this is well put together man, elements all good 

Aether

http://www.surus.co.uk/swamp-81/power-24728.aspx

Huff & Puff Bruk

112 kbps files for preview - don't be a dunce! 4 all things POOLS >>> https://soundcloud.com/poolsmusic

For their first ever double-LP outing Razor-N-Tape presents POOLS, with a sun-drenched and laid-back collection of tunes called Innertubes. POOLS, the moniker of Los Angeles duo Thee Mike Bee and DJ Morsecode, craft a sound that conjures up the easy going swagger and soulful grit of the left-most coast. The first two sides of original versions read like an album, perfect for a lazy Sunday rooftop BBQ with beers, bros and blunts, (although no doubt some of these gems will find their way into DJs' warm-up and boom-bap sets). Sides C & D elevate the juncture to dance floor level, with smooth and varied remixes from RNT stalwarts Luvless and DJ Vas, plus label newcomers thatmanmonkz and Junktion.

POOLS - One Of Thees Daze

Spectral Union, No Mind & Ocean Space-Crypt [Mellon Place Records]

Hot Springs

NEW EP OUT NOW on My bro Sonny Daze's label D81

Grab VINYL
https://division81records.bandcamp.com/releases

VIDEO: https://www.youtube.com/watch?v=m76waO0-p1M



Beat-making wizard Radius creates a journey through the genre-morphing LSD release. Encompassing the Boom Bap of his Hip-Hop origins, To the Pulsating rhythms of House, and Techno. The LSD pt.1 and Division 81 draw profound influences from Chicago, Berlin, Brooklyn, and everywhere in between. The release features artist Lailah Reich of Dia.L, The Twilite Tone and Division 81 label owner, Sonny Daze. This Release is the first release from the Brooklyn based label. Vinyl Features extended version of Know Self Division 81 Re-Work.

LSD PT. 1

Lopotsaves (Remix of Daedelus' Sevastopol) LSD PT.1 OUT NOW!!!

Taken from 'Mt Glorious' EP 
listen to full EP here: https://AWAL.lnk.to/sampologyep 
buy vinyl here: https://sampology.bandcamp.com/
℗&© Middle Name Records 2018

Mt Glorious

From Far Out Recordings’ in-house producer, Daniel Maunick’s debut solo album Macumba Quebrada conjures scenes of collective hedonism from start to finish. Spanning Afro-Brazilian spiritual dance ceremonies, late-eighties Detroit techno parties and jungle and broken beat raves in nineties London, Maunick celebrates our instinctive, age-old desire to come together and lose our sense of self.

Daniel Maunick practically grew up behind the mixing desk. As the son of Brit-funk legend Jean-Paul ‘Bluey’ Maunick (of Incognito fame), he found himself immersed in music from an early age, and quickly became involved in London’s drum n’ bass, acid-jazz, house, broken beat and soul scenes, releasing his first production at the age of sixteen on Gilles Peterson and Norman Jay’s Talkin’ Loud label. Since then, he has produced albums by the likes of Azymuth, Marcos Valle, Terry Callier, Incognito, Ivan ‘Mamao’ Conti and Sabrina Malheiros.

Reflecting his dual residence between Rio de Janeiro and East London, Macumba Quebrada features deep house stompers and broken bangers littered with Brazilian rhythms - in the form of both dusty percussion and Maunick’s intricate drum programming. But the album sees Daniel draw inspiration from across the black music continuum, and the rich histories of communal celebration in Detroit techno, Chicago house, London D’n’B and New York disco. Bringing all this together in explosive peak-time club tracks, moments of eerie ambience, South American swing and tribal earthiness, Macumba Quebrada expands on Maunick’s recent vinyl-only EPs ‘A Vicious Circle’ and ‘Sombra Do Dragao’, with a 13-track double LP and 14-track CD and digital release.

Taking its title from a syncretism of South American spiritual practices, the cover art is photograph taken by acclaimed French photographer and self-taught ethnographer Pierre Verger, who travelled the world documenting civilizations that would soon be effaced by progress. Settling for good in Salvador, Brazil, Verger became initiated into the Candomblé religion, eventually officiating rituals and ceremonies within the community. Without having become an ordained priest, Daniel Maunick shares both Verger and Far Out Recordings’ love for Brazil: its people, its culture and its music. 

Macumba Quebrada will be available on 2XLP, CD and digital, from 25th October 2019 via Far Out Recordings.

Vinyl / CD / Digi

Daniel Maunick - Dirty Trix

Rhythm Section are proud to welcome London based production duo The Colours That Rise to their ranks with their newest single “Home Time”.

Comprised of producer duo Simeon Jones and Nathanael Williams, The Colours That Rise have previously turned heads with 2017’s “2020” EP released on Breaker Breaker (the label credited with breaking Ross From Friends).

Broadcasting signals from the darkest corners of the solar system, “Home Time” is heady brew of crisp, driving drums, psychedelic electronics and cruising synth lines. Full of atmospheric textures and cosmic soundscapes the track provides a taster of what’s to come in earth’s not too distant dystopian future.

“Home Time” is released digitally on December 6th

Exclusive Premiere: The Colours That Rise “Home Time” (Label: Rhythm Section)

Forthcoming from the collaboration between Nikitch & Kuna Maze, “Francis’ Theme” (out 19th May) merges jazz-infused broken beat with the melodic-driven edge of Brazilian funk. “Francis’ Theme” is the latest single to be lifted from the duo’s superlative first LP ‘Débuts’ which is set for release on the 3rd July. Being the only vocal track on the record, Eduoard Gilbert aka Kuna Maze explains its back story: “We sung on Francis’ Theme which is something we would have not dared to do before. We’ve moved beyond some of the aesthetical frontiers we had in our creative path with this song.” Nicolas Morant aka Nikitch takes the track into flight with his transverse flute mirroring the guest vocals of friend and collaborator Eva, while Kuna Maze’s Fender Jazzbass grounds the song.

Pre-order: https://nikitchkunamaze.bandcamp.com/

Diffusé le 18 may 2019.
Broadcasted on May 18th 2019.

Nikitch & Kuna Maze
› https://www.facebook.com/NikitchKunaMaze/
› https://www.instagram.com/nikitch_kunamaze/
› https://nikitchkunamaze.bandcamp.com/

Tru Thoughts
› https://www.facebook.com/truthoughts/
› https://tru-thoughts.bandcamp.com/
› https://www.youtube.com/user/TruThoughtsRecords/featured
› https://www.instagram.com/tru_thoughts/

Francis' Theme

[PREMIERE] Nikitch & Kuna Maze - Francis’ Theme (Tru Thoughts)

https://jazzandmilk.bandcamp.com/album/community-15-years-of-jazz-milk

COMMUNITY - 15 Years of Jazz & Milk

Moe Fabrik - Sassy Boi

Producer, DJ, Middle Name Records, Balamii Monthly Show
 
Sam Poggioli, aka Sampology, is a DJ, producer, recording engineer, visual artist and former Worldwide FM host from Brisbane/Meanjin. Over the last fifteen years, Sam has been a key player in the rise of Australia’s burgeoning hip-hop, deep house, future jazz and broken beat scenes. Since 2017, he’s released records through Soul Has No Tempo, his own Middle Name Records label, and crafted uptempo remixes for Quantic, Kerbside Collection, Winston Surfshirt and Myele Manzanza.

In the early days of his career, Sam made his mark by performing acclaimed audiovisual DJ sets at festivals and nightclubs throughout Australia, New Zealand, South Asia, Europe and North America. In more recent years, however, he’s balanced his considered skills in the DJ booth with his personal evolution as a composer, producer and recording engineer. Revelling in lush, atmospheric soundscapes which draw from the grandiose splendour of the natural landscape that surrounds his hometown, Sam’s music embraces ornate melodic beauty, blending with syncopated rhythms, low-end theory and lush vocals.

Before he took his audiovisual DJ sets to the world, Sam sharpened his musical knowledge and skills while working at the iconic Butter Beats record store and spinning a mixture of hip-hop, breaks and drum and bass at nightclubs across Brisbane. The road he walked to that point began in his mid-teens after he was exposed to New York’s Native Tongues collective and The Avalanches from Melbourne/Naarm. 

Fascinated by the sampledelic production techniques that helped take hip-hop to new levels in the 90s, Sam learned the basics of computer music production from his cousins, who were already performing nationally in a live electronica group. However, for the first act of his career, DJing was where Sam really shined. Soon enough, he was gracing stages alongside underground US and UK hip-hop stars like Blackalicious and Roots Manuva.

After proving himself nationally and overseas, Sam felt compelled to reconnect with Brisbane’s musical community and focus on his own growth as a producer and composer. This time around, as opposed to DJs and beatmakers, he was hanging out with a generation of trained instrumentalists and singers like Laneous and Noah Slee, who were reshaping the sounds of neo-soul, RnB, broken beat and jazz in the city. After learning more about recording equipment, he began collaborating with them on the material that made up his debut EP, Natural Selections (Soul Has No Tempo, 2016).

Sam also began to spend more time in the grandiose natural landscape that surrounds Brisbane and found himself reflecting on the formative musical experiences of his childhood, like being exposed to string music ensembles by his father and aunt, who’ve both spent decades as members of the Queensland Symphony Orchestra. Sam also thought back to his early teens when he sang in a cathedral choir. As he began to carve out his own composition and production sound, choral music, harmony, and string textures became a crucial counterpoint to the rhythmic sensibilities he’d learned from DJing hip-hop and dance music to audiences across the globe.

By 2018, Sam was recording local choirs and string sections and had built a strong community of like-minded musicians around himself. That year, he established his own independent label and recording studio, Middle Name Records. He inaugurated it with the release of his soulful deep house EP Mt Glorious featuring Dudley Perkins, Georgia Anne Muldrow and Jordan Rakei, and Middle Name Dance Tracks Vol 1, a collection of broken beat, disco and house tracks he’d recorded with friends as Middle Name Dance Band.

In 2019, the tastemaker Gilles Peterson invited Sam to host a monthly online radio show on Worldwide FM, giving him a platform to share his ever-expanding musical taste with a global audience. Through his shows, emerging soul, jazz, RnB, hip-hop, and club music from Australia and New Zealand stood shoulder to shoulder with the freshest new cuts and reissues from the global underground.

Two years later, Sam released his debut album, Regrowth, through Middle Name Records. Featuring collaborations with Laneous, Allysha Joy (30/70 Collective), Silent Jay, Seven Davis Jr (US) and James Chatburn, the album showed off his hard-won growth as a composer and producer with inimitable style. Through a heady mixture of live instrumentation, synthesisers, machine beats and soaring voices, Regrowth charted a course through hip-hop, dance, ambient and jazz-funk, earning him comparisons to Bonobo, Jamie XX, Kaytranada and Jon Hopkins along the way.

After the release of Regrowth, Sam realised he’d spent the first half of his career chasing the cutting-edge underground sounds of North America and Europe. When he looked around him, he saw that in the wake of Melbourne/Naarm jazz-funk band Hiatus Kaiyote’s international success, the world was looking at Australia. Since then, he’s been working to document the sound of Brisbane’s underground through Middle Name Records. Sam hopes that in the future, the label’s discography may inspire a new generation of music lovers. Maybe in a decade, someone going through the bins in a record store in London or Manchester will become fascinated by the 2020s Brisbane sound.

Mt Glorious

sampology

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