This was me jammin' on the ModEm-1 after finishing the final bit of programming, which in of itself is inspirational. Now to start building "real" modulars!

ModEm-1 Modular Emulator Sounds

Two, two, yes two Reflex's are better than one!
This barrage of sound has come from a live drumloop and a twinkling of bells from a synth while creating about 20 slices on the first Reflex. The second acts as a straight delay until "Stutter" effect is tweaked. PlayFX's like G-Move are blurted into the mix from time to time, along with Fine Stutter. Sorry it's so long, I couldn't stop at all!
Entirely Reflex, no post FX or processing

TwoReflexMayhem

The new pitch-shift mode being used on 2 different drum loops. G-Move has been vastly improved due to this modification.
Using an LFO on the delay, and occasionally a sequencer CV on the Rate (pitch) and varying the feedback & grain sizes
It'll be in V1.04a

Reflex - New PitchShift Feature

A short sequence (running from FL studio)on MIDI channel 2  that records 10 "black key" samples, then plays them. The latter part of the sequence also uses the Rate keys to change pitch of samples. There's some EQ variation away from flat, Stutter (centered) on right side, and added drum mix part way through.

Rec_play_Notes_Doug

Finally G-Move responds to a clock, albeit subtly as we wouldn't want to ruin the fun! This is a 4 beat bar (drumloop) in MIDI clocking the Reflex and G-Move (of the same drum loop) parameters being moved around, along with the sample rate

Clocked Gmove

A fun (patch) using Slice over-dub
It's not really a patch but playing with the record head and play head in a loop, AKA Slice overdub.
If PlayFX is on or the Slice Play Rate is changed slightly, the heads fall out of sync and overlap / pass while the resulting audio is recorded back into the loop. If PlayFX is in reverse, the live sample will echo back in reverse, then forward and reverse from that!
Here is some steps to get there:
1) start an echo (in echo mode) 2 or 3 seconds long and tap a 3rd time to go into infinite echo
2) Turn on SLICE SEL and play the Slice that will be created, even if there is no sound yet. This validates the Slice
3) Stop the Echo (hold REC button)
4) Start a Slice overdub by tapping the REC button. 
Any audio you put in now will be recorded inside the little Slice loop and played immediately as a mix of sample+audio input
Slowing/Speeding up the Slice Rate (SLICE SEL to toggle Rate knob back to Rate control) will set the Record and Play heads out of sync
Starting a Start/End PlayFX will also set them out of sync as the controls are adjusted
If the sound suddenly disappears that's because the play head may have moved ahead of the record head and is now playing the previous loop laid down. Sync can be acheived by Starting echo via trigger input, then using the same plug to trigger PlayFX. 
Hell, just try it and have fun!!

Here's some audio that came out while playing with this. Feedback was up almost fully
0:00 Faster Slice loop, Non-synced drums with Slice Rate slightly left of center
1:17 Longer Slice loop, PlayFX reversed with End knob up a hair to allow PlayFX muting to takeout loop click. Changed PlayFx Rate down
3:12 Tea Kick for sync. Made echo Rec-->Echo loop from clock. Played Slice then reversed PlayFX triggered from same clock from that Slice. Played guitar with tempo.
4:54 Unplugged PlayFX trigger and turned up End a hair, left it in reverse and played more guitar
6:28 Same as previous recording, but switched SLICE SEL to adjust PlayFX rate down a hair. It's doesn't take much as it's accumulative. Turned Rate slightly above center for last part

Switching from PlayFX (exiting) back to the Slice Loop may mess up the feedback setting so just adjust it some to update it or it'll only echo once

Slice Overdub Fun!

Just got a new Sig Gen for Chrissy and decided to hook it up to the Reflex with a triggered CV (MI Frames) on about 25 random sized Slices and started record so it would re-write new Slices continuously. Feedback was mostly down, SLice LOOP off

Then just manually dialed in harmonies (100Hz, octaves, half octaves) and waveforms. Added an FV-1 reverb onto the end and...

SignalGenerator on Reflex LiveLoop SLice Loop

Here's an example of a tuned Karplus speed delay interacting with a couple of notes that are being slightly modulated off center frequency and the resulting pile-up of harmonics, which can be much stronger and hard to control!

Karplus Harmfuls

Here's a new pending forth PlayFX mode: DJ mode. This PlayFX allows panning through the sample in forward and reverse with the top PlayFX knob, with a bipolar CV offset, and the bottom knob a Slew control, also with a CV offset. (Slew is at zero in this recording)

The access to move around the sample actually changes the Rate/speed from center either way, forward or reverse so simulates a record platter being turned.

Using a bipolar square wave LFO in this sample is basically shifting the direction from the knob (at center throughout) either way at the same voltage effectively plays the same forward as reverse, so in a perfect LFO it'll sit in one place.
In the recording I change the offset of the LFO, but also the duty cycle, which makes the sample move forward more than reverse, moving it overall.

New Reflex LiveLoop DJ PlayFX mode test

This is a simple patch using the Reflex LiveLoop (as a delay mostly), 2 SDS_VCO's, and a SDS WiFiMIDI for modular.
A UC-33 MIDI controller is sending to FL Studio for some formula controllers, then FL is sending via WiFi to the WiFi module, which is in turn using one CV/TG combo jack to control the lead VCO (minor pentatonic scale), while the WiFiMIDI's clock output is triggering the 2nd VCO which is stepping through the same scale from a different CV out. 
To wrap it all up, the Reflex is delaying at 3/4 time (set by hand)and it's EQ is being also controlled by UC-33 MIDI->FL->WiFiMIDI. TouchOSC isn't being used, but could replace the UC-33. The drums are a loop playing in FL Studio which is supplying the clock via WiFi as it goes.
I'm "playing" the lead with a slider on the UC-33 is all, and hitting PlayFX on the Reflex to freeze 1/2 the delay size and create backing & Chords etc. 
The 4th jack from the WiFiMIDI is controlling the EQ Center band on the Reflex through the chain from the UC-33.
Control-wise, the modular rack is isolated from everything else :)

Sandrine Sims