FINAL FANTASY VII REMAKE INTERGRADE Original Soundtrack

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Their Journeys

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Dawn Over the Kingdom - Track 09

The Mask Murders is an instrumental Edwardian noir set in Deptford, London, in 1905. Across three acts, the album traces the path from a quiet neighborhood paint shop to the birth of modern forensic justice.

Act I lingers in the world of the victims: a small shop glowing under gaslight, dawn on Deptford High Street, and the low hum of London life. Two discarded masks, an open cash box, and whispers moving through the streets slowly bend the music toward unease. By the time the six days have passed, the city’s everyday sounds—fog, footfall, and a fading music hall waltz—have become the backdrop to a double murder.

Act II shifts into the interior of the new fingerprint bureau. Chamber textures tighten and overlap as motifs are passed between instruments like evidence between hands. Themes are examined, restated, and set in counterpoint, mirroring the growing list of matching points and the investigator’s struggle between professional certainty and private doubt. The sound is small, acoustic, and precise, rooted in early-twentieth-century harmony.

Act III moves to the courtroom and the gallows. Formal, hymn-like writing and slow tolling rhythms carry the listener through the trial at the Old Bailey, the weight of the verdict, and the quiet finality of a morning at Wandsworth. In the closing piece, the fingerprint patterns return in a cool, stripped-back epilogue, suggesting a future in which a few ridges on glass quietly govern life and death.

Deptford Before the Court

Link to Book (English):
getinkspired.com/pt/story/520449/…english-version/

Link to Book (Portuguese):
getinkspired.com/pt/story/414704/aequus/

ADVICE: MUSIC — ESPECIALLY ORCHESTRAL MUSIC — SHOULD BE LISTENED TO THROUGH SPEAKERS WITH A GOOD BALANCE OF BASS AND TREBLE. IF YOU LISTEN TO THESE PIECES ON A CELLPHONE, YOU’LL LOSE AT LEAST 40% OF THEIR QUALITY.

“Flaming Hair” is the theme of Virna, the woman with a gentle soul and fiery hair who stood beside Nathan through his darkest years. After Aila’s disappearance, she remained close to him, caring for Dilem as if he were her own child, while quietly carrying a love she dared not confess.
The melody mirrors the constancy of her affection, the warmth of her presence, and the tenderness with which she slowly broke through the walls around Nathan’s heart. Within its soft notes lies the weight of longing and the sweetness of hope, as the theme swells like a flame that refuses to fade.
There is a serene, almost maternal lyricism that gradually transforms into something deeper , a love both patient and steadfast, born from shared sorrow and unwavering devotion. “Flaming Hair” is the portrait of a woman who loved in silence, yet whose warmth was enough to rekindle the heart of a weary warrior.

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Flaming Hair

Celes's Theme (セリスのテーマ)
Compositor: Nobuo Uematsu
Instrumentalización, edición y masterización: Pedro Castillo
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Music from the videogame "Final Fantasy VI" (c) 1994 by Square (now Square Enix)

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