For Songwriting

Time To Go - Wax Tailor [feat. Aloe Blacc]

Blakroc 'Ain't Nothing Like Yo

Mengangkat tema tawuran yang menjadi tren mematikan pada sebagian anak muda di Indonesia, “Mati Muda” merupakan sebuah teguran keras dari Kelompok Penerbang Roket yang di iringi distorsi dan penuh emosi.  Single ini merupakan awal dari terbentuknya Kelompok Penerbang Roket yang nantinya akan di rilis secara gratis. Bersamaan dengan pembukaan perpustakaan di LP II Cipinang kami mengadakan rilis party “Mati Muda” bersama dengan sekitar 500 orang warga binaan. Beberapa warga binaan yang kami wawancarai mengungkapkan kebosanan mereka tentang hiburan musik ala lapas yang itu-itu saja (dangdut atau keroncong) “bosen mas temen-temen disini banyak yang suka musik rock, biasanya kalo ngga dangdut ya keroncong tapi mending dangdut lah kita masih bisa liatin biduan nya, maklum disinikan laki semua” ungkap salah seorang warga binaan. Membawakan total 9 lagu dimana dua diantaranya adalah lagu cover dari Iwan Fals (http://youtu.be/UVwoqhDq5lI)  dan Duo Kribo berhasil membuat mereka terhibur. Kami sangat senang karena dapat di terima dengan sangat baik oleh warga binaan disana, “Experience yang ga bisa gue lupain, baru kali ini setiap gw solo gitar di tepokin dan di appreciate sampe segitunya” ungkap Rey (Guitar/Vocal2). Kami juga membuat short documenter live at Cipinang yang rencananya akan kami rilis di bulan mei melalui berita angkasa (official youtube account kami). Simak juga official video clip “Mati Muda” (http://youtu.be/iWmqw7PqAgs)  yang sudah kami rilis sebelumnya via channel youtube berita angkasa.

Mati Muda

A great song by a legendary indonesian band Koes Plus

Dentaai - Mobil Tua (Koes Plus Cover)

Koes Barat - Kelelewar

produced by L'Orange
vocals by Jeremiah Jae
guest vocals by Gift of Gab

The Night Took Us In Like Family
https://itunes.apple.com/us/album/night-took-us-in-like-family/id962648340

About the album:
Enter those bloody alleys blocked off with yellow tape and chalk outlines. Secret backrooms riddled with sly crooks and blunt smoke. Slink into the underworld, the seedy shadowland owned by Jeremiah Jae and L’Orange on their noir-hop opus, "The Night Took Us In Like Family." 

Consider it the alchemy of Madvillain and "The Maltese Falcon": a five-part fable of tangled crimes, narrow escapes, and raining lead. The door busts open with “A Conspicuous Man.” L’Orange’s carefully severed cinematic clips hold the frame steady. The Windy City-raised Jae muscles the narrative forward—the hitman creeping. 

Beats bend sinister with imagery aiming for the temples. Jae invokes dark clouds, crowns of thorns and LSD eyes. Bars written in dirt. Samples are disembodied and ethereal. It’s like a grand jury indictment doubling as a Greek chorus. A song title like “Ice Obsidian” says it all. This is frozen lava, black and white celluloid, the spoils won by sinners. Watch your back rap. 

Or maybe it’s the hip-hop version of the gangster flicks made before the Hays Code—raw and uncensored, deeply artful without pretension. Pitchfork once described Jae as: “a lot of people talk loud and say nothing; Jeremiah Jae finds strength in the inverse." On "The Night Took Us In Like Family," he inhabits both eulogizer and executioner. He triumphantly looms over the corpses and explains how this all came to be. L’Orange supplies concrete requiems of dusted soul: beats to crack safes, soundtracks to stealth assassinations. 

If gangsta rap remains one of the genre’s most well worn tropes, Jae and L’Orange take inspiration from the rarely tapped roots of the tradition. This isn’t riffing on Oliver Stone’s "Scarface" like popular cliché, but rather the original Al Capone exploitation flick from the early 30s. Jae conjures a villain who vaporizes. Run-the-Jewels-raw but still sophisticated. Cuban cigars stuffed with California chronic. 

The picture unfolds wide frame. Guest stars include New York poison dart-thrower, Homeboy Sandman and Blackalicious’ Gift of Gab. The chapters flesh out the story: The Conspicuous Man skulks into “God Complex,” “The Damning,” “Revenge and Escape.” Jae and L’ Orange build their world as a catacomb and find a way to escape just as the walls feel like they’re closing in. It fades out as “A Macabre Instrumental” plays. The funeral is closed casket. The memories aren’t easily disposed.

L'Orange & Jeremiah Jae - All I Need (feat. Gift Of Gab)

06 Bluebird

As If We Existed

Gasoline - The Hardest

Blakroc - what you do to me (feat. billy danze, jim jones & nicole wray)

It's Freestyle tonight at the Bull's Head, and to get you in the mood and whisk you away from the cold and the rain here's a little bit of sunshine in the form of a mash-up by Max Tannone, whereby Mos Def "History" meets Desmond Dekker "Shanty Town".

For more of the same, head to http://mosdub.com

Check out the blog at http://freestylebirmingham.blogspot.com/

Mos Dub - History Town

The Black Keys & RZA - The Baddest Man Alive

Run - Wu Tang Vs The Beatles

THE BLACK KEYS - MONEY MAKER

Heard this on an episode of Entourage. Hooked ever since. 

Lady Don't Tek No - Latryx

Kelelawar - Koes Plus Vol 1 (1969)

The Geek who loves the music so much. Probably too far from his genre he once loved...

Music Producer, Guitarist - Graphic Designer - Illustrator - Writer.

I always share some artist for your pleasure. From Rock to Rap to Jazz to Garage House to... whatever that is.

Blakroc 'Ain't Nothing Like Yo

Samir

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