Name: Gloomy Moogy by Sam Bonello
Duration: 10 min 28 s
Description: live jamming on the Grandmother's hardware sequencer and some chords on the Prophet 6

Whales

https://www.nts.live/shows/kaitlyn-aurelia-smith/episodes/kaitlyn-aurelia-smith-17th-may-2022

TouchThePlants w/ Kaitlyn Aurelia Smith, Emile Mosseri & Cool Maritime 160522

After Midnight

Things

Main Menu 98

Old stuff for you to slurp and be bitter about xx

Just Playin '96

live jamming on the Grandmother's hardware sequencer and some chords on the Prophet 6

Gloomy Moogy

"Thursday’s concert opened with an expansive set from Alien Montesin which, through its evolving and gradually coalescing musical ideas, created a rich aesthetic that wouldn’t have been out of place in a David Lynch film."

https://timesofmalta.com/article/music-stones-plants-grand-opening-sustaindelay.1084285

"Music from Plants & Stone" // Live @ MSA // Sustain-Delay

All songs written, performed, recorded and mixed by Bainmarie (Sam Falzon) over a period of 4 years. Recorded on a Tascam 388 tape recorder in a garage studio with only 1 or two takes. 

I have fought for this moment all my life.

Mixed Tape No. 8

Life is full of short fulfilling unrepeatable moments, 
electrifying your mind, 
remaining in the memory to create a slight smile. 
Singing in the cathedral so tall it touches the clouds. 
Vibration. 
Meditation when it's starting to rain. 
Fortune. 
When it's grey and clouds begin to break. 
Smile from the passerby. 
The Moon that haunts you at night. 
Slow loss of mind as I dive deeper into unity. 
When you're scared but still take the opportunity.
 Being in touch with others with your community. 
Feeling whole in the true essence of being. 
Trying to find peace and serenity. 
Not to lose faith in humanity. 
Your heart is a treasure and so is the heart of others. 
Live in truth. Live with respect. Love is an activity.

Through the Mind & Heart ft.Troniq (jam session)

Artist: Orfeón Gagarin
Track: Última Instancia
Label: https://soundcloud.com/bongojoerecordshop
Format: 12" Vinyl, CD, Digital, VA
Release date: 05/03/21
Purchase: https://lesdisquesbongojoe.bandcamp.com/album/la-ola-interior-spanish-ambient-acid-exoticism-1983-1990

LA OLA INTERIOR
Ambient & Acid Exoticism in Spain 1983-90
Following “La Contra Ola” (BJR015), Bongo Joe is pleased to present LA OLA INTERIOR, a compilation exploring the ambient side of the Spanish electronic music produced in the 80’s. It gathers musicians from various horizons and of many generations, who shared the desire to create an immersive soundscape and to combine electronic music with non-Western musical traditions. As a general rule, the Anglo-Saxon tropism did relate the spanish peninsula’s ambient music to the Balearic Sound, that is to say to the relaxing music played in Ibiza’s nightclubs. But this music takes place in the productive territory of experimental musics, and particularly in its two main breeding grounds: the tape recording underground and the independent musicians-producers scene.
Inseparable from the processes of self-publishing, distribution and exchange of music that were then taking place in Spain in an artisanal way, the vast underground movement of cassettes was divided between an "ethno-trance" combining industrial beats and oriental sounds on the one hand (Esplendor Geométrico, Miguel A. Ruiz / Orfeón Gagarin) and unclassifiable low-fi tinkerers on the other hand (Camino al desván, Eli Gras, Mataparda, Victor Nubla). Hyperactive, this scene is radical and strongly dominated by the hardest musical styles, but the ambient, influenced by the German Kosmische Musik and "krautrock", also develops here.
The second vein of Spanish ambient comes from some of the independent labels of the peninsula (DRO, GASA, El Cometa de Madrid, EGK) whose activity will mark the return of some of the most adventurous musicians-producers of the 70s. Some were influenced by American minimalism (Luis Delgado / Mecánica Popular, Suso Saiz, Javier Segura), others by Fourth-World Music conceived by Jon Hassell and Brian Eno (Finis Africae, Jabir). Having passed through folk, ancient, traditional or contemporary music, and being familiar with improvisation and studio techniques, these artists come from a mutant hippie culture, capable of phagocyting many musical styles from electronic ambient to ethnic improvisation and modal jazz.
These two scenes and generations that make up LA OLA INTERIOR intersect around a common interest in non-Western musical traditions. Their exploration may be that of the tribal origins of electronic rhythms or the Arab heritage of Spain. Above all, it is a dreamy exoticism, an immobile journey as the sounds, rhythms or instruments of these traditions are scrutinized by Western practices (avant-garde music, electronic technology). The result is a hybrid music, filtered and reinvented, neither Western nor extra-Western, with a pronounced taste for the fusion of opposites, which we have called "Acid Exoticism" because of its permanent search for trance or contemplation. Atmospheric, contemplative and serial, these musics still plunge us today into a sensorial journey, at the same time interior and distant, organic and technological, between exotic reminiscences and interior visions.
LA OLA INTERIOR brings together 20 little-known and innovative pieces from the golden age of Spanish electronic music.
¡Y ahora, buen viaje!

YouTube

PREMIERE #1450 | Orfeón Gagarin - Última Instancia [Les Disques Bongo Joe] 2021

A space to share unrefined sound sketches

Gloomy Moogy

Sam Bonello

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