vinyl & merch via https://sampology.bandcamp.com/album/regrowth
Sampology.com
Middle Name Records
MNR005

Regrowth

Reassemble ft James Chatburn

Suffer and Swim ft Allysha Joy

Memories In Flight

vinyl & merch https://sampology.bandcamp.com/album/regrowth
Middle Name Records
MNR005
Sampology.com

Saturn Returns ft Laneous

Peace Lily

Running Around

https://orcd.co/lowkey_lowpressure

Session Victim’s 5th studio album ‘LOW KEY, LOW PRESSURE’ feels like an anathema to today’s fast paced, industry driven musical landscape – and for all the right reasons.
Having released two intense, dancefloor-focused 12“s on Rhythm Section and Delusions Of Grandeur over the past year, their return to NIGHT TIME STORIES brings out their trippy, headsy side once again.
And despite the pandemic downtime being over, Hauke and Matthias remain holed up in the studio, jamming, head nodding to drum breaks and churning out records like the one in front of you.
Spanning 10 tunes – 12 if you count the limited bonus 7“ that comes with the first pressing – the LP is undiluted Session Vic- tim, with their occasional trio partner Carsten “Erobique“ Meyer as the sole musical guest on the library-esque SOFT LANDING, a tune reminiscent of something the boys would try to hunt down on one of their compulsive record store rummages to feed it to their Akais.
You’ll also find the sequel to one of their cornerstone tracks from their 2020 album NEEDLEDROP, Jazzbeat 07. (It’s JAZZ- BEAT 08, in case you were wondering.) And it's premiered here!

Buy/listen to the full release at: https://orcd.co/lowkey_lowpressure

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low key, low pressure

Downtime Premiere: Session Victim - Jazzbeat 08 [Night Time Stories]

Foment by thelvnguage released on all platforms September 19th, 2025.

Written, recorded, mixed, mastered, art by thelvnguage

Foment

Sealed In A Kiss

A 13 minute live jazz house odyssey from Zagreb-based producer @jankinclzero and keyboardist @regis-kattie on @pdvrec.

Read more & buy: http://www.stampthewax.com/2018/05/31/premiere-jan-kincl-regis-kattie-you-never-told-me-parts-1-2/

Jan Kinčl & Regis Kattie - You Never Told Me (Parts 1 & 2) (STW Premiere)

Buy here: https://churchofficial.bandcamp.com/album/it-rains-here

Manchester-based producer Yadava makes his long-awaited debut on the acclaimed underground imprint Church with his album 'It Rains Here', which features a soulful, jazzy and tribal cut titled 'Rebecca's Jam'.

After gracing a Banoffee Pies compilation with a collaboration with Contours and releasing a solo outing on AdHoc Records, Yadava's been stirring up buzz with his eclectic sound profile. Now with a full-length album that compliments the diverse Church catalogue, he's showing there's much to his artistry that has yet to be explored. Keep an eye on Yadava.

The 'It Rains Here' LP is set for release in June.

More exclusive music

Premiere: Yadava 'Rebecca's Jam'

Local Talk is proud to present the second 10" release featuring music by Kyoto Jazz Sextet getting remixed. 

This time the remix torch is passed from Ron Trent to Jaxx Madicine. The Milanese trio's remix of "Mission" has a feel of confidence and charge which allows it an accessibility and artistic integrity that shines through immediately, it takes you to another place.

Kyoto Jazz Sextet - Mission (Jaxx Madicine Remix)(10" - LT089, Side A) 2018

Seek Deep (unmastered version)

Age of the Ego

Step into the Light

* Read more: boltingbits.com/parviz-odalisque-au-fauteuil-noir-omena-records
* Watch on YouTube: youtu.be/tH0KDBRvtY4
* Pre-order: omena.bandcamp.com/album/zerzura

Omena travels south of the Mediterranean Sea with antique maps and compass in hand for the release of Parviz's Zerzura EP. This record features four songs of romance and reverie, taking you through a dizzying jazz journey, full of twists and turns; starting with emboldened trumpets, only to end on a handful of quaint piano notes. As dusk settles upon the dunes, the mirage has now vanished, and the forlorn hope turns into a soul-searching journey.

To capture the atmosphere of the piece, Parviz has partnered with artist Rickard Eklund to put together the cover art for the release. Much like Parvis himself, Mr. Eklund was inspired a great deal by the mysticism of the region, which he goes onto explain in our exclusive interview where both delve into the influences behind their collaboration.

As you read through their discussion that touches on everything from Percey Shelley's Ozymandias to the music of Lounge Lizards, Yuseef Lateef and Duke Ellington, make sure to listen to Parivz's forthcoming track taken from the EP titled "Odalisque Au Fauteuil Noir." It will certainly set the mood and get you into the mindset of partaking in a little discovery and introspection yourself.

Make sure to pre-order yourself a copy Zerzura here! It's set to come out June 21st.

PREMIERE: Parviz - Odalisque Au Fauteuil Noir

Happy easter and buongiorno! 
Here is our special easter suprise! 
New fresh free download track from our man Jonas Gottlieb. His roller skate edit from Nu Guineas track "Ddoye Facce" tells us that the spring is here and the summer is coming. 
Play it loud! 
Bellissimo!!!! 
🎹☀️🥳🤩

Info:
https://soundcloud.com/user-419199282

Nu Guinea - Ddoje Facce (Jonas Gottliebs Roller Skate Edit) -> FREE DOWNLOAD

Producer, DJ, Middle Name Records, Balamii Monthly Show
 
Sam Poggioli, aka Sampology, is a DJ, producer, recording engineer, visual artist and former Worldwide FM host from Brisbane/Meanjin. Over the last fifteen years, Sam has been a key player in the rise of Australia’s burgeoning hip-hop, deep house, future jazz and broken beat scenes. Since 2017, he’s released records through Soul Has No Tempo, his own Middle Name Records label, and crafted uptempo remixes for Quantic, Kerbside Collection, Winston Surfshirt and Myele Manzanza.

In the early days of his career, Sam made his mark by performing acclaimed audiovisual DJ sets at festivals and nightclubs throughout Australia, New Zealand, South Asia, Europe and North America. In more recent years, however, he’s balanced his considered skills in the DJ booth with his personal evolution as a composer, producer and recording engineer. Revelling in lush, atmospheric soundscapes which draw from the grandiose splendour of the natural landscape that surrounds his hometown, Sam’s music embraces ornate melodic beauty, blending with syncopated rhythms, low-end theory and lush vocals.

Before he took his audiovisual DJ sets to the world, Sam sharpened his musical knowledge and skills while working at the iconic Butter Beats record store and spinning a mixture of hip-hop, breaks and drum and bass at nightclubs across Brisbane. The road he walked to that point began in his mid-teens after he was exposed to New York’s Native Tongues collective and The Avalanches from Melbourne/Naarm. 

Fascinated by the sampledelic production techniques that helped take hip-hop to new levels in the 90s, Sam learned the basics of computer music production from his cousins, who were already performing nationally in a live electronica group. However, for the first act of his career, DJing was where Sam really shined. Soon enough, he was gracing stages alongside underground US and UK hip-hop stars like Blackalicious and Roots Manuva.

After proving himself nationally and overseas, Sam felt compelled to reconnect with Brisbane’s musical community and focus on his own growth as a producer and composer. This time around, as opposed to DJs and beatmakers, he was hanging out with a generation of trained instrumentalists and singers like Laneous and Noah Slee, who were reshaping the sounds of neo-soul, RnB, broken beat and jazz in the city. After learning more about recording equipment, he began collaborating with them on the material that made up his debut EP, Natural Selections (Soul Has No Tempo, 2016).

Sam also began to spend more time in the grandiose natural landscape that surrounds Brisbane and found himself reflecting on the formative musical experiences of his childhood, like being exposed to string music ensembles by his father and aunt, who’ve both spent decades as members of the Queensland Symphony Orchestra. Sam also thought back to his early teens when he sang in a cathedral choir. As he began to carve out his own composition and production sound, choral music, harmony, and string textures became a crucial counterpoint to the rhythmic sensibilities he’d learned from DJing hip-hop and dance music to audiences across the globe.

By 2018, Sam was recording local choirs and string sections and had built a strong community of like-minded musicians around himself. That year, he established his own independent label and recording studio, Middle Name Records. He inaugurated it with the release of his soulful deep house EP Mt Glorious featuring Dudley Perkins, Georgia Anne Muldrow and Jordan Rakei, and Middle Name Dance Tracks Vol 1, a collection of broken beat, disco and house tracks he’d recorded with friends as Middle Name Dance Band.

In 2019, the tastemaker Gilles Peterson invited Sam to host a monthly online radio show on Worldwide FM, giving him a platform to share his ever-expanding musical taste with a global audience. Through his shows, emerging soul, jazz, RnB, hip-hop, and club music from Australia and New Zealand stood shoulder to shoulder with the freshest new cuts and reissues from the global underground.

Two years later, Sam released his debut album, Regrowth, through Middle Name Records. Featuring collaborations with Laneous, Allysha Joy (30/70 Collective), Silent Jay, Seven Davis Jr (US) and James Chatburn, the album showed off his hard-won growth as a composer and producer with inimitable style. Through a heady mixture of live instrumentation, synthesisers, machine beats and soaring voices, Regrowth charted a course through hip-hop, dance, ambient and jazz-funk, earning him comparisons to Bonobo, Jamie XX, Kaytranada and Jon Hopkins along the way.

After the release of Regrowth, Sam realised he’d spent the first half of his career chasing the cutting-edge underground sounds of North America and Europe. When he looked around him, he saw that in the wake of Melbourne/Naarm jazz-funk band Hiatus Kaiyote’s international success, the world was looking at Australia. Since then, he’s been working to document the sound of Brisbane’s underground through Middle Name Records. Sam hopes that in the future, the label’s discography may inspire a new generation of music lovers. Maybe in a decade, someone going through the bins in a record store in London or Manchester will become fascinated by the 2020s Brisbane sound.

Reassemble ft James Chatburn

sampology

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