AB Playlist 073 Part 1

Demo track, new album out the 6th of August 

Seems To Me- Demo

When The Wind Dies Down

Texte Français et Google traduction

LA POUDRE BLANCHE...

Il se jouait à la russe
Bravant sa roulette
Se cherchant des plus
En laissant les miettes.
Il écœurait de sentiments
Surtout pas de haine
Aux injustices seulement
En vivant dans la peine.

Il se prenait des interdits
Qui grilleraient son temps
Sans se trouver maudit
Pour rêver en plus grand.
Il traînait son ombre
La suivant par derrière
Les regards de ce monde
Pas bien fait pour lui plaire.

La poudre blanche, retrousser la manche
Et quand bien même, ceux qui en prennent
Il n’y aura plus, depuis le début
Aux artifices, que la fin de triste

Il mettait ses oeillères
Pour aller tout droit
En courant vers l’enfer
Qu’il espérait moins froid.
Ce n’est la peur au ventre
Qui le ferait partir
Aux ténèbres impatientes
Mais pourquoi vouloir en finir?

Il se riait des sorts
Dans tous leurs tirages
Taquinant la mort
Qu’elle vienne avant l’âge.
Dans les méandres des rues
Malfamées de racailles
Il s’était tout juste perdu
Mais fallait-il qu’il s’en aille?

La poudre blanche, retrousser la manche
Et quand bien même, ceux qui en prennent
Il n’y aura plus, depuis le début
Aux artifices, que la fin de triste,
Que la fin de triste.

Salut bien bas, adieu à toi.

WHITE POWDER

He was playing Russian
Braving his roulette
Looking for each other
By leaving the crumbs.
He was disgusted with feelings
Don’t you hate me
To injustices only
By living in pain.

He was taking prohibitions
That would blow his time
Without being cursed
To dream bigger.
He dragged his shadow
The next one from behind
The eyes of this world
Not good for her.

White powder, roll up the handle
And still, those who take it
There will be no more, from the beginning
To the artifices, that the end of sad

He wore his blinders
To go straight
Running to hell
That he hoped less cold.
It’s not fear in the belly
That would make him go
To the impatient darkness
But why do you want to end it?

He laughed at the spells
In all their prints
Teasing the death
Let her come before age.
In the meanders of the streets
Thugs of the street
He just got lost
But did he have to go?

White powder, roll up the handle
And still, those who take it
There will be no more, from the beginning
To the artifices, that the end of sad,
Only the end of sad.

Hello down, goodbye to you.

LA POUDRE BLANCHE (La destruction)

We proudly present our new song: Tell me
Music: Oddrun Eikli and Torbjørn Vagle
Instrumental composition and additional instruments: Torbjørn Vagle//soundcloud.com/tobbenv
Vocal composition, vocal and photo for the cover: Oddrun Eikli 
Trumpet and the trumpet arrangement: Arne Hiorth
Instrumental composition and additional instruments: Torbjørn Vagle
Mix&Mastering: Njål Frode Lie http://www.nflproduksjoner.no/
poem: " Tell Me " , by Emily Jane Brontë (30 July 1818- 19 Dec. 1848)
Haworth, England

Describing time is not ever going to be easy, but in her own unique way, Emily Brontë is able to effectively convey a powerful means of doing so.
The images described are fairly simple — the past is something to be longed for, the present is something to plan in, and the future is something to look forward to.
The natural imageries used are phenomena that a child might observe all the time while growing up. The childlike simplicity of the metaphors combined with it`s inner meanings is what makes this poem so beautiful.

Tell me, tell me, smiling child,
What the past is like to thee ?
'An Autumn evening soft and mild
With a wind that sighs mournfully.'

Tell me, what is the present hour ?
'A green and flowery spray
Where a young bird sits gathering its power
To mount and fly away.'

And what is the future, happy one ?
'A sea beneath a cloudless sun ;
A mighty, glorious, dazzling sea
Stretching into infinity.'

Tell Me. Torbjørn Vagle and Oddrun Eikli. Trumpet: Arne Hiorth

With many thanks to Rian Trench for the drums! 



RAZED

All instruments played, vocals, composed, recorded, produced, photo by Samuel Christen

Lyrics;

all that i have
all i have made
everything comes together in the end
anything makes sense in the end

i wanted so much
i thought i needed so much
anything you want, you already have
it's all you need

too blind to see
too stupid to believe
everything you see belongs to you
it's all in front of you

i wanted more
you gave me less
i want nothing
i have it all

it's all in you
it's all in your hands
it's all what you believe
it's all what you do

all that i have
all i have made
everything comes together in the end
anything makes sense in the end

Late Sun Driver

All I Need

ALL THE DREAMS WILL CRY WITHOUT YOU
Written & Produced by Andrew Borderick Copyright AB Music 2015/2020
Featuring MIke Gabriel (UNGUIDED EXPRESS) on all guitars.
Key, Bass & Vocals by Andrew Borderick
Mastering by Mike Gabriel
Cover Design by my Granddaughter Elke Fletcher

WE LIVE SO FAR APART
BUT THE SUN GOES DOWN IN EVERY TOWN
AND THE DAYS WE GREW
YOU WILL ALWAYS SHINE

YOUR ROCKY MOUNTAIN LAND
TAKES MY HEART AND SOUL GIVES AN ENDLESS SMILE
I COULD LIVE IN YOU
YOU GET ME ROLLING HIGH IN THE SKY WITH YOU
(chorus)
ALL THE DREAMS WILL CRY WITHOUT YOU
ALL THE DREAMS WILL CRY WITHOUT YOU

NOW THAT I KNOW YOU
THERE IS MORE TO LIFE IT MAKES YOU CRY
THERE'S SILENCE IN THE AIR
NOW WE'RE FAR APART THERE'S ONLY PICTURES OF YOU
(chorus)
ALL THE DREAMS WILL CRY WITHOUT YOU
ALL THE DREAMS WILL CRY WITHOUT YOU
(break)
WE LIVE SO FAR APART
BUT THE SUN GOES DOWN IN EVERY TOWN
AND THE DAYS WE GREW
i WILL ALWAYS SHINE AN ENDLESS LOVE FOR YOU
(chorus)
ALL THE DREAMS WILL CRY WITHOUT YOU
ALL THE DREAMS WILL CRY WITHOUT YOU

ALL THE DREAMS WILL CRY WITHOUT YOU

ALL THE DREAMS WILL CRY WITHOUT YOU - Featuring MIke Gabriel (UNGUIDED EXPRESS) on Guitar.

"Geraldine", by Annie Nirschel and Union Street Band
Jan 2020

Annie Nirschel: vocals and lyrics
Russ Stone: piano
Nate Aspinall: lead guitar
Cara Radom: bass
Sam Fishman: drums

Produced and engineered at Wonder Park Studios

Geraldine

A demo of a collab with a bunch of genial wierdos in Berlin, with help from the amazing producer and bassplayer Kalle Enkelmann. 60’s Tarantino feel.
Close your Eyes and let me in, Melodie Für Barbara, the imaginal secret love of my Life.

Melodie Für Barbara

The cameraman
“The Camera Man” by Three Photons is an indie-blues rock track with strong 60s/70s experimental vibes and gritty, analog production. It blends crunchy rhythm guitars, ambient leads, and emotionally raw lyrics that explore themes of isolation, media distortion, and urban disillusionment.

I imagine a cameraman sees a lot of things he doesn't want to see or believe ;-)
Written by Tim Griffis July 2020
mix 1: July 21, 2020, lead vocal panned left (experimental 60s/70s) 

Technical Details
Recorded at Princeton Studio
Tim's Guitars
Rhythm: Gibson Les Paul Standard
Lead1: Gibson Les Paul Standard
Bass: Fender Squire

Mics: Neumann TLM 67
Drums: arranged by TG
Software: Pro Tools
Vocals: TG

Mixer: API 24 channel summing mixer (8200/7800)
Stereo Bus processing (API EQ and API compressor)
Final mix down to a MARA MCI JH110 1/4inch 2-track at 15 ips using ATR Master Tape. 


Lyrics

Verse 1
It's a camera eye
I look away
or I go blind
it ain't pretty
livin alone in this dirty city

Chorus 1
Just like Elvis
when he hit his prime, I shoot at the TV
I hate lookin in the camera eye
when you're staring at me

Verse 2
Hey girl
it ain't pretty
going on down on this empty life
you sure are witty
I can't stand one more lie....

Chorus 2
Just like Elvis
when he hit his prime, I shoot at the TV
I hate lookin at the camera eye
when you're staring at me

Outro
Just like Elvis
when he hit his prime, I shoot at the TV
I hate lookin at the camera eye
when you're staring at me
Just like Elvis
when he hit his prime, I shoot at the TV
I hate lookin at the camera eye
when you're staring at me

The cameraman

The songs I've always loved writing are those that come easily, whether they are 'soul-baring' personal expressions or 'thought-constructed' forms. 
This came very quickly.

Sketch: "Bereshit" (Brian Peters) 

I’VE GROWN USED TO YOU
(Brian Peters)

I’ve grown used to you
What can I say
I can’t seem to tell it right
Any other way
I get to feeling all the things that you do
Ooh babe, I’ve grown used to you

I’ve grown used to you
Does it seem bad
Like it’s always been this way
For the little time we’ve had
Feels like we’re riding on an old country bus
Ooh, babe, I’ve grown used to us

I’ve grown used to you
I’ve grown used to you

I’ve grown used to you
More than a wife
Like I’ve known you somewhere else
In another life
Feels like we’re locked inside an old memory
Ooh babe, and you’ve grown used to me

I’ve grown used to you
Close as I can
For all the distance that they say
Between a woman and a man
You’re still a mystery, I don’t know where you’re at
Ooh babe, and I’ve grown used to that

I’ve grown used to you
I’ve grown used to you

(Solo)

I’ve grown used to you
At the end of the day
I can’t seem to tell it right
Like you heard me say
Guess I believe in magic and déjà vu
Ooh babe, I’ve grown used to you

I've Grown Used To You

Music composed and piano performed by https://soundcloud.com/tom-r-gnier 
Stratocaster Guitar performed by https://soundcloud.com/juswel 
Vocal, bass, Organ, mix and lyrics by https://soundcloud.com/conover 
© 2020 Conover/Régnier
I know just where your walking at night
I know just why you look at me
I'm the guy who want to talk to you
and walk with you
and I don't know just what brought us here

Stay Inspired.....

Talk With You, Walk With You..... (Conover/Régnier/Welin)

Edmund's mother would drive sometimes for days. Never going anywhere, just somewhere. Somewhere that wasn't there. Another burned out sign to a cheap motel; deep in the humid swamps of the bitter south. A time to stop and rest for a day, maybe two. This life inside her was wanting to see the world.
 Flames and retribution and shame, an archaic remnant to what wanted her to speak no more. Edmund was to be born that day in the swamps.  That day when the cicadas roared like a chorus through sweat and fire. The traveler was born at 3:33 pm

The Fold

The Fold./Ballad of a Traveler part 2

Plasticine

Caravan

Your Love is Contagious / Paploviante November 2020
Vocals: Megan from www.Ghosthack.de
Paploviante Music, Bass, Picture, Mix and Mastering

Your Love Is Contagious - Paploviante

MP3 out 4th December 2020
All proceeds going to Alzheimer's Society and Alzheimer Scotland.

Words and Music © Nic Evennett 2020
For Miriam, Syd, and Peter, with love. 

Official music video: https://www.youtube.com/watch?v=baqqUtd9L9o&t=199s
---

It's cold outside and grey as stone.
The blankets are cruel and barely sewn.
So unravel and hold me tight.
There's too much warmth for cold tonight. 
 
We'll travel the distance and make the waves.
They'd never have saved us anyway.
I thought us here and surely there;
The message is clear that we're no where. 

But bitter's gone
And winter's not far behind. 
There's no single path to find.
You'll be singing the snow from the roses.

I've chained tomorrow to a tree.
This year has run away from me.
But darling we will be alright,
There's too much warmth for cold tonight,
There's too much warmth for cold.

Too Much Warmth For Cold Tonight

https://www.samuelchristen.com

Get my CD's     https://samuelchristen.com/shop/

BOOKING :  
+33    07 68 07 39 03         applepielabel@gmail.com

Hello Soundcloud, thanks for the Listens, Likes and Support. Im from Melbourne Australia, I have been playing guitar for many years now and played in two bands during the 80's & 90's (STOLEN CAR original) & (STORM cover),both bands never released any material. Since 2010 i have been writing songs and tunes and recording them in my music room (3rd Bedroom), i play Guitar, Bass, Keys, BFD2 Drums(programmed)and Vocals on all of my songs which i class as Demo's, I love all types of music but Hard Rock, Rock to Alternative appeals to me most.
ALL SONGS POSTED ARE SUBJECT TO COPYRIGHT.
ALL RIGHTS RESERVED BY THE OWNER.
Thanks again to everyone listening out there in the world, always looking forward to new material on Soundcloud,
Character Picture By, Rianna Borderick 2017
All artwork by Andrew Borderick
CONTACT : andrew@netec.com.au
Regards 
Andrew Borderick. (March 2017)

All I Need

Samuel Christen

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