vinyl & merch via https://sampology.bandcamp.com/album/regrowth
Sampology.com
Middle Name Records
MNR005

Regrowth

vinyl & merch https://sampology.bandcamp.com/album/regrowth
Middle Name Records
MNR005
Sampology.com

Suffer and Swim ft Allysha Joy

Memories In Flight

Saturn Returns ft Laneous

Peace Lily

Running Around

www.openlab.fm | 106.4FM in Ibiza & Formentera
Check the full tracklist on our website: https://openlab.fm/news/ol-presents-session-victim

Next up on our OpenLab Presents series are DJ and production duo Session Victim, with a one hour vinyl only mix!
"This is Session Victim and we're delighted to share our 1 hour vinyl mix for OpenLab with you. Hope you dig and hope to see some of y'all at THE DROP on March 9th at Omeara London, alongside Jimpster,
Mafalda, Black Loops, Matt Masters and Conrad Lee!"

Download our App:
IOS: bit.ly/OLappApple
Android: bit.ly/OlAppAndroid

OpenLab Presents: Session Victim

OOFT! - Radio Buena Vida 12.04.25

Interview

WEMOTO RADIO - 033 - JKRIV

A night of love and delivered with love.
Memories from an unforgettable night full of joy with Riccardo & HOME AGAIN crew from Berlin at the world known club VENT in Tokyo! - 02.14.2025

BLACK LOOPS @VENT - QUERICO x HOME AGAIN - 02.14.2025

This is my version of a radio show/ Interviewing unsung artist here in berlin that actually keep the Underground alive! Enjoy! 
Ed Jus-Ed That is...

JUS_ED More Then Mixing W Loganic Mandel Turner  Hor_Berlin 30.06.2025

Recording from oparty up in Dundee at the weekend. My set starts 13 mins in. Full tracklist over at patreon.com/billbrewster

GAV WIL, BILL BREWSTER, MIKEY ROBERTSON | Day Moves, Sat 28th June, 2025

For the 99th installment in our Just For The Night series, selectors take you on their own journey through groove. Anything goes.

Next up, howdy Mondo Ritmo 👋 They're a collaboration that crosses borders and unites dancefloors through global rhythms. Known for their genre-bending, border-crossing extended DJ odysseys that seamlessly traverse disco, boogie, Italo, afro-beat, latin, balearic, proto house and deep soulful records. Consider them your first-class ticket to an outer-national musical voyage.

"We recorded this mix live with a combo of digital and vinyl, we tried to encapsulate the energy from our parties and extended DJ sets. We've included a few nods to local Australian producers such as D.D Mirage, Paz, Phinious, Palazzo and the legendary John Farhnam."

Thanks @MondoRitmo

Tracklist:
Peech - A New Age
Glonti.Mak - Apaya (Lipelis @lipelismusic 12'' Remix)
Taro Tokugawa - Here My Dear
Afrobuddha meets Kakatsitsi Drummers - Obame (Dub Mix)
D.D. Mirage - Feel It (12" Instrumental Mix)
@Daisuke-Miyamoto - Brazilian Funk
Fundido - Emotional Jungle (@NickStropko Club Edit)
L.U.P.O. - Keep It Up
Willie Graff @willie-graff & Darren Eboli - All Is Bliss
Gabto - Ki Ko Ho Ft. Kauan Marco @kauanmarco
Jacob F. Desvarieux - Sika (Kuniyuki @kuniyuki-takahashi Edit)
Montefiori Cocktail – Gypsy Woman (@MickyMore & @AndyTee 7" Edit)
Shango - Irié (Tiño Love Edit)
Da Lata @da-lata - N.Y.J. (Da Lata House Mix)
Paz & @pHinioUS - Eject to Mauritius (pHinioUS Dub)
Criminal Element - Do You Like It (Curses Evil Edit)
Amedee O Suriam - Tension Hot-Shot (Mango Club Mix)
K-LONE @k-lone93 - Cinco
Love Root - Funky Emotions (A Mix)
Thierry Tomas @thierrytomas - Samba
@Dobao - Contigo
G & D Project - Move Your Tetas (Underground Mix)
Millos Kaiser @milloskaiser - Te Quero Perto (Lipelis & Orion Agassi Freestyle Mix)
Turntable Orchestra - You're Gonna Miss Me (@SoulAvengerz Remix)
Palazzo @palazzo - El Amor Es Mas
Zound Of 2 - Zamba (Zamba Mega Dub Mix)
Michele Manzo @michelemanzo - Batuca
Demuir - Mi Nah Chase Pum Pum (Dub)
Bonde Do Rolê - Dança Molengo (@Daniel-Haaksman Edit)
Bastedos - I Don't Want The Night To End

Just For The Night #99 - Mondo Ritmo

KEEP ON is a weekly Sunday party run by long-time DJs and music aficionados David Barbarossa and OOFT! in La Cheetah club Glasgow. Each week they delve into their extensive record collections to bring you an authentic sound track of deep disco, 80s boogie, Balearic, nice house, and assorted Global flavours. Running the vinyl through a nice hand-built rotary mixer elevates the vibe. The party has been running for close to 2 years now, so if you need a Sunday dance you know where to go.

Expressions: 05 KEEP ON Special w/ OOFT! & David Barbarossa - Subcity Radio - 13/07/25

We’ve all had those moments: when you hear that groove and instinctively turn the dial up a notch. When you’re in the car, the sun’s shining, and a wry smile creeps across your face because that track makes you feel so good. When you catch someone’s eye on the dance floor and that simple nod of acknowledgment resonates with you both in that moment.

That’s House Music. It’s a feeling.

Scott Proper : F*ck House Music (the 2nd one)

A 1997 recording i found looking into my cassettes stock. Featuring Music by Kerri Chandler, Master At Work, Lil Louis, Joe Claussell, Mateo and Matos, Kerri Chandler, Blaze, Frankie Feliciano,

Dj Deep UREI 6  "It's Moving  191097"

Producer, DJ, Middle Name Records, Balamii Monthly Show
 
Sam Poggioli, aka Sampology, is a DJ, producer, recording engineer, visual artist and former Worldwide FM host from Brisbane/Meanjin. Over the last fifteen years, Sam has been a key player in the rise of Australia’s burgeoning hip-hop, deep house, future jazz and broken beat scenes. Since 2017, he’s released records through Soul Has No Tempo, his own Middle Name Records label, and crafted uptempo remixes for Quantic, Kerbside Collection, Winston Surfshirt and Myele Manzanza.

In the early days of his career, Sam made his mark by performing acclaimed audiovisual DJ sets at festivals and nightclubs throughout Australia, New Zealand, South Asia, Europe and North America. In more recent years, however, he’s balanced his considered skills in the DJ booth with his personal evolution as a composer, producer and recording engineer. Revelling in lush, atmospheric soundscapes which draw from the grandiose splendour of the natural landscape that surrounds his hometown, Sam’s music embraces ornate melodic beauty, blending with syncopated rhythms, low-end theory and lush vocals.

Before he took his audiovisual DJ sets to the world, Sam sharpened his musical knowledge and skills while working at the iconic Butter Beats record store and spinning a mixture of hip-hop, breaks and drum and bass at nightclubs across Brisbane. The road he walked to that point began in his mid-teens after he was exposed to New York’s Native Tongues collective and The Avalanches from Melbourne/Naarm. 

Fascinated by the sampledelic production techniques that helped take hip-hop to new levels in the 90s, Sam learned the basics of computer music production from his cousins, who were already performing nationally in a live electronica group. However, for the first act of his career, DJing was where Sam really shined. Soon enough, he was gracing stages alongside underground US and UK hip-hop stars like Blackalicious and Roots Manuva.

After proving himself nationally and overseas, Sam felt compelled to reconnect with Brisbane’s musical community and focus on his own growth as a producer and composer. This time around, as opposed to DJs and beatmakers, he was hanging out with a generation of trained instrumentalists and singers like Laneous and Noah Slee, who were reshaping the sounds of neo-soul, RnB, broken beat and jazz in the city. After learning more about recording equipment, he began collaborating with them on the material that made up his debut EP, Natural Selections (Soul Has No Tempo, 2016).

Sam also began to spend more time in the grandiose natural landscape that surrounds Brisbane and found himself reflecting on the formative musical experiences of his childhood, like being exposed to string music ensembles by his father and aunt, who’ve both spent decades as members of the Queensland Symphony Orchestra. Sam also thought back to his early teens when he sang in a cathedral choir. As he began to carve out his own composition and production sound, choral music, harmony, and string textures became a crucial counterpoint to the rhythmic sensibilities he’d learned from DJing hip-hop and dance music to audiences across the globe.

By 2018, Sam was recording local choirs and string sections and had built a strong community of like-minded musicians around himself. That year, he established his own independent label and recording studio, Middle Name Records. He inaugurated it with the release of his soulful deep house EP Mt Glorious featuring Dudley Perkins, Georgia Anne Muldrow and Jordan Rakei, and Middle Name Dance Tracks Vol 1, a collection of broken beat, disco and house tracks he’d recorded with friends as Middle Name Dance Band.

In 2019, the tastemaker Gilles Peterson invited Sam to host a monthly online radio show on Worldwide FM, giving him a platform to share his ever-expanding musical taste with a global audience. Through his shows, emerging soul, jazz, RnB, hip-hop, and club music from Australia and New Zealand stood shoulder to shoulder with the freshest new cuts and reissues from the global underground.

Two years later, Sam released his debut album, Regrowth, through Middle Name Records. Featuring collaborations with Laneous, Allysha Joy (30/70 Collective), Silent Jay, Seven Davis Jr (US) and James Chatburn, the album showed off his hard-won growth as a composer and producer with inimitable style. Through a heady mixture of live instrumentation, synthesisers, machine beats and soaring voices, Regrowth charted a course through hip-hop, dance, ambient and jazz-funk, earning him comparisons to Bonobo, Jamie XX, Kaytranada and Jon Hopkins along the way.

After the release of Regrowth, Sam realised he’d spent the first half of his career chasing the cutting-edge underground sounds of North America and Europe. When he looked around him, he saw that in the wake of Melbourne/Naarm jazz-funk band Hiatus Kaiyote’s international success, the world was looking at Australia. Since then, he’s been working to document the sound of Brisbane’s underground through Middle Name Records. Sam hopes that in the future, the label’s discography may inspire a new generation of music lovers. Maybe in a decade, someone going through the bins in a record store in London or Manchester will become fascinated by the 2020s Brisbane sound.

Regrowth

sampology

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