Name: San - Captivation by San in Mar 17, 2022 Track List 2
Duration: 8 min 22 s
Description: Taking inspiration from Sully's intense drum manipulation - A Chilled Jungle track with calm, long ambient pads and fast drums fading in and out of clarity.

Mar 17, 2022 Track List 2

Never Get Enough

Kiss Kiss Bang Bang

Kiss Kiss Bang Bang (Bou Remix)

Phibes - Saviour

Dancing in the Dark EP

Heavyweight (A.M.C Remix)

Ganja / Ratty Badboy

Download / Stream

Taxman - Ganja

Artist: @spotmurk
Label: @supersonicbootybangers

[Premiere] S.Murk - Shakey Legs (out on Super Sonic Booty Bangers)

The Rabbit, according to the Chinese lunar calendar, symbolizes longevity, peace, and most suitable for the Unchained trajectory, creativity.  

Each year we set out to collate a mélange of ambiguous club-ready electronic whilst doing our part to cross that apparent divide between drum ‘n’ bass, jungle, footwork, grime and other members of the extended bass family.

We haven’t always been wed to the massive banger alone, but we have to admit, we always will be obsessed. We don’t consider ourselves possessed by sonic slabs that are looped beyond recognition, but we hold them in high regard just the same. 

So with that in mind, curating the Year of the Rabbit compilation took some time this year.

The Year Of The Rabbit showcases artists both emerging and established from China, Russia, England, Holland, and the United States. Be it wonky, divergent, mutant, deep, or simply in the vein of the pure epic club banger, every producer has something remarkable and distinctive going on.

We introduce and welcome back our 2023 Year of the Rabbit artist crew: Subp Yao, Radiax, Lakeway, Danky, Neve, Harka, Doctor Jeep, Leo Cap, Kray, Trophy, Airstrike, Throe, Pllfry and Dynamic Stab. 

Love,

Unchained

Trophy - Move Like That

Following the initial response to the split single we have decided to release the remixes on vinyl along with the original tracks.

Sully’s XT opens track one with sparse percussive reverberation before dropping straight into the funk with a bubbling break and a bass-line reminiscent of American b-movies of the ‘70s. XT bustles along with a militant urgency, but never losing the funk flavour.

On track two, Basic Rhythm flips Sully’s XT into a straight ahead 2 step pattern, retaining the energy of the bass line whilst ramping up the militant urgency, all without losing the funk flavour. Combining modern drum production with a 90s jump up vibe.

Basic Rhythm’s Woozy is a suitable companion piece, opening track three with an ominous Hammond organ chord line and a scattering of half heard vocal snippets, before dropping into a militant break with a one note bass-line evocative of 97 era V Records. Dark and moody, but with the dance floor firmly in step.

Sully’s flip of Basic Rhythm’s Woozy on track four strips away the layers. Opening with a spartan percussion and a scattering of vocal snippets, reducing the one note bass-line to an even more laconic drawl, while littering the track with bursts and stabs of strings and effects. This one is for the dark corners of the dance.

https://basicrhythm.bandcamp.com/album/xt-woozy-remixes

UHMN01R

Sully - XT (Basic Rhythm Remix)

REMEMBER US? BEEN A WHILE RIGHT...

We're happy to announce our return to releasing with a statement 36-tracker VA compilation, with all proceeds donated to War Child's Gaza Emergency Appeal.

A vivid sonic tapestry of hard & fast, bass & breaks from our friends, favourite artists and newfound alias'. Truly an admirable body of work.

£25 for 36 tracks or £2.50 each for single tracks VIA BANDCAMP

Drumskull - Deep Fried

i gotta say
i been attending to the bank
like everyday
im making a play
just in the way
i be getting paid 
ian never like a bitch know that they ain’t on shit
i would never like a nigga playing all that he say she say
nigga im saying
you couldn’t be me
& then this fit
came straight from my hand
stay out the way 
i gotta say
you don’t get paid to be talking on me & that’s far as i seee
you niggas been sleep
better not beef
grudges i keep
i gotta do what niggas don’t do
i gotta woo who nobody can woo & i mean what i say
i do not play
i just get cakee 
don’t play with my cakee
im passing the phone to a nigga that’s wrong
for ever thinking i wasn’t go pop
like fuck out me face 
i gotta say
i got romaine it’s all in my chase
i hop on the beat dissociating
hop on the scene off a lil xan
got smoke in my throaat 
so how do i know
if i should quit
if i should tote
leave me alone 
if you not talm 
about a bag you can render me gone
keeping my attitude on
drinking on Rena to sippin on Rum
planning to fight a garcon 
i couldn’t wait til i could put niggas on
Merica falling like Rome
the plan is get rich get money alone
i be alone on the road
cus trusting is something im not
yes i make money a lot
do nothing but still be on top

TRAPPING OUT THE BAG [PITCHED] (Prod. Kayonothuman)

Echoes in Rust 852 Hz [Dark Nature Concept]

Este álbum se despliega como un tejido sonoro que entrelaza lo espiritual con lo terrenal, invitando al oyente a un recorrido donde cada tema es una estación en un viaje contemplativo. La selección de piezas revela un equilibrio entre introspección, movimiento y pausa, articulando un relato que fluye con naturalidad pero que no teme a la fragmentación, como si el tiempo mismo se doblara en pequeñas escenas musicales.

El comienzo con **“oto no inori”** abre un espacio casi ritual. Su título, que evoca la idea de una “oración del sonido”, se traduce en una atmósfera meditativa y envolvente. Los timbres parecen flotar como mantras electrónicos, creando un paisaje en el que el oyente se sumerge lentamente. Es una introducción que prepara los sentidos, estableciendo un tono espiritual y etéreo.

En **“Residual Steps”** el foco se desplaza hacia el movimiento. Se perciben patrones rítmicos que sugieren pasos que quedan grabados en la memoria, huellas que no se desvanecen del todo. El tema combina repetición y variación, logrando un balance entre lo mecánico y lo humano, como si el avance se diera en círculos que dejan rastros.

La transición a **“Residual Transit”** intensifica esta idea de trayecto. Aquí los sonidos evocan desplazamientos continuos, un viaje en tránsito que nunca termina de llegar a destino. Las capas melódicas se cruzan como caminos superpuestos, reforzando la noción de desplazamiento físico y mental. Es una pieza que transmite movimiento, pero también cierta suspensión, como si viajáramos en un tren interminable.

**“Solitary Sequence”**, en este contexto, adquiere un carácter diferente al de su aparición en el otro álbum. Aquí se percibe como un punto de concentración: un patrón aislado que recuerda al pulso interior de la soledad. Su minimalismo aporta un contraste, un momento de recogimiento frente al dinamismo de los temas anteriores.

Con **“Static Harmony”** se abre un espacio más abstracto. La armonía parece suspendida en el aire, como si estuviera quieta y en movimiento al mismo tiempo. Es una exploración de la tensión entre estabilidad y transformación, un estado de contemplación donde la escucha se convierte en observación del detalle.

Finalmente, **“Velvet Interlude”** cierra el recorrido con suavidad y calidez. Como su nombre indica, funciona como un interludio aterciopelado que deja una sensación de caricia sonora, un epílogo que no busca un final rotundo, sino una disolución suave y elegante.

En conjunto, el álbum es una meditación sobre el viaje y la huella, sobre el tránsito y la pausa. Cada pieza ofrece un matiz distinto, pero juntas construyen un universo donde lo residual se convierte en memoria sonora, y lo estático en movimiento interior. Es una obra que invita a escuchar no solo con el oído, sino con la sensibilidad completa.




Frosted Waltz

Taking inspiration from Sully's intense drum manipulation - A Chilled Jungle track with calm, long ambient pads and fast drums fading in and out of clarity.

San Experiments

San - Captivation

@ill_k

"Herb Dub", the leading track from ILL_K's TTE release, starts with a catchy but not overused vocal sample, until he unleashes some heavy jungle breaks upon us.
Then he unpretentiously switches into some halfstep rhythm just to spice things up a bit more.

Pre-order the 12" on Bandcamp here: https://throughtheseeyesrecords.bandcamp.com/album/tte004-ill-k-herb-dub-glitch-war

Release Date: 04.12.2017
Catalogue No: TTE004
Format: 12” W/lbl (Handstamped)

ILL_K - Herb Dub (clip)

Yoofee - Clart [TTE006]

@naina_ldn and @iamsherelle's @HOOVERSOUND continues its fierce ascent with an EP of disjointed experimental dubstep from emerging UK producer @host_sc.  Hear @omunit's ferocious half-time remix of A-Side ‘Survive’ now

More info:

Premiere: HØST ‘Survive (Om Unit Remix)’

San begins in 2020, where dry cell Jungle production corporations pump out mundane, unoriginal, unidentifiable sludge that’s undeserving of the Jungle title. 

San was born out of the clear necessity for Jungle futurism, breakbeat terrorism and hardcore sub bass gangsterism.

San - Captivation

San

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