Listen to our new track WHAT WE SEE
https://grandbrothers.lnk.to/WhatWeSee

management: 
groetz.d@gmail.com

booking: 
ralf@vdhaardt.com

hello 
svp pas de msg privés je viens jtres rarement ici,donc vais pas repondre ou alors des mois apres,et c'est pas cool!!    si vraiment c'est pour des tracks,postez un lien sur facebook,jle verrais et surtout ecouterais plus vite

merci 



was in 1996 that Jay-Jay Johanson, a young man from a cold climate, fascinated by the Bristol sound they called trip-hop and Portishead in particular, first tapped delicately on our eardrums.
The intoxicating album that definitively put this rare and elegant Swede on the map was called Whiskey. It was the beginning of an enthralling adventure. In only a few songs he revealed a family tree that spread its roots far and wide: on one branch Lee Hazlewood, or pop from Talk Talk or Nilsson, on the other John Coltrane with Johnny Hartman, and a whole army of calm jazz or symphonic
recordings sampled from everywhere imaginable.
Almost 20 years later he has returned with an
incredible new album. This new release is called Opium and it contains the very essence of Johanson’s music: an ease with inventing melodies, a voice that gently caresses, and the jacked up, heady rhythms that lift and carry the songs. From the peaceful harmonica opening of Drowsy / Too Young To Say Good Night to the smoke-wreathed love song I Don’t Know Much About Loving, via titles with a sporadic and light groove (NDE, Alone Too Long), Opium is a courageous offering. Johanson opens his heart with
fearlessness and modesty, gracefully lowering his guard and evoking the questions that torment men of his age: love, solitude, immaturity. The songwriting is unerring, the words have a suppressed poetry. This
new Johanson is the work of a guy who has survived the avalanches, who is no longer looking for answers and is content to sketch out the perspectives in as many songs. Some titles are serious (Harakiri), but others immediately take up the reins casting a more
gentle, peaceful light, like Scarecrow, a collaboration with Robin Guthrie that would not have sounded out of place on a Cocteau Twins album, or of the strange positivity of Be Yourself or I Love Him So.
The strength of Opium is that it asks questions that don’t necessarily have an answer; it offers a collection of songs freed from any certitude but which convince
through their modesty, through their precision.
In short, Jay-Jay at his best.

Instrumental works for your neural synapsis.
melodic. deep. analog. synths. guitar. flute.
#ambient #chill  #downtempo #idm #triphop

Instagram: dj.mogo

MOGO is a charismatic and confident Techno DJ and Producer based in Valencia, Spain, who has become a referent of good Techno. This has allowed him to do the warm up to artists like Sama’ Abdulhadi, Fatima Hajji, Boris Brejcha, Secret Cinema and more. He has played in all the best clubs in Ireland and Valencia, both as a support act and a headliner. 

MOGO creates musical journeys that captivates the audience anywhere he plays and leaves them asking for one more tune!

positive vibes and no need the negative talk. Your friendly neighborhood black man. Drop by everyone. Let us do this

"Gravitas"
6e titre du nouveau projet de San-Zo
"Supply & demand"

https://youtu.be/uXo1PxkiTq4?feature=shared

◆ FanLink : https://fanlink.tv/Gravitas

San-Zo murmure ses notes intimes à l’orée de vos oreilles, un souffle musical qui effleure l’âme et résonne.

San-Zo whispers its intimate notes to the edge of your ears, a musical breath that touches the soul and resonates.

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