I totally dig your chords and bass choice. The heavily distorted lead kinda goes a bit sideways to me, but still keeps the attitude of the track, which is wonderful!

Really nice track. Funky and great designed sounds. Like the EP with the sort of distorted Guitar. Kudos!

Really nice part, I like how it develops!

Solid funk.  And I admire the brave super fuzzy lead.

Funk isn't my cup of tea, but the music and choice of sounds are well done.

Man, I really want a Barry White vocal on this track

My submission for the July 2022 One Synth Challenge:

https://sites.google.com/site/kvrosc/2022/osc-161-synth1

- 83 instances of the classic freeware VST Synth1 v1.13
- All effects either freeware VSTs or FL Studio native effects
- 113 mixer tracks, lots of bussing
- 353 effects in total, not all used
- No modulation effects, overdrive/bit-crushing applied subtly per the rules
- 7886 notes
- No samples obviously, no presets used
- Upload is undoctored straight from the FL Studio render
~90% average CPU usage on average, with some parts peaking above 100% (meaning these portions take longer to render than to glitch through in realtime lol)

I tried to keep it short, promise. There are many songs for people to evaluate in this competition with undoubtably a lot of skipping-through. But this is song is many different sections strung together by a common chord progression. For such reason these markers are provided for easier evaluation:

0:13 Breakbeat/Rock instrumentation
1:12 Techno/909 section
2:20 Chiptune deviation
3:40 Electro/808 section
5:09 Acoustic string ensemble

Namesake: I played-through Fallout: New Vegas this month, often alternating between exploring The Wasteland and producing this song. In F:NV the player-character is a Courier tasked with bringing many different things concrete and otherwise to very different places with widely varying environments. Similarly this song's widely varying sections delivered to you with only brief transitions. I am The Courier.

Production: Between running out of time and being sick of hearing this track a thousand times, I am finalizing it here and now. I have good monitors but poor acoustics, no headphones and a motorbike instead of a car. As such the bass management/spectral profile is what it is. Crossing my fingers and walking away.

Happy to share the sound design behind any elements in the song, and after the competition is finalized presets can be provided on request.

I love synthesizers and cats.

One Synth Challenge July 2022

The Courier

The Chase - The Courier (July 2022 One Synth Challenge)

‍   ‍   ‍    ‍    ‍Somewhere,
     ‍ on the edge of nowhere, 
the Gnomes of Garden gather.
      ‍  to dream a new dawn.
             ‍ ‍   A new day.
       ‍     ‍   A new world.
 
 
 
An entry for One Synth Challenge 161  - Synth 1 by Daichi Laboratory
Made in REAPER 6 using:
Synth1   (20, 11 patches , from scratch as always ; no layering just voice splitting )
TDR Nova Free( 10, doing household stuff )
ReaEQ ( 1, more household stuff  )
Black Rooster VLA-3A ( 1, slightly compressing plucks )
Hy-Delay4 Free ( 6, delaying lead and mallets )
ADPTR Sculpt ( 1, blunting transients on a delay send )
JS Time Adjustment Delay (1)
JS Channel Time Delayer (1)
Oril River ( 8, mono )
Protoverb ( 4, mono ; 1 stereo )
A1 stereo Control ( 2, what it says on the tin ) 
Sonible SmartEQ3 ( 1, being dynamically smart on master )
Pulsar Mu ( 1, compressing master somewhat ) 
PSP Xenon ( 1, limiting master )
Limiter No6 ( 1, ISP thereafter )
PSP X-Dither ( 1, final bit reduction )

Somewhere, Nowhere

Bitwig Studio 4.3.2 64bit - Windows 10
53x Synth1 - All patches made from init.
No external reverb or delay plugins used.

Bitwig Effects:
EQ+
Dynamics (tiny bit of ducking for the kick on the bass)
Compressor

3rd Party:
GClip
QuickHaas
A1 Stereo Control

Mastering:
Loudmax 64bit
TDR Kotelnikov

OSC-161

Ranoka - The Panther Room

KVR Audio OSC #162 entry.
All sounds are made with Novation V-Station.

Nova Station

Loris - 6th Element

Short track for the one synth challange at KVR (V-Station only)

War Is Never Far

Made exclusively using Novation's V-Station synth. Submission for KVR's One Synth Challenge.

The Lost Verdant Town

The Lost Verdant Town - V-Station OSC#162 (ChristopherWD)

Botanical Optima (OSC 162)

final call

composed by FX Project & Corine Farmer 

Copyright Paradise Music

Mojito

God Conquers All (No Contest Remix)

Sync Placements and Licensing: yousampleme@gmail.com

Nova Station

Sample Me

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