Name: White Rabbit (Jefferson Airplane cover) by Sandi Leeper
Duration: 4 min 44 s
Description: Pretty self explanatory. I covered White Rabbit by Jefferson Airplane, what else do you need to know?

This is so tight. Im going to play it for Alice

Ahhh how'd I miss this cover? You are as fantastic as ever. Love this.

wow...very good rendition of the song's intended atmosphere! definitely love it

Love this song and love this cover. NICE WORK!!

Pretty self explanatory. I covered White Rabbit by Jefferson Airplane, what else do you need to know?

White Rabbit (Jefferson Airplane cover)

taken from the debut album "Halfvergaan Ontwaakt", availebale as vinyl and cd.

Wederganger - Dwaallichtbezwering

Songs Of Love And Hate

Gift From Heaven

from the Upcoming The Bleakest Force Tape/MLP/MCD

EARLY DEATH -Dont Be Afraid Of The Dark

This is a re-issue of Hetroertzen's debut album “Flying Across the Misty Gardens”, which was initially released in the year 2002.
The guitars and basses are re-recorded and the music has been remixed and remastered by Deacon D. at Lamech Sound Design.

OUT SOON on LP and CD via Lamech Records.


Line up: 
Deacon D.: Drums, Bass & Vocals
Åskväder: Guitars

HETROERTZEN - Funeral (2002 - 2018 Anniversary edition)

The reference points for Patrick Walker's emotionally searing, purely melodic brand of doom metal are Justin Broadrick's Jesu project, Bob Mould's bleak rock (à la Black Sheets of Rain), and Michael Stipe's singing at his most nakedly confessional -- though he sounds like no one but himself. Walker's former band, Warning, released one of doom metal's classics in 2006's Watching from a Distance, which created high expectations for any subsequent project. The Inside Room doesn't disappoint. A trio fronted by Walker and featuring engineer William Spong on bass and former Warning drummer Christian Leitch, 40 Watt Sun deliver five songs (ranging from just under seven minutes to nearly 11) that draw on all of his strengths. His protagonists are tortured people; they're literally ripped apart by love, desire, the wish for deliverance, loneliness, and regret. He's unafraid to give them a clear voice, allowing their pain and vulnerability to give them dimension. The pace here is slow to very slow and the guitar is as pronounced as anything in the doom or metal genre, without all the jive, "evil for it's own sake" or faux gothic clichés for lyrics. "I can't see my way when shame is covering my eyes" are the opening words in the album's first track, "Restless." As Leitch's drums plod, accenting each sung line, Spong's bassline adds an element of danger to the clarity in Walker's voice. His guitar lines, from one snail-like chord to the next, reveal the coiled power of chaos that lies just under the surface of his character's frailty. The riff in "Open My Eyes" is spun out one layered, distorted string at a time, with well-placed rim shots and a steady thrumming bassline. The protagonist seeks to express his gratitude to his beloved, all the while seeking to pull her from sinking under the same emotional depths she's pulled him from previously. A subtle second melody creates another series of tensions as the singer finds himself powerless to help affect this change. "Between Times" is the most representative doom tune here, with its words "Carry me over between times/In your red room on quilted blankets/Laying awake in this low light." The gorgeous lyrics (printed in the booklet) are murkier on "Carry Me Home," wrapped in a blanket of fuzz and melancholic menace. "This Alone" is seemingly pastoral in contrast to the rest, but its twinned guitars and basslines underscore the funereal pace of Leitch's drums. It rings, on and on, seemingly forever, even as Walker's voice expends itself, professing love even as it expresses terrible loss and projects total loneliness. The Inside Room is almost monstrously great even as it pushes doom metal to its margins and over them. (via allmusic.com) 


40 Watt Sun - Restless

taken from the upcoming album "Vesaevus" to be released the 30th of November as limited and handnumbered vinyl and CD release and via the know digital channels.

Follow Saligia:
https://www.facebook.com/saligia.no
https://www.instagram.com/saligia.no

Saligia  - The Feather Of Ma'at

HAIL SPIRIT NOIR - Crossroads

taken from CD Novalis deux "Ghosts over Europe"
It has been more than 3 years and it took a huge amunt of artistic effort and studio work - but now it is done - the new album of NOVALIS DEUX is finished. After the CD "Paradise...?" had convinced both the fans and the critics, the new CD "Ghosts over Europe" is a masterpiece that stands for the increased musical und artistical skills NOVALIS DEUX can again convince with. Still being DarkFolk at its base, the band mixes lots of genres creating a CD that cannot be put into any single genre at all. Songs like "Sleeping Violin", "Homecoming", "Passing by" or "Rome" will find their place in the fans and critics minds for sure. In addition to the two main members of the band Stev (lyrics) and Marcel (keyboards) NOVALIS DEUX has two new members - Mathias (Drums) and Jojo (Piano, Guitar) who both contribute their skills to the new NOVALIS DEUX sound, which makes clear that this is a band we can expect more from in the future. It comes up with a premium copper-embossment digipac. 

Novalis Deux - Ghosts Over Europe

This legacy track turned 30 years old in 2020 so it felt right that we put our own spin on this classic. Originally a collaboration between Al Jourgensen and Phil Owen and released on the Revolting Cocks album by the same title on the Wax Trax Records Label. Skatenigs have been playing a few different versions of this song over the years. We trimmed the fat and kept the meat along with inviting Bradley Bills of ProjectCHANT to lend style his playing style to the live drums and Mike DeLeon of Phil Anselmo and the Illegals to do what Metal Mike does which is laying down some blazing metal riffs. Adam Lamar on keyboards, Myke Bingham on Bass and Chris Ahrens rounding out the tracks and working alongside Phildo in the production chamber. It's partially a trip down memory lane and part rednecks gone wild revisited in a strange new world where nothing really seems normal. So drp them britches and back on up for a good ol' time with the boys from Texas.

Beers, Steers and Queers 2020

“Enter the Morbid Obscurity” 10" EP

AZOTH24
www.TriangulumIgnis.com

White Rabbit (Jefferson Airplane cover)

Sandi Leeper

Recent comments

Cosmic Cube

Ends In Zero

Nightfield

Gina Faemarie

Related tracks