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Following a string of strong releases, Tartelet Records is taking a step back to reflect on a year on hold. Releasing on Friday, March 26th, Medusozoa is a compilation of 13 introspective, downtempo and ambient-leaning tracks that have been carefully selected for their healing qualities. Alongside previously released and unreleased material by Glenn Astro, Henry Wu &amp; Tito Wun, Jitwam, Max Graef &amp; Wayne Snow, Space Ghost, and Uffe, the record also features recent signings the likes of ABUNAI, Armin Tamzarian, and Nelson of the East.

Out on February 24th, the first single “peace sign” by label-newcomer ABUNAI is a heartfelt piece of electronic soul brought to life by the artist’s falsetto vocals and hazy, laidback production. A style and sound synonymous with the Bay Area where he resides – though with a deeper message at its core:

“Peace sign” was inspired by some of the intense wildfires during 2020 and the feeling of sitting inside while the world is on fire,” says ABUNAI. “It’s about our lack of control over what might happen to the people we love, and learning to accept that lack of control.”

Worthy of a second spin, Oakland native Space Ghost continues on theme with the two deep ambient cuts “Night Dive (Ft. Morgan)” and “Tropical Pavilion” taken from his first and second albums.
Max Graef contributes with the track “Jane” with Wayne Snow on vocals: a lesser-known gem taken from his critically acclaimed 2014 debut album Rivers of the Red Planet. Recorded on an afternoon in Graef’s old Berlin-Prenzlauer Berg apartment, it was one of Wayne Snow’s first features and remains a label favorite. Tartelet Records label head Emil Nyholm remembers:

“Wayne and Max had just met and started working together – this was one of their first collaborations and it all came together in one afternoon – it felt magical back then and it still does today,” he says.
A “hidden” bonus track from his acclaimed Honeycomb album, “Confessions” by Jitwam drops the artist’s usual vocals and signature funk-leaning groove in favor of slow, dozy melody. Strangely soothing and hypnotic, Confessions features mellow triphop-inspired beats and a pitched flute-like melody – perfect stoner vibes!

Finally, Milan-native Nelson of the East delivers the previously unreleased track “The Casting,” a bizarre and cinematic piece of ambient music, showcasing his affection for soundscapes and jazzy chord progressions.

Whether taking listeners back to a time in the past, to a daydream in the future, or fully immersing them into the present, all tracks were selected for their restorative and relaxing qualities, giving listeners a reason to take comfort in today’s climate of uncertainty.

PREMIERE: Jitwam - Confessions

Eternal Loop

Pharoah

Harvest Time

Ole St Rummer

Blue Magic

The third album from Duval Timothy. Released on Carrying Colour 27 October 2017.

Recorded by Duval Timothy
London & Bath, UK
Freetown, Sierra Leone
Kyoto, Japan

Ball.WAV

Ibs.WAV

thank you anna for giving me the courage to use my voice

them a say we no people 
them a sey we all evil like... ha ha ha ha ha
and i ask, why oh why

them a kill all we people 
then they say we all equal like ha ha ha ha ha
and i ask, why oh why

Closed Place, Open World

'Akousmatikous', out now on Brainfeeder: https://srjl.lnk.to/akousSo

Zdenka 2080

Earth Creature

Los Angeles

Auntie's Lock/Infinitum (feat. Laura Darlington)

"PLEASURE, JOY and HAPPINESS," AVAILABLE FROM DAY END RECORDS (DE-002).

STREAM: https://ffm.to/rlembdx
VINYL: https://dayendrecords.bandcamp.com/

eddiechacon.com

https://www.instagram.com/eddie_chacon_

https://www.instagram.com/johncarrollkirby

https://www.instagram.com/dayendrecords

Eddie Chacon experienced proper, peak-nineties acclaim in the soul duo Charles and Eddie: they scored a global No. 1 in 1992 with “Would I Lie To You,” appeared three times on Top of the Pops, and featured on soundtracks from True Romance to Super Mario Bros.. Their crooning style was clearly pop-ready, but undeniably reverent: the pair first met when Eddie noticed Charles carrying a vinyl copy of Marvin Gaye’s "Trouble Man” on a New York subway train.

By that time, Chacon had already been navigating music in interesting ways, all the way back to his teen garage rock band with the late Cliff Burton (Metallica) and Mike Bordin (Faith No More). In the late ’80s, he released a full-length on Uncle Luke from 2 Live Crew’s label and signed to Columbia as a solo act. He was a working artist, always popping up in unexpected places: through the course of his career, Chacon would write, sing, or produce ten Top 40 hits around the globe.

In the words of Mac DeMarco: “Eddie Chacon is planet earth’s number one musician. Yesterday, today, and forever.”

Years ago, Chacon retired from music for a second calling as a fashion photographer and creative director. In an interview at the time, he said, “I was fortunate to have a 35-year music career and felt that there wasn’t that much more for me to say or achieve.” Very thankfully, that’s no longer the case. Private experiments, far from the major-label center he once frequented, began to feel urgent and new. “There’s nothing more exciting for me than getting to start from the beginning again,” he says today.

“Pleasure, Joy and Happiness” will be available July of 2020 on the boutique Los Angeles-based label Day End Records. This is a thoughtfully considered album of quiet, confident R&B: it doesn’t jump out at you, but rather gets in you. Produced by John Carroll Kirby, the like-minded artist and collaborator with Frank Ocean and Solange Knowles, it features restrained percussion from Kanye West’s Sunday Service drummer Lamar Carter. Celestial soul as a break from chaos, these are quietly challenging songs as timeless as they are contemporary.

“What a rare and cool challenge it was for me to help Eddie re-emerge after a long hiatus,” says John Carroll Kirby. “I was excited to produce a record for him that captured the chill, laid-back wisdom and easy vocal mastery he has that you don’t see that much these days.”

Lead single “My Mind Is Out of Its Mind” finds a deep groove to try and contain spiraling heartbreak, while the sweet and wobbly “Trouble” balances the delightful near whisper of the title track “Pleasure, Joy and Happiness.” But even the project’s lightest moments feel sincere and mature. Altogether: a truly unifying release, coming from a man who’s earned the right to share such a regal, romantic sound.

“I used to think to myself,” Chacon says, “if I ever make a record again, I’d want it to be a record you’d have to be my age to make.”

Eternal Loop

Sam Gendel

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