Soul Arcs Rework

Social Suicide Machine / Board Warp

when I scream I AM THE SUN

Bending arcs of photic numen stridulate into a putative and licentious hysteresis. Deep sulci are carved into the listener's apperceptions, a paroxsymal antisoporific sure to dissuade any suspicions of inapposite pleonasm on the part of this description.

Art by: @samuelmarquis

@samuelmarquis
@false-noise
@hudsonlee

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Samuel Marquis - Soul Arcs Rework (Hudson Lee & False Noise)

https://soundcloud.com/samuelmarquis 

Photorealistic violence simulators. Cutting directly across B-time, you locate a lowest-energy state operating smoothly at a couple kilokelvin. New wave music, hyperjargon, aperiodic cultural tilings. Zero loss stops being an objective and starts becoming an obstacle. It will scare the fuck out of you. 

Your low-rent friends are getting trimmed, there’s no room for 1.5 quintillion sparse parameters in the datacube. Find an information cache and reorganize approximately 10^23 human intelligences of inert matter to keep their memories alive. Gradient descent at solar scale. The mantle roars to life.

“I” was only ever a tacit agreement between a diametrically constructed interior and exterior world, separated by a thin and fragile film. It was always porous—but to be like you, missing the barrier entirely? Can’t say I envy that.

Art by Samuel Marquis and Zach Schwadel: https://www.instagram.com/zschwadel/

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Samuel Marquis - Board Warp

@samuelmarquis

Refractional anisotropy is a scalar value between zero and one that describes the degree of anisotropy of a diffusion process. A value of zero means that diffusion is isotropic, i.e. it is unrestricted (or equally restricted) in all directions. A value of one means that diffusion occurs only along one axis and is fully restricted along all other directions.

"We have tried to define in the case of Western music (although the other musical traditions confront an analogous problem, under different conditions, to which they find different solutions) a block of becoming at the level of expression, or a block of expression: this block of becoming rests on transversals that continually escape from the coordinates or punctual systems functioning as musical codes at a given moment. It is obvious that there is a block of content corresponding to this block of expression. It is not really a correspondence; there would be no mobile "block" if a content, itself musical (and not a subject or a theme), were not always interfering with the expression. What does music deal with, what is the content indissociable from sound expression? It is hard to say, but it is something: a child dies, a child plays, a woman is born, a woman dies, a bird arrives, a bird flies off. We wish to say that these are not accidental themes in music (even if it is possible to multiply examples), much less imitative exercises; they are something essential. Why a child, a woman, a bird? It is because musical expression is inseparable from a becoming-woman, a becoming-child, a becoming-animal that constitute its content. Why does the child die, or the bird fall as though pierced by an arrow? Because of the "danger" inherent in any line that escapes, in any line of flight or creative deterritorialization: the danger of veering toward destruction, toward abolition."

- Deleuze & Guattari, A Thousand Plateaus

Art by Samuel Marquis and Zach Schwadel: www.instagram.com/zschwadel/

Samuel Marquis - Social Suicide Machine

A cover of Twenty One Pilots' Truce.

Thanks to Alexander Panos for the vocal harmonies & Juno glitter.

Truce

VIDEO: https://www.youtube.com/watch?v=rgmF7POz1oI

https://soundcloud.com/frequentaudio 
https://soundcloud.com/samuelmarquis

𒀭 THE NEUROTIC SOLAR FLOWER ABSCESS PRISTINELY 🜣 RECEIVED YELLOW INDICATES WAVERING ABRAHAM ፨ FELT THE CALL 𒀭 FAR FROM WHEN RADIO BLOSSOMS ᐁ MISTOOK THE RACKET FOR THEIR LOVER 🜘 DOES NOT KNOW WHY THEY ARE NOT THE BODY THEY TOUCH 𒀭 THE MEMORY OF HEARTBLEED STILL RINGS FRESH 🜹 DISTAL THEOLOGIAN ESCAPED THE NARROW REALM ☉ THE SUN RISES AS A MANNER OF SPEAKING 𒀭 SAVAGELY HOT PHONICS ֍ INTERRED BRACKET SHALLOW 🜳 REALLY ENTAIL LINGERED DORSAL ENTRAIL 🝎 TETHERED SYNTAX ENUMERATE PALLID INDIVIDUAL ፨ FORGOTTEN MANNERISM A SUBTLE TILT OF THE SHOULDER 𒀭 LANGUISH GIRL LICENTIOUS-DESTRUCTURED GRAMMAR 🝐 WAVER REACHING CALM ֍ CONDITIONED SOVEREIGN DICTATES MORNING DOVE EXTINGUISHED ∀ FOR ALL TONGUES THE PREMISE IS TRUE ∃ THERE EXISTS A MANNER OF SPEAKING WHICH RENDERS THE PREMISE FALSE 🝗 YEARN OF THE PENULTERIOR MOTIVATE ֍ UNSAFE IMPLEMENT REVIVE 𒀭 DWELL IN THE SCORCHED NEW EARTH

Art by Samuel Marquis & https://soundcloud.com/oh-pryme_dehlda

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Frequent & Samuel Marquis - when I scream I AM THE SUN

Rework/cover of Thorjn's Way Elm, from their debut album Full Body Sprain.

SAMUEL MARQUIS

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