Name: People Say - original song by Sans Roots
Duration: 4 min 10 s
Description: Original song created and recorded with the Bertiewolf Band. Lyrics and melody by Blanche, Bass guitar and production by Dan Perfect, Drums by Mike.

great song Sans!! 🎶🎶 awesome  swagger 🤙🏽

idematoaSo Beautiful 😍 💐 🙏 🍀 🎶 🎧

Great song and vibe. The vocals really stand out in the production, which is nice

Just top notch everywhere again. I’m gunna run out of things to say really quick if all yer stuff is like this. 😉

I leave you here this Spanish Fantasy that aims to translate in the form of a fantastic serenade the spirit of those lands and their people, being on the other hand autonomous music that represents in my imagination many and sometimes indefinite feelings.

Spanish fantasy.

Phantom World

Self indulgent, yes. Polishing a turd, maybe....but It's done now. Thanks to Mark for the re-master. One of the songs I'm most proud of, I hope you enjoy it. Steve ASW

Savages

Sword is a love story about someone who fetishizes the digital version of their muse but continues to yearn for their muse in their true human form.
Video: https://youtu.be/gIfxc3oxkLw

LYRICS:
The link that you sent me
leads to another me
the goddess with a sword

sketched me then coded me
in your captivity
giving me everything and nothing at all

Only a body 
can understand me
I remind you of the soul

As you watch my expressions
collect vulnerability
then tell me about how the nights get cold

Play with me
Awaken me
Shape me 
rid of me
Winged goddess with a sword

You’ll still ache for me
the me with a heart that bleeds
the soul still seeks
a body’s warmth 

Only a body 
can understand me
I remind you of the soul

As you watch my expressions
collect vulnerability
then tell me about how the nights get cold

littleuniverses

Sword

"Integrate" is the menuet from Guitar Suite 1

Meditations

Integrate

This came out of a piece I'd been developing over a couple of weeks, searching for variations around a central theme on felt piano. After a couple of less than successful attempts at developing the track with a fixed bpm I ended up freestyling it as an improv with some subtle drones from Spitfire labs Foghorn, a unique and free library of sounds derived from recordings of the Sumburgh head Foghorn on Shetland. 
One of the options in the labs library is a selection of engine room noises from the two diesel engines that power the foghorn, I wondered whether the engine room could stand in for percussion on the track and here is the result. Thanks for taking time out to check it out.

the engine room

With Big Love and Respect for The Marshall Tucker Band! Vocals, all instruments, and production by Riff Beach via RiffWerx Studios.  Big Thanks to The Most Wonderful Riffanators! ;-)

Sunny Beaches

Can't You See - JaMix

Can't You See - JaMiX Version

As is usually the case after completing an album, I tend to return to my style of emotive piano melodics.  "Reflect" was completed in one evening, after sitting at my controller keyboard exploring different phrases, until finally coming up with something that resonated with me. There are countless evenings like this that I never end up with anything at all worth recording. Just meandering with fingers randomly playing unmemorable motifs. Something I'm trying to learn with these types of tracks is to stop when I have a sense that the feeling is conveyed. Even if it ends up only 2-3 minutes long. I hope you enjoy it and helps you reflect on good times. 

I want to thank all the wonderful people in this SC community that have supported and expressed their enjoyment of my music. It's a hobby(turned passion) that has so much more significance when I get to read the gracious feedback that I'm so fortunate to receive.

I look forward to sharing more material from my new album “Focus”. I also have a new Blink Twice single coming next week that should satisfy those electro heads out there. And much more to come in 2023 most definitely. Cheers!

Mood Exhibit - Reflect

Transfixed Traffic Lyrics

Our narrator slowly dips into a bit of a mental state and basically shuts down. Much like the traffic that isn't moving at all. 

Lyrics;
The tail lights on the freeway
Go on for miles and miles
And it's looking like I'll be here
for quite a long long while

In the middle lane
No place to turn
Home is so far away
I feel a real concern

The traffic on this freeway
Has me trapped me in this car
A claustrophobic feeling
Like a bee caught in a jar

Heavy rain is coming down
The wind is screaming
ominous sounds
And no one's moving
Like a bunch of trees rooted to the ground

It's an atmosphere of madness
My mind has gone off track
On a road of no return
And no way to turn back

Traffic jam goes on and on
I'm locking on to tail light glare
Going catatonic
'Cause I'm not going anywhere

My hands melt to the wheel
My feet become the pedals
The rest of me no longer feels
And I harden into metal

Heavy rain is coming down
The wind is screaming
ominous sounds
And no one's moving
Like a bunch of trees rooted to the ground

And the tail lights on the freeway
Go on for miles and miles
And it's looking like I'll be here
for quite a long long while

Transfixed Traffic

This tune was performed by The Tremeloes in 1967. Performed by me on my Yamaha PSR-SX900 arranger keyboard.

Can you "Name That Tune"? I have a website that contains my complete collection of tunes with their titles revealed at: https://www.harveytwyman.com

Name That Tune #490 by The Tremeloes

Original song created and recorded with the Bertiewolf Band. Lyrics and melody by Blanche, Bass guitar and production by Dan Perfect, Drums by Mike.

People Say - original song

I am driven to create music by my belief in its transformative and healing power, a method of expressing and processing what beauty and pain life may throw your way.
         
My songs are a collection of memories and emotions, an eclectic mix of sounds, influenced by my experience of the many cultures and countries (Indian subcontinent, Switzerland, Ukraine, Russia, Uzbekistan, USA and finally the UK) that I had the privilege of living in around the globe. 

Growing up all over the world was exciting and dynamic, however, it also left me feeling somewhat like an international nomad, with no distinct roots or clearly defined place to call home. Hence the name Sans Roots.  

As a child, I found great joy, comfort, and stability in music, however going into adulthood, university studies and the corporate career ladder took front and centre stage of my priorities, leaving the creative inner child stifled and forgotten. 

Now in parenthood I am reconnecting to this inner child, tapping into this creative outlet, and realizing that home doesn't have to be a physical or geographical location, it can be a place in the mind where everyone can find solace, peace, and a sense of fulfilment.   

As a dandelion puff takes flight in the wind, free from the cares of this world, its destination unknown, so too is our journey of the mind, hope you enjoy sharing it with me.

People Say - original song

Sans Roots

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mistermark

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