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DubPlates #8 - One More Dub

Daydream

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Radar

No Love For The Bounce

Imagine a foggy warehouse, strobes flickering in slow motion, and a dancefloor where time melts into a steady pulse. This mix drifts through the deeper and more psychedelic corners of my collection - layered, hypnotic, and full of groove.
Built on tribal rhythms, dubby textures, and broken percussion, it weaves through genres like progressive house, UK garage, deep tech, and classic vocal house. There's a warm, physical energy running through it all - swinging between seductive and strange - with unexpected samples and moments that stretch and bend. It's not what I usually play, but it's a sound I love exploring: immersive, playful, and deeply rhythmic.

Sounds Good #14 w/ DJ SPICE

Crown Ruler Mix #37 - Suze Ijó 

Next up on the CR mix series we’re celebrating the Rotterdam queen doing what she does best. 

Recorded in April at the notorious Good Room BK – lift off for a 3.5 hour voyage of pure unadulterated, deep house rapture.

An expansive mix that grabs you instantly and continuously ascends, weaving together striking shades of soulful house burners. Moving the body and soul with perceptive precision – rich grooves, deep rhythms, and warm vocal splashes seamlessly flow across her set, transporting you right to the dancefloor. 

A true steward of the golden age house ethic, get yourself giddy before Ijó returns to Australian shores this summer via our good friends at @findingfigaro

@suze_ijo

Crown Ruler Mix #37 - Suze Ijó

Cloak & Dagger - Don't Think Too Much (Original Mix)

Tourist - Live at Lost Village 2025

One night, Giuseppe Tartini dreamt he made a pact with the Devil, who became his servant in exchange for his soul. To test him, Tartini handed him a violin. What followed was the most beautiful, wild sonata he had ever heard. Startled, Tartini awoke and rushed to capture the music, but what he wrote down, was only a shadow of the melody that had filled his dream.

The one we use as a scape goat to run from the burden of our mistakes and despair. The one to pay the price of our desires and the one to carry the weight of our broken dreams. The Devil haunts artists dreams, not as the personification of evil but as the channeller of raw inspiration and true creative freedom. 

That's all we aspire to: to be free, to not bend to the imposed design and limitations of our nature.

And the price? We burn our soul until the brightness of its flames shine some light on the path we blindly walk so we don't feel alone.

Daydream

Samuel Rees

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