1. Done (feat. Stephanie Lambring)
2. The Island (feat. Mary Bragg)
3. All We Need (feat. Jaimee Harris)
4. Give A Damn 
5. I Couldn't See
6. Superstitious
7. What We Daydream Now (feat. David Ramirez)
8. In My Dreams
9. Don't Give Up On Me
10. See You Again

Produced by Mary Bragg, at the studio of Jon Estes in June 2021.

All songs written or co-written and performed by Natalie Price. 

Other writers: Zach Berkman (Track 7), Matt Odmark (Track 6).

Other featured musicians and performers: Jon Estes, Liz Estes, Josh Kaler, Megan Coleman, Ryan Madora, Mary Bragg, Jaimee Harris, Stephanie Lambring, David Ramirez, Lang Freeman.

Natalie Price

Give A Damn

04 - Give A Damn

Spellbound

Deception was composed in 2012.  It was awarded first place in the 2013 Susanville Symphony Composition Competition, American Composer Category.  The Symphony premiered the work at their Modern Composer concerts on April 19, and 21, 2013 with the composer conducting.

This recording is from a live performance by the UC Davis Symphony Orchestra at the Music and Words festival on January 31,2015.

Some of the thematic material in Deception began as underscore for a film.  The opportunity to expand on these ideas sparked the inspiration to create the piece.  Deception is a musical interpretation of the emotional progression felt when deceived: confusion, shock, anger, and disbelief.  The composition begins with a motif of intense slow glissandi, exploiting the microtones between the notes. Tone clusters shifting in dynamics, register, and timbre provide the harmonic background.  Immediately following is an expressive theme stated by the Cellos. These melodic fragments become the foundation of the work.  As the themes are developed, new motifs are presented in a series of dynamic and rhythmic peaks and valleys.  The ultimate climax is reached with a culmination of the main thematic ideas heard simultaneously in a rhythmic frenzy.  In the conclusion, the oboe now performs the expressive theme, while the intense glissandi become a whisper when stated by the violins as harmonics.


Deception

Recorded by Fat Fuse Music (Grant Johnson + Chris Cox)

pedal steel: Simon Page

nashville moon

Franz Schubert - Impromptu in G flat major op.90 No.3
Sofja Gülbadamova (piano)

Franz Schubert - Impromptu Ges-Dur op.90 Nr.3

You Don't Dare

Marnie has a unique perspective and gives an impassioned delivery of her experience, strength, and hope. This is a must-hear, for sure.

Story Marnie  20180302

By Kaliyo - Andrea Perry & Sarah Sharp
Vocals: Sarah Sharp, all other vocals and instruments, production, mixing: Andrea Perry

Come On (Surely We Can Work it Out) - Kaliyo

Billie's Blues

“Watching Sarah perform onstage is pretty analogous to the experience of being bewitched by a musical sorceress: conversational, charming, organic, at times whimsical and crazy, and always utterly captivating. When Sharp arrives, you listen.” – Songwriters Across Texas

Sarah Sharp has long been honored for her skills as a jazz singer. That is evident in her accolades. In February 2024, Austin’s premier Jazz singer, won her third Austin Music Award presented by the Austin Chronicle for Best Jazz.  But make no mistake – she also is a soulful songwriter and so much more. She masters Americana, Pop, and old-school country music, while exploring other sounds and collaborations. And, its hard to not fall in love with her whole persona. As one reviewer wrote, she’s a little bit Tina Fey. 

No matter what genre she sings, it will be authentically Sarah, and you’re going to get a well-rounded performance that has you both mesmerized and fully entertained. 

Talent comes honestly for the Houston-born and raised performer. “I grew up in a big Catholic family where I thought it was normal for people to end every gathering playing songs and singing four-part harmony.” It wasn’t until much later that she realized not everyone had a similar musical upbringing. 

Audiences can feel, in her unique style, traces of her musical influences. “We sang everything from show tunes to James Taylor,” she says, adding that she counts the Beatles, Simon and Garfunkel, Aretha Franklin, The Pointer Sisters, The Police, Sting, and Rolling Stones among other early influence. She credits songwriters Willis Alan Ramsey, Leonard Cohen, Bob Dylan, Elliot Smith, Eminem, and Beyonce for having a soulful impact.

Although a devoted ballet student, Sarah ultimately followed her passions to attend Berklee College of Music, the world’s preeminent college for the study of music. There, she began to lean on the best of the best to feed her jazz inclinations – Billy Holiday, and even more deeply, Etta James singing the songs of Billie Holiday in the record “Mystery Lady.”

Sarah carries all of her influences and her passion for music to the audiences she reaches and the performers with whom she works side by side.

“There is a flow, almost like a reciprocal loop, when the audience is truly connected, that both fills me up and allows me to give more. When the audience is there and we are connected, it elevates everything,” she says. 

As for her band and collaborators, Sarah says she has a deep love and appreciation for them and is honored to be making music with them. “There is a true love fest going on between us all on stage,” she says of her band, who she describes as quintessential jazz musicians. They are immensely talented in a way that allows them to bring a vital sense of improvisation to the music they make. “They never play a song the same way twice.”

In the co-writing realm, Sarah has had many successes. She wrote nine original songs on the Jitterbug Vipers’ “Phoebe’s Dream”. That caught the attention of NPR’s Michael Feinstein who flew them to New York City to be featured on his national radio show. Sarah also has written with Yaniel Matos, Mitch Watkins, Elizabeth McQueen, Katie Shore, Jacob Jeager, Kristopher Lee Wade and Matt Hubbard, among others.

As with her recent Austin Music Awards win, enthusiastic accolades have followed Sarah through her career including multiple awards for her singing and songwriting. The self-produced album “Phoebe’s Dream,” with then-band Jitterbug Vipers, earned Sharp Top 5 placements in Austin Music Awards categories for Best Female Vocalist, Producer, Songwriter, Album of the Year, Song of the Year, Band of the Year, and Best Jazz Band. Sarah also was a (two times, once with Jitterbug Vipers, and once as Sarah) top recipient of the Black Fret Award (now Sonic Guild) from the organization supporting “the creation and performance of extraordinary new music.”

“It’s so clear that the music you create is so inspired by your environment,” says NPRs Michael Feinstein. Of her song “Trouble,” Feinstein adds, “That is the kind of song that has such a classic quality to it and it’s a song that could have been written a long time ago, and yet it speaks so much to the world now, and I think it will speak to people whenever it’s heard.”

Sarah now has a library of songs she is eager to put into her next record. She is looking forward to a new era of Sarah Sharp.

Billie's Blues

SarahSharp

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