Name: FULL PRODUCTION A WORLD APART by Sandra L. Henriksen
Duration: 3 min 20 s
Description: Here is our LOVE THEME song to REBORN From Above: A Tale of Eternal Love the Stage Play by Sandra L. Henriksen. Thank you Stephen!

Sandra L. Henriksen  Since it touches my soul -𝐢𝐧𝐬𝐜𝐥𝐢𝐟𝐞

transcendental traveler - erik wycisk + r.s.stropharia (20.11.2021)

Check out the original track by Funking Duck:
https://soundcloud.com/funking-duck/funking-duck-288-bites-of-rock-salt-bubble-gum

Check out Electra Volcana's great vocal on it:
https://soundcloud.com/user-6008493/opium-dreams

Her singing was used to create the robot singer diva :)

Funking Duck with his Magnificent Virtual Diva Electra Volcana: Give Us More Opium!

Written and Arranged by 
Dave Walker and Robert Davidson

Instrumentation and Programming by 
Dave Walker and Robert Davidson

Recorded, Mixed and Produced by
Dave Walker and Robert Davidson

© August 2022 Walker/Davidson
All songs are copyright controlled
The copyright in these sound recordings is
owned by Dave Walker and Robert Davidson
All rights reserved

Drivin' All Night (Walker/Davidson)

Here is our LOVE THEME song to REBORN From Above: A Tale of Eternal Love the Stage Play by Sandra L. Henriksen. Thank you Stephen!

FULL PRODUCTION A WORLD APART

Ms.Windy

art work: David Mark via Pixabay

風が泣いている
電線が唸る
雲の刃が光る
声を聞き分けようとする

The wind is crying.
The telegraph wires are humming in the wind.
Clouds in the sky are glittering like knives.
I tried to catch the words of dead.

Ms.Windy

One track from the third release in the new SYM CD-series!
THORSTEN SOLTAU - Gewächse im Zwielicht
https://www.dronerecords.de/album.view.html?album=21322

This Friesian multi media artist with two works on one CD: his compositions combine drone-ambient and electro-acoustic elements in a wonderful (sometimes bizarre, sometimes melancholic) way, various instrumental and electronic sources are building a hypnotic web, very complex and with many unexpected twists and surprises in the mix..  this CD is like a little wonder!

"MUSIC.ART.MORPHOSIS.
A reflection.
I call myself a listening person – I am constantly listening to and into environments. This has lead to a refined sense able to picking up things that may slip the attention of others. My ears are trained to scan the places I visit – crowded metropoles, remote spots in nature or even familiar surroundings of office or home. My way of listening can be divided in two modes: the perception of sound on an unconscious level or the deliberate focus on sonics.

Becoming a sort of scanning antenna had a profound effect how I compose. The experience of my listening is reflected in my sound works. As an example several compositions feature barely noticeable overdubs. They can only be heard with specific settings of loudness and spatial room (and are therefore easy to recognize with headphones) or equalizer settings. Another example is the creation of dense clusters of sound resembling information streams or (over-)crowded places.

My goal is the creation of rich sounds with layers only reachable by multiple listening. Each work exposes itself over time with each consciously made playback / perception:
Repetition becomes a reward for the listener.

On sounds.

My compositions are either electronic or electroacoustic. A commonly used sound is the human voice or excerpts of complex synthesis. As a composer I choose my source material wisely. The starting elements have to inhabit the desired mood and intensity later formulated into full compositions. Nevertheless I am open for developments by surprise or error during sound design.

One important factor is randomness. Sounds or sound manipulating factors are mapped to random forces which allows for unexpected results. Some of my composing techniques are deliberately executed against their primary intention as well. This allows for an ever-morphing character of my works until the final touch is added.

On sonic morphosis.

My compositional ethic has strong ties to morphosis. To reflect different degrees of sonic shifting / transformation / transitions I apply several techniques and methods. As explained above the use of complex treatments and randomness allows for a sound that constantly shapes into an liquid and organic sculpture. The sonics I create are further exposed to imperfections and errors – like body and mind aging or perishing over time.

Errors are integral and welcome. Most of them occur as a glitch in the analogue or digital domain during sessions or setup changes. They give a further layer to the music resembling small failures made by the composer – adding a human touch despite their virtual origin.

On concepts.

My solo work has always been underlined by concepts. My canon includes albums with apparent or less apparent concepts. Often works can be seen as cornerstones of things I research at that time of their genesis. Several compositions reflect situations from personal life. Thus all works can be seen as intimate and highly personal sonic artifacts. Conception can be seen as the base of each work without outweighing the listeners experience. Each of my pieces can be explicitly heard as a sole composition as well."
https://thorstensoltau.de

THORSTEN SOLTAU - Das Begehren

___🎹_____A_N_O_T_H_E_R___M_U_S_I_C_____🎹___

The Condor's Last Flight
________________________________________________________________________
🛠 - Made with MOOG & Modular / Multi-tracks
🎹 - Composed, arranged, performed, produced by Pier WILL & Studio 4H09
🔲 - Artwork - Pier WILL
🙏 - Acknowledgements - Ableton, Arturia, Audacity, Cantabile, Focusrite, Korg, M-Audio, MSI,  Sony, SoundCloud, Teac, Techniks, Yamaha.
⚙️ - #Ambient #Movies #Electro #Experimental #Minimal #Space
________________________________________________________________________

❤️Love, 🕊️Peace, 🙏Respect

The Condor's Last Flight

a track by Marco Lucchi reworked by Walter Fini

gennaio 2023

Marco Lucchi & Walter Fini - Hourglass

Statum 2

It's my submission to KVR's One Synth Challenge #179, featuring Synthmaster3 synth by KV331 Audio

Wave Caster

[Verse]
Clouds are rolling in
Raindrops hit the pane
Soft beat on the roof
It begins again

[Verse 2]
Lights are dim and warm
Curl up in my space
Lightning paints the sky
Thunder's gentle bass

[Chorus]
Rainy day dream
Lost in the sound
Rainy day dream
Peace I have found

[Bridge]
Whispers through the night
Feel the raindrops fall
In this quiet storm
I am safe from all

[Verse 3]
Candles flicker low
Melody so sweet
Wrapped in blankets tight
Drifting off to sleep

[Chorus]
Rainy day dream
Lost in the sound
Rainy day dream
Peace I have found

FULL PRODUCTION A WORLD APART

Sandra L. Henriksen

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