Nice! Any chance for an id on this?! 🙏

Broadcast on NTS Radio 22.09.21.

https://www.nts.live/shows/john-gomez/episodes/the-spaces-in-between-22nd-september-2021

The Spaces in Between // NTS // Episode 19

The record label, shop and DJ sound system from Toronto invites the Detroit-based DJ/Producer Ryan Spencer, part of the ‘Freakish Pleasures’ sound system, the cult-driven youtube channel ‘Cat Town’ and known from his ‘Symptoms of Love’ & ‘S Transporter’ productions. 

🌐 "Outsiders" is our daily show hosted by global independent record labels
📡 Connect with the Outsiders, every day, at 10 am or 10 pm CET
🔗 kioskradio.com

Outsiders: Invisible City Editions w/ Ryan Spencer @ Kiosk Radio 14.12.2021

👄👄👄👄👄👄👄👄👄👄👄👄👄👄👄👄
Re-opening weekend PART II
Special with a capital S.

Sandy B LIVE, Invisible City Editions, Telephones & Milch serving up an eclectic and fruity mix of New Beat, Wave, House, Street Soul, Kwaito, Disco and Balearic oddities.... Until the moon has passed and the sun has risen.

@sandybworld
@invisiblecity_
@teflonhenning
@sameheads
@lauraschutte

Special thanks to @trash.jimmy for hooking us up with Sandy....

Rare & Groooooovy. Check it.
👄👄👄👄👄👄👄👄👄👄👄👄👄👄👄

Invisible City @ Sameheads 2022 - 08 - 13

Milch @ Sameheads reopening 2022 - 08 - 13

Новий епізод щомісячного подкасту Hunt The Unknown, який знайомить слухачів з різними представниками сучасної діггерської спільноти. Цього разу мікс підготував Basso – один із знакових діггерів Європи, який ще у 90-х присвятив своє життя колекціонуванню еклектичної музики, а зараз стоїть за лейблом Growing Bin та одноіменним магазином платівок. 
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A new episode of the monthly Hunt The Unknown podcast, which introduces listeners to various members of the digging community. This time the mix was prepared by Basso – one of Europe's iconic diggers who dedicated his life to collecting eclectic music back in the 90s, who started the Growing Bin label and the record store of the same name.
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Cлідкуйте за гостем:

www.soundcloud.com/growingbinrecords
www.instagram.com/basso_in_the_bin

Cлідкуйте за куратором шоу та його Youtube-каналом:

www.soundcloud.com/ruslancher
www.instagram.com/hunt.the.unknown
www.youtube.com/channel/UC48i3V-nIyvjEVNK0SBf8Ow

Підписуйтесь на Gasoline Radio:

www.gasolineradio.com
www.instagram.com/gasoline.radio
t.me/gasolineradio

HUNT THE UNKNOWN W/ BASSO 18/09/2022

snack music mix 004 - NATURAL MAGIC

Arguably the best part of the set. Recorded at lilla baren, Riche, Stockholm.

Gumshoe & Lodding At Klubb Klärvoajans – 17/12/2022

Mutant Radio (Tbilisi, GE) monthly residency, episode #21, February '23. Including a good good fun U.S. 80's guest mix - first hour - by dj/record collector/architect Marwan Filal (Marseille, FR), head honcho behind French label RA/OI. Photograph by Jason Lee, titled 'Quanah'. Music by, among others, Pal Judy, Myth, Leroy Ace Miller and Bob Chance. Back end of March with a new episode.

@marwanfilali

Mutant Radio - Inner Overtones w/ Marwan Filali & Jouko [23.02.2023]

Our own tropical cyberpunk tackles every other Monday lunchtime...

https://www.nts.live/shows/soup-to-nuts-ruf-dug/episodes/soup-to-nuts-ruf-dug-1st-may-2023

Soup To Nuts w/ Ruf Dug 010523

A Month Of Sundays

A Month Of Sundays (monday)

It's a delight to welcome close friend and MFM label designer Steele Bonus (@steelebonus) to the mix series. Q&A (short version) here below.

www.musicfrommemory.com

MFM: Hi Steele! Welcome to the series (that picture, haha!). People might know you from the numerous handsome artworks for our MFM sleeves and other labels as well. So far it seems like your graphic design talents are mostly (or only?) reflected via music related projects, is that on purpose? 

SB: I’ve actually been working in design and advertising agencies in Sydney and Amsterdam for well over a decade and during this time I’ve worked on a huge range of projects and for some large global brands. Music was always my life outside of ‘work’. Aside from DJing I’ve always been this guy that’s been quite involved behind the scenes – organising tours, throwing parties, scouting venues to set up sound systems, sourcing and selling records and making club flyers and gig posters late into the evening. In more recent years I’ve been designing a ton of record sleeves (I don’t organise parties any more). I’ve always tried to keep music and my job separate but the merging of the two has been kind of unavoidable I guess. This year I’ve left my 9 to 5 and intend to focus more on my own design and music related projects. It’s something I’ve been thinking about for a while and I’m excited for the times ahead.

MFM: In 2017 Oz Waves was released, which features a fine selection of forgotten Australian gems from the '80s all compiled by you. If you'd be asked to do another compilation, would there be a specific era, country or something you'd want to pick out and focus on?

SB: To be honest I don’t know if there would be. I am interested in a very wide range of music but I’m particularly drawn to this time in Australia. I think the music captures what the place is about for me. The harsh climate and environment, the cowboy attitude and culture, the huge distance from the rest of the world. These days I feel like it’s been replaced with something much more slick and dull. Of course there are always still good things happening there under the surface, but the cassette culture from Australia was something that I felt hadn’t been documented or covered a lot, especially in comparison with other parts of the world like Belgium or the States. Maybe there will be a follow up to Oz Waves. The music is there but there are still a couple of artists that are proving tricky to track down. I’ve also been hesitant because the reissue compilation thing has gone a bit overboard the past years. If anything, aside from that I’d probably focus more on working with current music and artists.

MFM: You're a skilled DJ too, which mirrors in your contribution for our mix series (thanks for joining!). Can you tell a bit about how your mix came about, did you have any ideas or inspiration in mind for it?

SB: It came together over a number of months. It’s mostly records that I picked up last year, including a lot of tips from friends and things I discovered while traveling around Europe djing on weekends. Towards the end of the year I started to assemble a pile on my living room floor that seemed to fit together. That pile sat there for a couple of months. I went to Australia for Christmas, came back and there was a back log of work to get done and so more weeks went by before I finally got around to making the recording. There was no real idea or inspiration but listening back to it now I think there’s a definite common thread. It's more or less a collection of pop tunes from the 80s and 90s, but there's a mood that's weird and dreamy, a bit sad but also a bit hopeful. I guess it matches the mood I've been carrying around most days lately.

Milch @ Sameheads reopening 2022 - 08 - 13

Sameheads

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