mysterious, lovely, poignant piece a deadly soul..

Related tracks: Thought I Was Dreaming

Affection

Shatter

A song about the ultimate bond, one of unconditional love and complete surrender. 

Singing video: https://www.instagram.com/p/DKe2HPgoxd5/

Vocals (Composition, Arrangement & Performance): Elpiverse
Keyboards (Composition, Arrangement & Performance): @counterworlds-voltage
Mix, Mastering: Elpiverse (with valuable guidance from @counterworlds-voltage)
Production: @counterworlds-voltage, Elpiverse
Lyrics: Elpiverse
Cover Art: Elpiverse

Floating
Drifting
Soft 
And warm

Floating
Drifting
Soft 
And warm

Breathe

Dreaming of the light 
Sleeping by your side

Breathe

Breathe

Umbilical Love

I dedicated this track to an old friend.
He passed away this year.
He also played oboe.
I have incorporated influences from it into this track.

Genres;
#Electronic
#Ambient
#Classical

Forest Heath

Ending

Brand NEW track "Thought I Was Dreaming", taken from the "Ultraviolet Cosmos" upcoming full length STA album (2025). Enjoy y'all #share, #like, #follow and comment of course. :D

Youtube: https://youtu.be/5TOaRZxQbGs?si=tAH31Rz_1uPP6dEn

lyrics:
I've been dreaming for so long
and never woke up back to reality
i never thought it could take so long
to learn such a solid morality

Thought i was screaming, nightmares dreaming
and it's time not to hide away
It's time for breathing, 
forget about those golden years so fly away

And then i opened my eyes and realize
that neon lights blinded my side
and it's time to get up my feet again
and regain what's mine and never let it again.

(p) & (c) STA, 2025.

Thought I Was Dreaming

hey now......hey now......hey now.     you're mine......you're mine......you're mine.

Possession.

Serenade

Reality

Original Song: @neowakan
---
18-03-25
---
official release date on all digital music platforms: 01-04-25

Acceptance

https://gitara.bandcamp.com/album/acid-head

"You Belong to the Law"

Red Light Syndrome

Tenor saxophones and clarinets hard at it attempting a work/life balance......

Pic c/o Pinterest.

Factory Line Blues

Beautiful Outrage 2 is Willa’s coldest, most composed release yet—a morning-after masterpiece built from silence, tension, and control. If the first EP was the riot, this one is the ritual. She doesn’t scream. She doesn’t beg. She observes, documents, and dominates.

Across five cinematic tracks, Willa redefines power: not through volume, but through precision. Her voice moves like smoke through surveillance footage. Her lyrics feel like whispered threats. Her presence is colder than ever—white paint cracked like porcelain, gold teeth glinting like evidence.

The production is minimal and mythic: basslines that pulse like slow heartbeats, synths that flicker like broken light, and drums that hit like distant footsteps. Every track is a room she controls. Every hook is a ritual. Every verse is a timestamp.

Glamour & Gunpowder

🔻 Song Insight
The Original Blues Session is where Chaos Crashin began: two mics, one guitar, one stompbox, and too much emotion to stay quiet. Before the digital versions and genre mutations, this raw recording was just a pulse—hand percussion, feedback, and breath. It’s messy, imperfect, and alive, echoing the spirit of the garage-blues movement that inspired it.

Where later versions explode into hyper-trap and distortion, this one breathes. You can hear the room, the floor creak, the amp hum. It’s the sound of desire and chaos sharing the same heartbeat—the human version before the machine learned how to feel it.

🔻 Lyrics (Acoustic Session)
[Intro – amp hum, stomp groove]
chaos confused passion
a life learned reaction—
when crime feels like love—
time becomes your glove—
come on—beg me baby—beg me for a little more

[Verse 2]
whispers of confession—what you want from me—
crazy chaos—making love—take it off let ’em see—
showing up—it’s about to go down—
baby’s crazy—making all the sounds—
understanding complicated complexities—
it’s a life worth living—even as it comes undone—

[Bridge 1 – feedback burst]
pull-me–push-me–come on baby–
it’s okay–call me crazy—
maybe baby it’s time we entwine—
pull me in, hit the floor—winde me up, drive me wild
mmm baby, give me more—
press me—play me—
be kind—rewinde—for a little more

[Chorus]
we’re consistently—inconsistent—
it’s both sides—coming up twice
each step forward—paying a price
it won’t be long—spinning out

[Outro – feedback and stomp]
do what works—it’s chaos baby, I can’t get out
addicted to the crazy ways and things you say
loop back—it’s coming our way
flipping dollars, spending pennies
it’s all one crazy run
let it out
but pull me in
‘cause this crazy is about to start

🔻 Personal Reflection
“This was the song before AI touched it—before I fed it into the machine. I wanted to feel what ‘chaos’ actually sounded like when you’re sitting on a concrete floor with a mic duct-taped to a chair. You can hear everything that shouldn’t be there: buzz, feedback, breath. That’s what I love about it—it’s honest noise. The digital versions may build worlds, but this one bleeds real.”

🔻 4Me2BeFree
For 4Me2BeFree, Chaos Crashin (Original Blues Session) is the seed of a creative experiment—proving that the same emotion can wear infinite forms. Every reimagining is a mirror of this moment: stripped down, loud, and unpolished. It’s the sound of the human heart before the algorithm starts remixing it.

🔻 Copyright Notice
All lyrics and content featured in this post are protected under copyright (© 2025) and have been securely time-locked and validated through a crypto-based verification system to ensure originality and ownership. Unauthorized reproduction or distribution of any part of these works without explicit consent is strictly prohibited.

Chaos Crashin - Blues -Original-

coast 2 coast

Heavy Punk Rock 'n' Roll band turns into Synthwave nowadays! Brand NEW album "Ultraviolet Cosmos" available NOW!
https://shockthealgorithm.bandcamp.com/album/ultraviolet-cosmos

Reality

Sista San AKA SistasanDra

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