Homayoun Behi or Ewan  (Persian: همایون بهی, born February 22, 2000) is an Iranian electronic music producer. He is one of the founders of the Radiopodc MUSIC label. In 2020, he became a member of the International Federation of French Musicians (FIM) and the Association of Iranian Music Artists, and from the same year began his artistic activity.
In 2022, he left the International Federation of French Musicians (FIM) and the Iranian Music Artists Association. And he became the artist of Cafe de Anatolia label in May 2023.he collaborated with Soundavenue label in 2023.  And he released an Ep called Recovery Time from theElectricedmrecords label, which is a subseries of Theaudioatelierlabel label.

Techno is a community. I grew up spinning vinyl records on belt-drive turntables and playing piano.  Music is a special language.  Why is everyone so full of anger and hatred?  Love is what binds us.
Let me take you to another place.
Close your eyes and come with me.
Noone will talk to me.  Am I to die alone?
 Goodbye.  

Dm for reliable promo I got reviews of people I work with

Songs for Social Change

Hello, and thank you for taking the time to listen.  
My name is Johnny, a lifelong musician and songwriter whose work is deeply rooted in the pursuit of justice, equality, and meaningful change. For as long as I can remember, music has been my voice, my weapon, and my sanctuary—a way to channel the frustrations, hopes, and dreams of a world in turmoil.  

My songs are a reflection of the turbulent times in which we live. They are anthems for the marginalized, the oppressed, and the forgotten—those who bear the weight of systemic inequality, poverty, and injustice. Through my music, I aim to amplify the voices of minorities, the poor, the sick, and the downtrodden, shining a light on the struggles they endure in a society that often turns a blind eye.  

At the heart of my work is a call to resist the oppressive grip of the billionaire class, whose unchecked power and greed have eroded the foundations of our democracy. My lyrics are a rallying cry, urging listeners to awaken to the realities of our world, to challenge the status quo, and to fight for a future where equity and justice are not just ideals, but realities.  

But my music is not just a critique of what is wrong—it is also a beacon of hope. I strive to inspire others to join the fight, to look in the mirror and confront the uncomfortable truths of our nation’s bloody history. Only by acknowledging the past can we begin to heal and move forward. My songs are a tribute to the dreamers and the activists who came before us, and a call to carry their torch into the future.  

Above all, I seek to honor the vision of John Lennon and countless others who dared to imagine a world of peace, love, and unity. Through my music, I hope to contribute to that vision.  

Thank you for listening, and thank you for being part of the movement for change. Together, we can create a world where justice, compassion, and humanity prevail.

Strange music for strange people. Psychoactive psychedelia and alien soundtracks. I can be contacted at: SsicTim@gmail.com

In the shadows of Apache Junction, at the foot of the majestic Superstition Mountains, sits a weathered hacienda. This desert oasis is home to an enigmatic figure, a songwriter whose journey reads like a long, dusty road of honky-tonk bars and college cafeterias. He wasn't chasing fame or glitter; instead, he chose the soul-crushing beauty of music for music's sake.

Years spent hunched over sticky barroom tables and scribbling lyrics on napkins earned him a reputation—not in the spotlight but in the back rooms where deals are made. He wrote melodies that found their way into the hearts of stars who had lost their own muse. He sold his creations for cash, with no recognition, but the whisper of his songs carried the weight of his soul.

Finally, he bought this piece of desert paradise—a stable income from his timeless songs allowed him to live comfortably, if anonymously. Here in this hacienda, with his family beside him and the mountains as his backdrop, he found the peace to write hits under his own name. He chuckled at the irony that now, without chasing fame, he could create music that brought him joy.

In the end, it was never about the spotlight. It was about the journey, the stories, and the songs that wrote themselves through his life. As the sun set behind the Superstitions, casting long shadows over the hacienda, he strummed his guitar and sang—content, unknown, and unburdened by the world's gaze.


Copyright 2019 Edwin H. Balder

I may be dead when fame comes but my real glory was always JULIE & The Kids. Thank you for such love

DJ and philosopher. 

Spent the 90s DJing with vinyl, mainly DnB/Jungle, 2-step Garage, though some techno too. Playing in parties and clubs in South London, some dodgy festivals in the rest of UK too  Gave up in 99 to concentrate on my academic career, though did occasional gigs in 2000s playing from my entire catalogue: from ska and early electronic, to acid house and 60s punk, and so on. Getting back into music making again: DJing with digital kit (DDJ1000 & rekordbox), playing bass (Squier P-bass & Ibanez electro-acoustic), building tracks with Ableton Live.

I still write, supervise PhD students and speak at international conferences: on futures/anticipation, creative practice and ontological processes; and on superheroes.

In addition, I have six goats, a bunch of chickens, oh yeah, and four children. 

Dj, Producer & Sound Engineer.
Podcaster & Manager of Viatge Electrònic.

Followers of dj Elias