daisies

Music And Lyrics By Lucien Fraipont
Recorded In Studio Mont De Piété And Volta By Lucien Fraipont
Mixed And Produced By Shags Chamberlain In Studio Avenue 54, Los Angeles
Mastered By David Ives
Additional Lyrics And Human Babelfish By Shags Chamberlain

Lucien Fraipont: Guitars, Vocals, Keyboards, Drum Programming
Jakob Warmenbol: Drums 
Shags Chamberlain : Realistic Mg1,  Kitchen Power Clicks, 
Judith Williquet: Vocals
Coline Wauters: Vocals

Family Dinner

The third in this set of Bandcamp EPs finds Honey Smugglers at Bark Studio in Walthamstow in the Autumn of 1990 during initial sessions for a follow up to the `Listen' EP. As it turns out we recorded a different set of songs for the `Closer' EP in early 1991.

Each of the first three songs were longstanding stage favourites and could be heard in most Smugglers setlists. `Anybody But You' embodies the Smugglers groove as well as any of their tunes and check out the spontaneous studio magic as Steve kick starts the piece on an Organ with a mind of its own.

`Pie In The Sky' appeared in live form on an album recorded at The Sausage Machine in Hampstead, (`Now That's Disgusting Music') but this is the studio version. In a gigging situation we used to see how long we could extend the gap in the middle before people would start clapping, but here....just an uneasy, digital silence.

`Beautiful People' was played in a number of arrangements throughout the band's career, this perhaps being the best and most concise. The improvised vocal coda at the end by Chris assures this version's place as first choice. It was a first take vocal.

The final track `Whole Wide World' was a unique cover version which was only ever played this once. It was part of a planned Fiction Records sampler which never happened. It didn't even cross our minds to play it live, great song though it is, I guess we had too many of our own songs vying for position in a setlist of ten.

Buy Digital on Bandcam

Anybody But You

Two Free Hands EP out October 27, Pre-order now from anthonietonnon.com or anthonietonnon.bandcamp.com.

Two Free Hands

The Sophtware Slump ..... on a wooden piano

Underneath the Weeping Willow (Piano Version)

Hallan - Hands Up

Mr. Gray Cloud - Sam Plecker

The debut single from Iris Doe.

Eric Avery / Leslie Van Trease / Jebin Bruni / Iris Doe 

Engineered by Darrell Thorp, Chris Steffen, Jeffrey Cain
Mixed by Darrell Thorp
Mastered by David Ives

The Times

Vinyl

Iris Doe - The Times

BMH is the third single from Scottish folk-pop collective Randolph’s Leap’s forthcoming album Spirit Level.

“On one hand, it’s about the pretentious things people say to appear interesting. I found humour in the idea that the Big Momma’s House film franchise could be based on a critically-acclaimed and cherished novel (spoiler: it isn’t) and there are some digs at hipster culture. It’s also about a house not feeling like a home. Looking back, I reckon I was probably exaggerating the flaws in the house but I got a bit fixated on it, almost like it was haunting me or conspiring against me somehow.”

Spirit Level is an upbeat, melodic indie-pop album full of personality, catchy hooks and memorable lyrics, rich in textural, polyphonic arrangements, and capturing the infinite charm of Adam Ross, the leader of this 8-piece band.

As a core songwriter with a large ensemble, Adam Ross may draw comparison with Stephin Merritt or Neil Hannon, while mining the rich Scottish seam of Postcard Records and C86. And as with contemporaries King Creosote or Withered Hand, is unafraid of drawing on folk music’s story telling tradition, detailing the minutiae of life’s fluctuations, here packaged up in glorious, anthemic and energetic pop.

The titular ‘spirit level’ is a steady reference point over what had been an unsettled spell writing the album, with Adam Ross uprooting from a decade in Glasgow to a tauntingly lopsided house in rural Aberdeenshire, navigating his way through shifting phases in his well-being and happiness, and reflecting on the untimely death of two greatly admired acquaintances. That balancing act came in the form of music, in an optimistic, even celebratory, collection of songs.

Recorded over a period of a year in Glasgow with keyboard player Pete MacDonald engineering, mixing and producing the sessions at home, the album went off to mastering in the nick of time: the following night Pete’s flat went Up In Smoke in a massive fire, taking everything bar Pete (and his pet hedgehog, Frida) with it.

“The next generation of witty Scottish indie pop” The Quietus

“A band deserving of every shred of love and success which came Belle & Sebastian's way” The Scotsman

"The Jonathan Richman of Scottish indie" The Herald

Randolph’s Leap started out as a pseudonym for the solo output of Adam Ross, and now includes up to 8 people in the full live band. The debut Randolph’s Leap album, Clumsy Knot, came out in 2014, with another four live and studio albums and a handful of singles across labels Fence Collective, Olive Grove Records and Lost Map. In 2018 a touring theatre show called The Isle of Love was devised around the songs of Randolph’s Leap.

They’ve recorded several Marc Riley sessions, performed at Green Man, T in the Park, Indietracks, and The Edinburgh Fringe, and have toured with The Burning Hell and James Yorkston. 
The Randolph’s Leap name is taken from a scenic location on the River Findhorn.

Randolph’s Leap are Adam Ross (songs, vocals, guitar), Adam Armour-Florence (drums), Ali Hendry (trumpet), Andrew MacLellan (guitar), Fraser Gibson (trombone) Heather Fox (violin), Pete MacDonald (keyboards) and Vicki Cole (bass).

Mr. Gray Cloud - Sam Plecker

Sam Plecker

Related tracks