1ST HOUR/前半 Chee Shimizu / 2ND HOUR/後半 CHLOE

aired 2021.4.27 on lyl.live

An authority on little-known gems, Chee (@OrganicChee) has been quietly but ceaselessly working on bringing forgotten music to the light, as shown in his essential book Obscure Sound (reissued in 2020). He is mostly found behind the counter at his record store Organic Music, in a quiet suburb of Tokyo. His mix (first hour) is a quiet journey across genres and worlds, representative of what is one of Chee's most well-known fields of expertise, a beautiful and mysterious zone sometimes called "listening music". 

知る人ぞ知る名曲の権威、Chee Shimizuは、忘れられた音楽を世に送り出すべく、静かにしかし絶え間なく活動を続けてきました。その成果は、2020年に再版された彼の重要な著書『Obscure Sound』にも表れています。
彼の姿は主に、東京の閑静な郊外にある自身のレコード店Organic Musicのカウンター越しに見ることができます。
前半のCheeさんのミックスは、ジャンルと世界を超えた静かな旅です。これは、彼の最もよく知られた専門分野の一つを代表するもので、時に「リスニング・ミュージック」と呼ばれる美しく神秘的な領域を体現しています。

Artwork by Jeremy Nealis (https://aerti.me).

Chee Shimizu
AGRIDULCE - aún no sabe
GAIA - o orinocco
DJALMA CORREA - fogo/xangô
MARTIN MULLER, HAKIM LUDIN, MICHAEL HOFLER - canto ossanha
MUSICA URBANA, BLAY TRITONO, LA RONDALLA DE LA COSTA - teresa marsé
MELAO - verte otra vez
SUNDANCE - yea yea
CARLOS DAFE - despertar da solidão
GERALDO AZEVEDO - um outro um
CAETANO VELOSO - haiti
FAIROUZ - version I
DOUDOU GOUIRAND - procession
MAKI ASAKAWA - gogo
TIM MAIA - these are the songs

Chloé Juliette
AYUO TAKAHASHI - from j.s.p.
CARLOS NIÑO & MIGUEL ATWOOD-FERGUSON - part II
MEREDITH MONK - travel song, for voice & piano
DIGA RHYTHM BAND - razooli
THE DEAD GOLDFISH ENSEMBLE - chewing shoes
DUNKELZIFFER - network
DWART - mate
RALPH TOWNER - piscean dance
ASHER GAMEDZE - interregnum
THE MCCRARY - emerge
MARIA TERIAEVA - spritz
PEDRO AZNAR - la gente es la misma
KEIYAA - rectifiya
L'EMPIRE DES SONS - moitié panthère
TOMMY MANDEL - soul tango

The Greater Good #10 with Chee Shimizu / LYL Radio

Bloomsday Ambient/New Age Mix Series is  Dedicated To My Beloved Dad, Who Passed Away in July, 2019. 

1.	zakè & marine eyes - I Will Comfort You 
2.	Ryan J Raffa  - We Have Always Existed 
3.	Ai Yamamoto - Far Away Home Away 
4.	Carmen Villain - Light in Phases 
5.	Naoki Ishida & Ayato - @ The Fun Fair - feat. Anton Mobin 
6.	Slow Reels - Lakka 
7.	Zwei Kreise - North The Decay 
8.	The Lifted Index - The Dim Light Of The Last Day 
9.	Bass Communion - Drugged I

Bloomsday Mix #22

Ophelia XZ 'Solaris' ⓜⓘⓧ ⓪①⑨

It is undeniable that we are living in uncertain times. For those of us failing to fit the patriarchal neoliberalist mould, we have lost hope in the future. We can see capitalism is not working but we cannot yet envisage an alternative. In a world where security is no longer feasible, the only constant we can rely on is change. Regardless of one’s point of reference, we can understand that every aspect of life, physical and mental is in flux and perhaps this transience is the only thing we can depend on.

This month we have invited @midorihirano to ruminate on these ideas and create an hour of relief from these anxieties. A temporary suspension of reality, where the listener can speculate on alternate modes of existence that reject hetero-patriarchal systems of oppression.

Midori Hirano is a musician, composer and producer. She uses predominantly piano, with subtle electronic processing and field recordings. She has released nine solo albums so far including the records under her other moniker MimiCof, in which she explores the realm of experimental music and detailed rhythmic patterns, combined with an idea of drawing melodic shapes and harmonies.
midorihirano.com

Photography by Janusz Lorent

transience #35 with Lou Drago

CHIDA自九十年初期成為東京地下House music界的先峰，除了DJ身份外，他也是一位德高重望的製作人，自2009年開始營運廠牌Ene Records。二十年的DJ的生涯，Chida既是面向世界，又是整個House和Techno新浪潮中的依然屹立不倒的人物。

 與Masters at Work、Strictly Rhythm和Nuyorican Soul等等傳奇音樂單位關係密切，多次同台演出，Chida都從中學習。在家鄉他以超過十二小時的馬拉松DJ set為人知悉。2009年開始營運個人廠牌Ene Records，為地下House music界注入新力量，分別有Prins Thomas、Eddie C、Man Power、Tiago、Lord of The Isles及日本本地音樂人如The Backwoods、Cos Mes和Sly Mongoose均在Ene Records旗下推出作品。

 他在ESP Institute千喚萬喚之下推出首張十二吋作品「Danca」後，他終於百忙之中製作更多個人作品，包括原創歌曲和不同的混音作品，都收歸於Ene Records旗下。

 在各DJ包括Eric “Dr Dunks” Duncan、The Idjut Boys、Lindstrom、Mak E、Justin Vandervolgan、 Andrew Weatherall、Soft Rocks、Discodromo等人都讚口不絕，Chida是名符其實DJ中的DJ。 在這個音樂製作地位高於DJ手藝的世代，單憑DJ身份就在國際舞台上大放異彩，Chida絕對是一個異數。

CHIDA has been a pioneer of the Tokyo underground house music scene from early 90s. Influential DJs playing around the world, he is also a very respected producer and run the label Ene Records since 2009. 
 
 Revered after more than 20 years as one of the most respected DJs in Tokyo, Chida is front and centre in the exciting new wave of House and Techno DJs who are now finding fame around the world.
 
 Learning his craft playing alongside legends like Masters at Work, and at Strictly Rhythm and Nuyorican Soul Label Parties, Chida is famed in his home country for his marathon sets which have been known to last well in excess of 12 hours.

 Since 2009 Chida has been running his label “Ene”, one of the most respected underground imprints amongst true house music aficionados, boasting a list of contributors including Prins Thomas, Eddie C, Man Power, Tiago, Lord of The Isles and homegrown Japanese talent such as The Backwoods, Cos Mes, and Sly Mongoose.
  
 Finally, after so much anticipation following his much sought after debut 12”, Danca, on ESP Institute, Chida is finally about to release more music, with originals and remixes due on both his own label, and several others in 2016.
 
 Respected and even, on occasion, name-dropped by such amazing DJs as Eric “Dr Dunks” Duncan, The Idjut Boys, Lindstrom, Mak E, Justin Vandervolgan, Andrew Weatherall , Soft Rocks, Discodromo and a whole load more, Chida is truly a DJ’s DJ.

 In this modern time where music production all too often takes precedence over true DJing craftsmanship, Chida remains that rarest of phenomena, a performer who has managed to carve out a global DJIng schedule purely from the merits of his sheer skill behind the decks.

MIX026 - Chida (東京)

From Oakland with love comes the 50th submission in the mix series comes by the hand of prolific producer and deejay Space Ghost (@space-ghost-1). Interview (excerpt) down below.

www.musicfrommemory.com 

MFM: Hey Sudi. How's life in California, what's been keeping you busy?

SG: Hey, not much! Just trying to enjoy the summer with friends and get in the studio when I can.

MFM: Looking at your discography it seems that you favor the LP over the EP format, having released well over a dozen albums. How come?

SG: I can’t say that I favor one over the other, just seems that as a musician you strive to write full length LPs. I enjoy LPs for home listening and it feels good to create a nice body of work that flows through a journey. Writing dance singles and eps are trickier for me. It feels harder to write 1-4 really good stand alone songs.

MFM: With such a prolific output, does writing music come easily to you? Can you tell us a bit about how you go about writing and recording, is there a certain flow or method?

SG: Hmm I wouldn’t necessarily say it comes comes easy but I’ve definitely gotten a lot better at getting ideas in my head out into my recordings. It’s still a process of getting into the studio and spending time on it. Sometimes I can spend a whole day or two just spinning my wheels and not being able to get my ideas out. But once I get that perfect dose of creativity and I’m in the right mood, then things can definitely start flowing out. When writing music I often need to start with a very specific idea based on a song I’m listening to at the time. It’s helpful for me to start out with that initial inspiration, whether some chords, style of drums, bassline or a tempo or something. Once I get a few elements working around that idea the song can start to morph and move in any direction, but I really need that specific direction to start. I find that I can often make a rudimentary idea fairly quickly this way and then if it’s inspiring me, I’ll start to try a little bit harder and flush out more of the idea.

MFM: How do you cope with not being inspired or motivated when in the studio?

SG: Honestly it can be a bummer to be in the studio and the ideas aren’t flowing. I’ll just have to step away and do something totally unrelated for a few days.

MFM: Your sound overall has a very soft and melodic touch. The mellow part may be from living close to the Pacific and nature, but where does the melodic part come from? Did you ever learn how to read and play notes?

SG: You know I’m really not sure if I can pinpoint my melodies and where they came from but ya I grew up taking music lessons of all sorts. Piano, drums, guitar, band class, all that stuff. I wasn’t the best at reading music, I learned basic stuff but eventually didn’t progress much farther. Now everything I do is by feel.

MFM: Is there some kind of masterplan for Space Ghost? Like, do you have certain goals to achieve or dreams to chase?

SG: I think my master plan would involve me getting to focus on writing music full time. Honestly I’m not really sure how to get there specifically, seems like everyone gets there on their own path so hopefully mine will end up there as well.

MFM: Tell us about the mix. How did you go about selecting and recording it? Does it have a certain theme or idea to it?

SG: I’ve been wanting to put out a nice lil ambient sort of electronic mix for awhile. Really soft deep introspective vibes. I’ve been holding on to a lot of these tunes for awhile and just listening to my playlist of ambient tunes while traveling or relaxing with friends. After coming back from my NZ/Australian tour, I was ready to play some non dance music for a sec and listen to some other stuff. This mix is just a nice break from DJing a party. I also really want to make an ambient album soon if I have the time, so there are a lot inspirations in this mix.

MFM Mix 050: Space Ghost

Music of the Psychedelic Islamic State

it's been a while... and we're back with a gentle bang a.k.a. a mix of the amazing Sanky @sankywashere!! 
Many of you will have had the pleasure to dive into his selections at other sites. Being a fan for a good while I dared to ask him for a mix and now we installed a window to his universe here at the bin too! As I always enjoyed the variety and finesse of his mixes I asked for his musical background and Sanky was so nice to share this with us: 
"My mother was a piano teacher and sometimes practiced with various classical musicians who were playing at city hall so the house almost always had strange, orchestral sounds emanating from the dusty front room. I can't play a note of piano as my hands don't seem to want to work together as 10 fingers but I can play some wind instruments and loved learning the trumpet, these strange organic sounds are something that I now realize feature heavily when out looking for records, weird sounds seem to mean as much as beautiful lyrics these days. I also think the varied pace of classical from Adagio all up to Presto might have influenced me more than I thought too. I've never really understood music in terms of bpm's but more on feeling. I'm 51 and I feel really lucky to grow up in a pre internet world on rare soul and jazz, boogie, soundtracks, samples and hip hop which provided another view of how incredibly different music really can be. Hearing Colin Curtis screaming down the mic at age 15 playing Margie Evans “Waterfalls” or watching David Mancuso drop “Whole Lotta Love” after Tamiko Jones “Can’t Live Without Your Love’ at 6pm in the afternoon and watch people lose their minds are things I feel truly lucky to have witnessed, genius at work for sure.
 
I just still look out for the oddness, especially on 7” as there is still so much undiscovered music there but also something that sounds familiar even when it’s not. I live in Mexico now and again due to what I hear day to day in the street (not just necessarily music) changes what I collect, the feeling of life here is softer and slower so this mix might have a piece of that in it. I hope you listen to the mix all the way through in a comfortable place you feel happy to be in. It has some of my most favorite records I play over and over…big love.

Let me know if you want to know what any of the tracks are and thanks to the main man Basso who’s been an inspiration for years. 

Cocktails on the beach for all…x

Dedicated to My Mother Kate. RIP."

THANKS SO MUCH SANKY!!!

Sankywashere - Room To Breathe (Guest Mix, 2024)

passing it clockwise is good luck,
anyone can join the joy of joint, just choose a time and post !


A (00:00)
1. Hipnotech – Mother Nature
2. P-Gruv – Calm Down (Instrumental)
3. Pete Rock – It's The Postaboy (Instrumental)
4. Masters Of Illusion - Let Me Talk To You (Instrumental)
5. The 45 King – Evergreen
6. Daily Plannet – Love It (Original Instrumental)
7. Da Beatminerz - Open (Instrumental)
8. Droop Capone – Somethin' Else About Mary
9. Prin-Sess – He Needs Me (Instrumental)
10. Kice Of Course – Thumpin (Instrumental)
11. Mission - Home (Thes One Instrumental)
12. Masterminds - Deja Vu (Instrumental)
13. Shadez Of Brooklyn – Paradise (Instrumental)

B (30:18)
14. Hipnotech – Yeah Yeah
15. Spectac - Reasons (Instrumental)
16. Encore Featuring Ladybug Mecca –Real Talk (Instrumental)
17. Lone Catalysts – Once Before (Instrumental)
18. CopperShot – Save Me (Instrumental)
19. Akrobatik-No losses (Instrumental)
20. El Da Sensei - Keep It Live (Instrumental)
21. Bits N Pieces – The City Is Us (Instrumental)
22. J. Rawls – The Night Belongs To The Music (Instrumental)
23. Almyghty Myghty Pythons - Curb Your Nerve (Instrumental)
24. Swamburger – 9 To 5 Poortrait (Instrumental)
25. Hi-Fidel And DJ Crucial – Rainbow Beach (Instrumental)


 ‎ﻌ ﻌﻌﻌ ﻌﻌﻌ ﻌﻌ from further from the sea ‎ﻌ ﻌﻌﻌ ﻌﻌﻌ ﻌﻌ

Passing it clockwise (18:15 - Flatic)

We're back with a new mix and interview from one of our favorite collectives out in London- @customs_ldn check out the full interview on our site: https://www.homagebrewing.com/mix-series

Homage Mix Series: Customs 012

Don't Look Back

My first EP. All tracks were composed, mixed, etc. by me during many early mornings between December 2024 and September 2025, primarily on the OP-XY. Dedicated to my cat, Lucky.

Buy Mesh on Bandcamp

Samara

CHEE SHIMIZU - SANPO 024 - REFLECTION WAVES

Interview and tracklist: http://www.thefader.com/2016/03/11/fader-mix-manara

FADER Mix: Manara

Good and longtime friend and frequently collaborator is back again on Trushmix, for our 162 installment. Telephones! Now a familiar contributor to our ever growing list of great mixes. And as usual Telephones delivers 100%!

This time, an over three hour mix, bit slower in pace, packed with great jams!. A vibe mix par du style! Deep balearic, early nineties hip hop  street soul, hip house, old-school house music and UK sounds from end of the eighties and early nineties.

Perfectly crafted mix for this time of year, when the summer still is hotter than hot, and when the music can take us to the place we as DJ's and party people all love!
The good kind of party with the right vibes!

Enjoy! 
Music from the top!

Trushmix.com

Trushmix 162 - Telephones

For our second installment of the Musik Mix series we are joined by 5ive from japan and Samo from Sweden in a remote joint effort.
Tupplur simply means - to take a nap in swedish. 
Taking an afternoon nap is happiness!

artwork by Tobias Centerwall

CHEE SHIMIZU - SANPO 024 - REFLECTION WAVES

Sanpo Disco

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