Name: Poxymusic Clubber's Guide To 2004 by Sameer Sengupta in Breakbeat, Tech funk, Electro, Big Beat Mixes (Old & New)
Duration: 1 h 18 min 6 s
Description: This Mix CD was released on Ministry Of Sound Australia in 2004.

What a stonker! I got the CD  Johnny Bondi racket xx 

Oh this was do rulin at racket back then.......mental 🤪

Breakbeat, Tech funk, Electro, Big Beat Mixes (Old & New)

Part two of RA.999: two NYC Downlow favourites go back-to-back for the first time with a jubilant homage to classic house.

The RA Podcast launched 19 years ago in 2006, making it one of the world's longest-running online mix series. As we gear up to celebrate the 1,000th episode, RA.999 lands with five mixes across five days with a cohort of artists who've left a singular mark on electronic music over the past few decades. The chemistry and legacy of these duos make for something very special—and worthy of such a huge milestone.

First up was 1morning and Regal86 with a live recording from New York's Bossa Nova. Next up? We move to NYC Downlow, and who better to capture Glastonbury's beloved queer utopia than Prosumer and Peach, going back-to-back for the first time.

If house is your thing, then Prosumer and Peach going one-for-one on the decks is nothing short of a treat. With Glastonbury still just about in the rearview mirror, this mix captures the spirit of NYC Downlow. If you're familiar, you'll know this means steamy euphoria all-night long, sweat dripping from the ceiling and an intoxicating feeling in the humid air.

And Prosumer is a true Downlow darling—a treasured custodian and storyteller of dance music who delivered his first RA Podcast way back in 2007. "If a record doesn't move me emotionally or physically, I won't play it out," he said at the time, befitting of the impeccable curation and irresistible body groove that became his trademarks. He is, in the words of the Johnny Dangerous track in the mix, the "King of Clubs."

For Peach, RA.999 marks a full-circle moment: Prosumer's 2019 closing set in the Downlow is one of her all-time Glastonbury memories. Since her first RA Podcast in 2021, the London-based artist has only grown more in-demand, with sets that typically traverse the house and techno lexicon—and occasionally R&B—with a distinctly peppy energy. "Neither of us are afraid to go deep," she said about playing with Prosumer. "We just had fun with it."

@ohpeach
@prosumer
Read the full interview at ra.co/podcast/1006

RA.999 Prosumer & Peach

Andrew Weatherall's first official posthumous mix. The only b2b DJ Harvey ever agreed to. Six hours at Trouw. This one's special.

When mulling which direction to go in for RA's 1000th mix celebrations, many options came to mind. Some shadowy character 2-stepping around the fringe of our collective consciousness? An impossible-level IDM icon?

All tempting. But, ultimately, we are a DJ-forward publication and this is a DJ mix series. It felt truer to the history of the RA Podcast to release deep vault material from a time when the world of niche records felt different, tighter, more discrete.

The fourth-longest mix in the series' history is an unrepeatable marathon set recorded in 2012 at a superclub that no longer exists. 2012, incidentally, is farther away from 2025 than 2012 was from 2000... if we have to clock it, so do you.

It's the coming together of one British icon who passed away in 2020, and another whose time on the road has scaled back considerably as of late. DJ Harvey agreed to exactly one b2b set in his life: this one, with Andrew Weatherall.

The night took place at Trouw, an Amsterdam club already considered legendary before it shuttered its doors in the opening hours of 2015, as part of an RA series anchored around start-to-close combinations. Harvey was at the peak of an irresistible career second act, which dovetailed with a disco revival that dominated clubs for years. Weatherall, with infinite brownie points stockpiled from the '90s, remained everyone's favourite debonair psychonaut. 

What follows is 385 scintillating minutes of arpeggiated chug and slow-cresting climaxes: a moment when the resting heart rate of dance floors plunged lower than any comparable point in the 21st century. A masterclass, entirely self-contained in audio form.

If you've got time to spare, a fun side game is sussing out who plays what. A disco-dub cover of Echo & the Bunnymen? Smart money's on Weatherall. Exuberant EQ'ing of The Isley Brothers? Gotta be Harvey. As for the low 'n slow, lightly spangled house that was all the rage in the early 2010s (think Maxxi Soundsystem, Disco Bloodbath, Rub & Tug, C.O.M.B.I. and Full Pupp), it's anyone's guess. 127 BPM feels practically like an F1 car.

When we kicked off our RA.1000 campaign, we outlined a few goals: tick off a handful of long-awaited dream guests, honour architects who shaped the world around us and deliver recordings you truly can't hear anywhere else. Full send.

DJing and the mythmaking around it has undergone a quantum leap since 2012, let alone 2006, 1996 or 1989. For those of us who were kicking around in the former, there's a creeping melancholy that our prime is fast becoming a matter of historical record. The killing moon really did come too soon. 

Where will electronic music, DJ sets or any of this be in 2044? Hard to say. Best not to overthink that one. Instead, we want to say thanks to all contributors on the series so far. Now enjoy luxuriating in the company of two of the greatest to ever do it, together, for the first and last time.⁠ – Gabriel Szatan (Editor, RA)

@andrew-weatherall

Read the interview with DJ Harvey and Andrew Weatherall's family at https://ra.co/podcast/1016. Listen to all RA.1000 mixes, as well as the complete history of the RA Podcast, at https://1000.ra.co

RA.1000 DJ Harvey & Andrew Weatherall

w music from Julien Mier, Memotone, Andrea, Adrian Sherwood, Dave Watts aka KingLMan, Batu, African Head Charge, Significant Other, Dub across Borders, Caldera & Queniv, Yutaka Hirose, Angel Hunt, Caldera, Dialog and Externalism

SLOW LIFE MOTION

MusicForAnniversaries-July2025

066 - Ralph Lawson - fabric podcast

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DT547 - Plump DJs

Buy HERE:  http://smarturl.it/FATBREAKS

When it comes to record labels in the golden era of Breakbeat music, Fat! is up there as one of the most consistent, original and standard setting on the global scene... Along with their legendary night 'Chew the Fat' at the End in London, the label pioneered a sound in music that will live forever in the souls of ravers all over the world. 

Luminary artists such as Foamo, Maribou State, Bondax and Baobinga (Sam Binga) and many others passed through the label in its earlier years and created a sound that was rooted in club culture and helped evolve the diverse Bass & Breakbeat sound.

The very first releases featured the likes of Peacemaker, The Apollo Kids, Merka, Tayo & Kickflip releasing tunes and remixes on the label that will live in Breakbeat folklore.... This is what we are here to celebrate! Re-mastered, re-uploaded, and re-presented for you to re-live your heady days of the naughtys! Fat! Records are proud to present to you Fat! Breaks Vol 1. 

Taking a snap shot of the labels earliest highlights from its Breakbeat beginnings, these tunes represent a time in music when influences were flying around like model spitfires at a Saturday morning remote control plane meeting in the park. Techno, early Grime, Garage, Drum & Bass, House, were all being fused into a cohesive melee of breaks and basslines which captured the essence of everything that was fresh and new in the club and dance music at the time, whilst giving a nod to the past with a sprinkling of Disco, old skool Hip Hop and Jungle. 

Fat! has since progressed onto releasing some of the finest House, techno and pop infused dance music in the past decade, but its former years will always have a special place in the hearts and minds of many.

To round off the package, Fat! has enlisted the help of Breakbeat believers and 2 of the eras top DJ's, Terry Atomic Hooligan and Jay Cunning to blend this bunch of classics into an hour long mix thats reminiscent of their many sets at Chew The Fat!

Fat! Breaks Vol. 1

Fat Breaks Vol. 1 Mixed by Atomic Hooligan & Jay Cunning

The Crystal Method was formed in Las Vegas by Ken Jordan & Scott Kirkland back in the early 1990's. Considered pioneers of the Big Beat genre The Crystal Method's music has appeared in numerous TV shows, films, video games and advertisements. Their album Vegas was certified Platinum in 2007.

This mix was recorded LIVE in San Francisco by Boombox 34 on New Years 2007.

Please note: Contains traces of 4 on the floor ;-)

Check out The Crystal Method Wiki page for more info: https://en.wikipedia.org/wiki/The_Crystal_Method

https://www.facebook.com/thecrystalmethod
https://soundcloud.com/the-crystal-method

The Crystal Method - LIVE @ San Francisco - 1.1.2007

An absolute legend of the Spanish Breaks scene is Peter Paul from Seville, Spain. His career began in the early 2000's and he has had a long line of releases since. He started the N-Mity Sound label producing varying releases and 3 albums along the way. Peter Paul has also been considered that he created the genre Techno Breaks or Tech Breaks as we know it.    

https://soundcloud.com/peterpaul
https://www.facebook.com/PeterPaulsound
https://www.discogs.com/artist/195821-Peter-Paul

Peter Paul - MegaBeat Guest Mix - 3.8.2006

30 November talk from Barry Truax.
https://www.sfu.ca/~truax/
SIML, Goldsmiths, University of London.

Barry Truax Talk and Listening Event, 30 November 2018

This Mix CD was released on Ministry Of Sound Australia in 2004.

Clubber's Guide To 2004 - Poxymusic

Poxymusic Clubber's Guide To 2004

Huellas Entreveradas

Deux Dents Dehors

La Ba-Balle du Chien-Chien a la Me-Mere

Souvenirs cachés / Innermost

Souvenirs cachés

GRAMMY nominated Mastering Engineer & ARIA nominated Artist, Producer, Mixer, DJ

From underground to mainstream electronic music, whether it being dark, heavy, funky, dreamy, or any combination of the four, Flash Pointe loves it all. Flash Pointe is a DJ/Producer who discovered this music and scene on his own and is now an utter passion. Being a misfit of the mainstream music or other entertainment scenes, he believes that this is a safe haven for people trying to escape this judgmental world we live in. When DJing, Flash Pointe never strokes his ego. He only spreads love to his audience with impressive continuity in his mix, regardless of the genre. When producing, he rarely follows the rules of music. His sounds are experimental, abstract, influenced by nature and machinery, and adds that on top of some modern club beats to create a tasty, unique sound.

Flash Pointe is just getting in the zone with getting his music out there and now hails from record labels like, Calcast's and Rasputan's label, Mad Rhythm Records and Chris Khaos's label Khaotic Records. He is know for DJing and producing styles like, Breaks, Electro House, Bass House, Jackin House, Techno and many more, always extending his boundaries. He started out playing in many small bars and nightclubs all along Southwest Florida and he's slowly extending outward in other areas around Florida.

Poxymusic Clubber's Guide To 2004

Sameer Sengupta

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