Recorded live in one take.

Invasion of the Spider Robots

Darkness descends. Voices, sounds. Disoriented. Silence.

Recorded live
Headphones recommended

Thanks to Hainbach for a sound pack used in this track

Voices In The Dark

The depths of space are cold and unforgiving.

Live recording.

Space

Let the wind and water flow over you.

Recorded live.

Wind And Water

The world as it shall come to pass. 

Recorded live.

Video available at https://youtu.be/8fnufUoYWCc

Robot World

We reach for the stars while destroying the Earth. 
Stardust is a two-part journey - each part recorded live then mixed.

The accompanying video can be found on my youtube channel @samanthajanesmith9591

Stardust Parts 1 and 2

They are here.

A nod to Ravel.

Note: this starts very quiet but gets loud - be careful

Arrival

Created using a Yamaha DX reface, Polyend Tracker and a Make Noise O-Coast. Recorded live in the studio in one take with minimal post-processing. 

Use of headphones recommended

My music is played once, recorded and never to be recreated again.

Recordings of all my music can be found using this link:

 https://ffm.bio/k7dakeo

Run!

An experiment in sound using the sound of a singing bowl (thanks Anne!) looped at different speeds through a UHER tape recorder plus an Arbhar and an O-coast.

This is the first in a series of experimental soundscapes recorded in real-time and with little post-processing.

Experiments: 6.62

Ambient track played live - thoughts of how I got to be where I am, how I discovered myself, the good interspersed with the bad.

Headphones recommended. 

Made using a modular system, UHER tape recorder, Yamaha SY22.

Discovery

This track was written on a train journey from Luleå to my home near Kiruna. It is a mixture of the train rhythm and my feelings after a weekend away. 

All the sounds were generated from a TE OPZ and recorded with minimal processing. Best with headphones.

Heading Home

A track for the age we are living in - a society in which there is great injustice.

Recorded live using a Yamaha SY22, Yamaha DX reface and a modular system.

Dystopia

The hammer falls, the clock ticks... never stopping. Only your time on Earth ends.

Recorded live in one go - no overdub.

Anvil Of Time

The story behind this tune is that I had been listening to Mendellsohn’s Songs without Words and the beautiful melodies in his lullabies. At the same time I came across a terrible video showing a little child, shot in the street and the mother running out to the child only for her to be shot as well. As she was lying there she was desperately reaching out for the dead child trying to touch the body. 

I cried. 

I then went and recorded this - in memory of all the children whose mothers will never be able to sing them to sleep with a lullaby again. Children who should still be alive. Remember them.

Gaza Lullaby

Spacetime- we travel through the universe in both space and time. Make the most of your journey.

Best heard on headphones.

Recorded live with minimal mastering. Equipment: Modular system, microkorg, Yamaha Reface DX, SY22 and Make Noise O-Coast.

Links to the accompanying video can be found here: https://ffm.bio/k7dakeo

Spacetime

Lowfi start, beats, glitches - put together with love and care.

Recorded live with minimal post-processing. 

Best listened to with headphones to get the effects. 

Modular system, Polyend Tracker, Yamaha Reface DX, microKorg and a large dollop of effects.

5'55

Experimental, electronic and ambient synth-based musician living in Sweden. My music is always recorded live and with minimal post-processing .

Samantha Jane Smith

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