folk song
Inside the Breath: INT (In Network Time)

singing: Meredith Bove, Barbie Diewald, Karinne Keithley Syers, Sara Smith

Nepantla Transmission

Future Oral History
Inside the Breath: INT (In Network Time)

In The Early Days

Future oral history
Inside the Breath: INT (In Network Time)

We have come through Nepantla

Oral history
Inside the Breath: INT (In Network Time)

We've got to go

Oral history
Inside the Breath: INT (In Network Time)

speaking: Meredith Bove, Karinne Keithley Syers

Bedtime story

SOUNDSCORE FOR LIVING SCENERY: 
A.P.E. Gallery, 42.31869424925156, -72.63040928671785 (June/July)

Listening location: Inside the doorway, facing the sidewalk in front of the gallery at 126 Main St.

Note: The July score contains excerpts of recordings made in the APE Gallery space, including at Lailye Weidman’s open rehearsal on June 22, with performer-collaborators Catalina Hernández-Cabal, Madison Palffy, and Ashley Shey.

Soundscores for Living Scenery is a series of soundworks by artist Sara Smith, designed to accompany specific outdoor locations.
More info: www.apearts.org/soundscores-for-living-scenery.html

Soundscores For Living Scenery: APE Gallery, 42.31869424925156, -72.63040928671785

SOUNDSCORE FOR LIVING SCENERY:
Norwottuck Rail Trail Bridge/Northampton Lattice Truss Bridge, 42°20’14”N 72°37’07”W (July/August)

Listening location: Norwottuck Rail Trail Bridge (AKA the Northampton "bike path" bridge), overlooking the Connecticut River. Choose to listen as you walk from one end to the other, or find a single spot on the bridge. Stream or download. Parking at 344 Damon Rd in Northampton + PVTA stops nearby.

Soundscores for Living Scenery is a series of soundworks by artist Sara Smith, designed to accompany specific outdoor locations. More info: http://www.apearts.org/soundscores-for-living-scenery.html

Soundscores for Living Scenery: Norwottuck Rail Trail Bridge 42°20’14”N 72°37’07”W

SOUNDSCORE FOR LIVING SCENERY: Childs Park, 42°19'41.3"N 72°38'54.3"W (September/October)

Listening location: Patricia McDonagh memorial bench in the catalpa grove, Childs Park, Northampton. 
Enter the park through the stone markers on North Elm St. Walk across the first path, through the field past three catalpa trees, till you find the bench labelled "in loving memory of Patricia McDonagh." 
Street parking available + on-site parking until 5pm. PVTA stops nearby. 
Please note: Childs Park closes after dark.

This work contains a vocal cameo from the Network Time Small Human Chorus.

Soundscores for Living Scenery is a series of soundworks by artist Sara Smith, designed for immersive listening in specific outdoor locations, to support and augment listeners’ sensory experiences, as soundtracks and soundscores enhance the atmosphere of a film or theatrical performance.  More info: http://www.apearts.org/soundscores-for-living-scenery.html

Soundscores for Living Scenery: Childs Park, 42°19'41.3"N 72°38'54.3"W

SOUNDSCORE FOR LIVING SCENERY: Fitzgerald Lake, 42°21’10”N, 72°40’05”W (October/November)

Listening location: The dock overlooking Fitzgerald Lake, Northampton, MA.
From the parking area at 95 N. Farms Road, take the paved trail into the woods. At the sign, take a right onto the boardwalk trail and follow that to the dock. About 0.2 miles from entrance to the lake. 
Please note: Conservation area closes at dusk.

Soundscores for Living Scenery is a series of soundworks by artist Sara Smith, designed for immersive listening in specific outdoor locations, to support and augment listeners’ sensory experiences, as soundtracks and soundscores enhance the atmosphere of a film or theatrical performance.

Soundscores for Living Scenery: Fitzgerald Lake, 42°21’10”N, 72°40’05”W

SOUNDSCORE FOR LIVING SCENERY: Northampton Station, 42°19'09"N 72°37'34"W (December)

Listening location: Northampton Train Station, 170 Pleasant St. Benches on the platform face the tracks. Stairs and a ramp lead from the parking lot to the platform.

Soundscores for Living Scenery is a series of soundworks by artist Sara Smith, designed for immersive listening in specific outdoor locations, to support and augment listeners’ sensory experiences, as soundtracks and soundscores enhance the atmosphere of a film or theatrical performance.

Ssmith

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