What are doing all those beautifull Cocteau Twins songs there? From the album Victorialand if my memory is good

While dropping their self-titled debut LP with us in August, Anya and Izaak from Loveshadow (@loveshadowdjs) were kind enough to also record a lovely mix and answer a few questions. Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Hi Izaak and Anya, nice to have you on board. Both living in Bay Area, how would you describe your daily surroundings? Is it a nice place to be as an artist?

LS: Right now we live in SF. We grew up one town away from each other near the airport, though we didn’t meet until much later. The landscape is inspiring for sure- we spend as much time as we can out in the parks and wild areas and draw a lot from that. The art and music scenes here run deep, though the cost of living and of course covid have made things tougher.
 
MFM: The songs on your debut album as Loveshadow -which will be out in August- sound incredibly fresh where they also remind to certain pop, boogie, funk and even house from the mid and late '80s. What were some of your main influences for this project? 

LS: Thanks! We have to mention the UK act Fashion after whose song we named the group, but our tastes range all over. You could say that Loveshadow is kind of a lap around the 80’s prehistory of today’s dance music, when things were still firmly rooted in pop songwriting but had a simultaneously psychedelic and funky sensibility- one that grew out of dub/disco/punk counterculture. Getting more serious about learning the records at the roots of the whole thing allowed us to see how we might contribute something new to it in a way that was more than a style exercise.

MFM: Of course also the use of specific instruments ad up to that flavor - it seems that for example the Linndrum plays an important role. Did you aim for that sound and gathered the instruments around it, or the other way around maybe?

LS: We had an overall idea in mind that definitely informed the instrumentation but we’re not purists. A lot of the sounds on the record are replications of or deviations from the iconic originals. Those famous drum sounds in particular are like symbols, they impart a particular meaning and we use them to set a mood.

MFM: What's the dynamic between the two of you like in the studio? Is there a certain steady structure or does this change all the time? Maybe you could tell a little about your writing and recording process?

LS: It changes all the time- we’ve lived and worked in so many places separately and together since we started recording. Either one of us might come up with an idea that we’ll design sounds around, demo, arrange, and then throw it all in the trash and start again. Most of the songs on the record have had a few lives.

MFM: It feels that the music from the LP could work really well live on a stage too. Are there any plans for you to go touring? 

LS: We’re going to play a gig in Detroit later this summer that will be sort of a test run! After that, we’ll see. The project started out as an interest in records and recording, but anything’s possible.

MFM: Thanks a lot for contributing! It seems you quite regularly record a mix. Have you both always been busy collecting and sharing records? 

LS: Our pleasure, thanks so much for asking us! We’re always looking for new music. Sharing mixes online has helped us organize our favorites but playing parties is the best. We were gigging around before covid and we’ll hopefully get back to it as things continue to open up. This mix is definitely on the hype side of things- new digs, old favorites, some edits, tunes pals graciously sent our way, and what we’ve been dancing around our apartment to while we were stuck inside.

MFM Mix 030: Loveshadow

Instant Peterson & Andras Fox are taking you down under - to a land of wonderful tunes...
you find the tracklist here: 

http://thegrowingbin.blogspot.de/2013/10/instant-peterson-andras-fox-southern.html

Instant Peterson & Andras Fox - Southern Shores (Guest Mix, 2013)

Up next are our dear friends The Zenmenn (@user-847972032) with whom we have a new 7" and more coming up soon. For the special occasion they came up with an unexpected mix extraordinaire while being generous in answering our questions. Interview (excerpt) down below.

www.musicfrommemory.com

MFM: When did the first idea for The Zenmenn project present itself? Did it start with a few existing songs, or is it a conceptual project?

ZM: A couple of years back we got the opportunity to join this cool studio run by a gentleman called Franz. We did some stuff with friends and at the same time we just began jamming and recording what we did, and eventually we had a couple of songs in our hands, that we thought sounded interesting, and it dawned upon us that we should spend our time working on our own stuff. The name The Zenmenn came later, probably most of the album was recorded by then. There are still some old jams on the Zenmenn hard drive filed under Pharaohs Lounge, which is one of the earlier name ideas stolen from an alcohol free coctail bar near the studio.

MFM: Quite some fans refer in their comments on the LP to the '80s and include terms like 'melancholic' and 'nostalgic'. What are your thoughts on comments like these? 

ZM: Oh that’s nice. It’s generally very nice to hear people describe our music. Today a guy told us he thought we sounded like an Ethiopian band played on 45 with John Mayer on top… could be something to it. 
But true - it’s not really a party record and some of the songs like topaz or homage to a friendship certainly have a nostalgic, melancholic tone. Also the 80s vibe is well helped along by the Dx7 that features on every song. The presets we use are mostly the legendary e piano which features in all the 80s power ballads and the amazing fretless bass that still sounds better than any of the other fretless bass presets we’ve come across. Harp and steel drum are also great.

MFM: If all your current equipment would break down and you'd have to work with newer instruments of modern technology instead, how would that affect your music? Do you think you'd still non-mistakenly sound like The Zenmenn?

ZM: Most of our keyboards are from the 90s or even early 2000s, like the Triton Le and the Casio Ctk900 with which we recorded this whole mix. The 90s stuff is way more affordable. In some way we would probably sound the same cause we don’t loop, quantize or produce music in a contemporary fashion, and we’re into certain chord progressions and grooves. If we wanna play one pattern for 5 minutes, that’s what we mostly do, and then you always end up with some embellishments and quirks. But making music comes a lot down to workflow and if we had some fancy new synth in your hands with a thousand effects, sequences and menu diving we would probably do something different. That could be cool too,  but at the moment we prefer the old school approach. 

MFM: Thanks so much for this very special "mix". Tell us about it please?!

ZM: We made a mix of tracks we liked but it didn’t really come across too original so we decided to take another approach. Magnus plays around on keyboards whenever he can, and the way we make music is mostly just jamming something and then giving it structure as we go along. Magnus made 2 jams and we put them together and chopped out things that didn’t seem to fit, but mostly everything is recorded in one go. Our friend Helen Wells came by and played some harmonica, guitar and tweaked some pedals. We overdubbed some Casio, cool voices etc. Ben had a couple of curatorial suggestions in the end and did some great spoken words. Since our first little tour this summer Magnus has been carrying around some small drawing books and has been noodling away. This has been a great influence on this mix where all the decisions have been quick, with a loose hand and not too many layers. We’re happy to have the opportunity to make a mix and we’re very inspired to do more just like this.

MFM Mix 037: The Zenmenn

In this instalment of the "A Pinch Of..." series, Cam Hildebrandt joins us for an hour long odyssey through, reggae, downtempo and dusty gems, perfect for a walk in the sun or relaxing in the park :) 

track list requests: @camhildebrandt

https://www.instagram.com/cam___h/?hl=en

Originally aired on EHFM, 25/05/2022

Cam Hildebrandt - APOMS 009

Delighted to host @melodyastruth influence mix on Oddity Radio.

@jonnynash : It is a selection of music I've been enjoying over the last year, with a loose focus on "guitar music".

Turn on, tune in and don't drop out!

For regular updates please follow : www.instagram.com/oddityradio.fm/

Jonny Nash - Oddity Influence Mix

Small biscuits, large tea, lit candle, green tree, red nose & distant sound of TV. Kids screaming for candy!Checked pyjamas, silk robe, emblems on Pantoffels, Finally it’s Christmas at Lord Doffel’s

PUBLIC POSSESSION "Lord Doffel’s Pantoffels"

Back by popular demand: Tako's wonderful Holiday Mix!
Here's what I wrote 7 years ago:

I was about to post this beautiful summer mix of Tako with the following words:

"What do you expect from a mix when it's done by a supernice guy with an excellent taste in music and a wonderful record collection? Yeah and that's exactly what you get here. Also make sure to get a copy of the first 12" of the Sombrero Galaxy, released on Lovefingers long awaited ESP Institute. Sombrero Galaxy is the collabo between Tako and Jonny Nash and their "Journey to the center of the sun" is one of my favourite releases of the last years, cheers!"

That was yesterday. In the meantime something terrible happened. Tako's friend Petros Malevis from Athens passed away without a warning. This mix is dedicated to Petros! He will be missed. Rest in peace, Petros.

Tako - Holiday (Guest Mix, 2010)

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MOOPIE - SANPO 080 - Sugar Hiccups

https://www.nts.live/shows/panorama-heaven/episodes/panorama-heaven-w-bianca-lexis-20th-may-2020

MOOPIE - SANPO 080 - Sugar Hiccups

Sanpo Disco

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